Through Silver In Blood turns 20. Invisible Oranges reflects on the dense, white-hot cornerstone of Neurosis' 30 year career. A marriage of ritualistic drumming, suffocating noise, and crushing distortion, best exemplified in this profound live rendition of Locust Star. [more inside]
Outlaw songs are at least as old as popular music itself. The image of a gallant loner battling a rigid and unyielding legal establishment has proved irresistible for generations of songwriters. In 1959, Texan Sonny Curtis wrote one of the best, "I Fought The Law." Intended as a vehicle for himself and the post-Buddy Holly Crickets, their single went precisely nowhere.That is, until it was covered -- the first hit cover was by The Bobby Fuller Four in 1965, then another major version came out 14 years later, from The Clash who revived the "oldie" into what is now a "punk anthem." From there, the covers start piling up.... [more inside]
Phranc, the self-described "All-American Jewish Lesbian Folksinger" has been a little quiet lately, but she's back with a new website and a new instrumental song. And if that wasn't enough, her entire solo catalog is now available on Bandcamp. [more inside]
Ghost Mice are a 'FIRST-WAVE folk-punk band' who sing about playing Dungeons & Dragons as a metaphor for overcoming depression, wanting to be loved like John Hickley loved Jodie Foster and recycling so Cthulhu doesn't invade. They've recorded splits with other folk-punk bands like Andrew Jackson Jihad and Defiance Ohio. Ghost Mice's song Monsters Get Slain is a heartbreaking anthem about healing from a lifetime of depression.
The Revival Tour documentary celebrates the annual acoustic folk-punk Revival Tour that was founded by Hot Water Music frontman Chuck Ragan. Now in its fifth year, The Revival tour has featured musicians like Gaslight Anthem's Brian Fallon, Against Me!'s Laura Jane Grace, and British star Frank Turner. This year's lineup includes Chuck Ragan, Rocky Votolato, Rise Against frontman Tim McIlrath, Streetlight Manifesto's Toh Kay, Jenny O, Loved Ones' Dave Hause and Jenny Owen Youngs. Folk-punk previously.
"Dingus is dedicated to the search [for new music on Bandcamp]. It's here, on this humble blog that we shed light on bedroom artists in their most defining moments. If you want what's popular today, Dingus is not the blog for you. But, if you want what's fringe, pure and passionate then you've somehow landed on the right URL." [more inside]
"Rhyece O’Neill is an intense young man. A polemical folk singer, a producer of bass-heavy dance music, a protester, and a digital media worker for a major record label. He’s unlike anyone else in Australia’s dubstep landscape." Cyclic Defrost interviews O'Neill, aka electronic/dub/dubstep producer Westernsynthetics, and head of the Sub Continental Dub label. You can skip the rest and hear two streaming mixes from Westernsynthetics, 19 tracks from the Sub Continental Dub label, plus the label's first three singles, or continue inside for background, context, and even more music. [more inside]
Folk-punk, Orgcore (UD definition) and Dadpunk are all names for a new wave of earnest, authentic rock that draws its roots from The Clash, Billy Bragg, The Pogues, Social Distortion and Bruce Springsteen. In England, its best represented by Frank Turner, the former singer of hardcore band Million Dead. His anthemic songs about life on the margins of fame, poetry, death, inspiration and the power of rock and roll have made him famous in England, leading to an upcoming show at Wembley Arena. He follows in the footsteps of British folk-punk pioneers Leatherface. [more inside]
From the pop of "Nursey, Nursey" to the pomp of "Epitaph: Angel", the ambitious double album White-Faced Lady by seminal British psych/prog band Fairfield Parlour (formerly Kaleidoscope) had all the makings of a 1971 hit record. By the time of its actual release, in 1991, the moment had long since passed. The cause of the twenty-year delay is explained in this interview with ex-frontman Peter Daltrey (spoiler: it was the labels). [more inside]
Songwriters on Process interviews songwriters in depth about their writing process. They've talked to everyone from Brian Fallon (The Gaslight Anthem) to J.D. Cronise from The Sword. Where else can you find both Patrick Stickles from Titus Andronicus talking about Faulkner and Eric from Foxy Shazam admitting he's never read a book in his life?
It’s maybe a little early yet for year’s end retrospectives, but who cares: we’ve got 157 songs, 10.5 hours, 1.12 GB of “some of the best and most notable music from 2010... covering indie, pop, rock, punk, folk, rap, R&B, soul, dance, country, modern classical, ambient and electronic music, and in many cases, hard-to-classify genre hybrids.” —Curated by FluxBlog’s own Matthew Perpetua.
Shane MacGowan is the face and name most often associated with The Pogues. Unraveling Shane's psyche would require a book-length study but the crux of his identity lies somewhere in that conflict between English experience and Irish heritage. The abbreviated story of his life starts with his birth in England, but he was raised in Ireland, and moved back to England some years later. He won a scholarship to the renowned Westminster School, where he was possibly enrolled alongside Thomas Dolby and other notable people. MacGowan was involved with drugs and publicized hooliganery before being in a band, the first of which was The Nipple Erectors in 1977. [more inside]
Live from the Pink Couch: Punks, Girls, Boys, Warriors, Witches, Kids, Comptrollers, and your new favorite band Best Friends Forever! (boyzone comment flamewar included) [more inside]