WET: The Magazine of Gourmet Bathing covered a range of cultural issues and was widely known for its innovative use of graphic art. Started as a simple one-man operation that included artwork and text solicited from friends and acquaintances, the production, team, and circulation of the magazine would grow over the years. Its content also evolved to cover a wider expanse of stories that captured a smart and artsy Los Angeles attitude that was emerging at the same time as punk, but with its own distinct aesthetic. The magazine’s energetic creativity and flair for the absurd would remain a constant. As design problems arose, solutions were often improvised on the spot, creating a quirky and prescient editorial sensibility that remains one of WET's most enduring legacies. Its layout and design helped to catalyze the graphic styles (NSFW) later known as New Wave and Postmodern.
The Los Angeles band named X. The one that performed "Los Angeles" , "Your Phone's Off The Hook But You're Not", "Johnny Hit and Run Paulene", "We're Desperate", "White Girl", and "Breathless". The one with John Doe, Exene Cervenka, Billy Zoom, and D.J. Bonebrake in it. [more inside]
Alex Cox: REPO MAN was made as a "negative pickup" by Universal at the time when Bob Rehme was head of the studio. At the time, the big deal over there was STREETS OF FIRE, and nobody really noticed our film [8 MB PDF] at all. Which was lucky for us, since Bob Rehme had "green-lighted" a film which was quite unusual by studio standards. (previously)
"Punk rock today is like Happy Days or Civil War re-enactment.” LA Weekly is sponsoring "14 and Shooting," an exhibit of west coast punk photos taken by Jennifer Finch, former bassist for L7.