"
Rhyece O’Neill is an intense young man. A polemical folk singer, a producer of bass-heavy dance music, a protester, and a digital media worker for a major record label. He’s unlike anyone else in Australia’s dubstep landscape."
Cyclic Defrost interviews O'Neill, aka
electronic/dub/dubstep producer Westernsynthetics, and head of the
Sub Continental Dub label. You can skip the rest and hear
two streaming mixes from Westernsynthetics,
19 tracks from the Sub Continental Dub label, plus
the label's first three singles, or continue inside for background, context, and even more music.
[more inside]
posted by filthy light thief
on Feb 27, 2012 -
9 comments
Swissted New York graphic designer
Mike Joyce takes vintage flyers from punk, hardcore and indie rock shows and redesigns them "into international typographic style posters. Each poster is sized to the standard swiss kiosk dimensions of 35.5 inches wide by 50 inches high and set in berthold akzidenz grotesk medium, all lowercase. Every single one of these shows actually happened."
posted by BitterOldPunk
on Jan 11, 2012 -
36 comments
In Southern California in the 1980s, KROQ had this weird un-DJ-like guy named (seriously)
Rodney Bingenheimer, who came on late at night on Sundays and played punk records and new bands like Blondie, The Ramones, X, Joan Jett, Devo and Cheap Trick. Did this weirdo really have some influence? A 90-minute 2004 documentary now on YouTube,
Mayor of the Sunset Strip (Part 1) tells his story, and it's weirder than you may have imagined.
[more inside]
posted by planetkyoto
on Nov 14, 2011 -
24 comments
The most vivid figure in Michael Gramaglia and Jim Fields's End of the Century was the least articulate and most archetypal of the Ramones: Johnny, the right-wing prole whose hard-ass sense of style the others nutballed and softened and accelerated and above all imitated. ... Exciting and absolutely right though their '70s sets always were, the film establishes that they kept the faith live till the end, lifted by Joey's goofy dedication and powered by the chords Johnny thrashed out like they were why he was alive. As unyielding in his aesthetic principles as he was in everything else, this reactionary was an avant-gardist in spite of himself. -
Robert Christgau
posted by Trurl
on Nov 9, 2011 -
17 comments
Folk-punk,
Orgcore (
UD definition) and
Dadpunk are all names for a
new wave of earnest, authentic rock that draws its roots from The Clash,
Billy Bragg, The Pogues, Social Distortion and Bruce Springsteen. In England, its best represented by
Frank Turner, the former singer of hardcore band
Million Dead. His anthemic songs about
life on the margins of fame,
poetry,
death,
inspiration and
the power of rock and roll have made him famous in England, leading to an upcoming
show at Wembley Arena. He follows in the footsteps of British folk-punk pioneers
Leatherface.
[more inside]
posted by Lovecraft In Brooklyn
on Oct 23, 2011 -
92 comments
Hank Williams III has had a rocky relationship with his label, Curb Records, from the beginning, when his first album with them was
an album with his grandfather and father, "
thanks to the wonders of 21st century digital overdubbing." A decade and a half later,
Hank 3 was free from Curb Records, though the label snuck out one last album, even though the contract was over. It was actually
an old album from a decidedly non-country style, but that didn't stop Curb from
offering it as a Hank III album at a fire-sale discount, ensuring
Billboard Country charting. That was in June of this year. Jump ahead to September:
Hank 3 released three albums over four CDs, spanning his broad musical styles and beyond.
CD1:
country (of sorts);
CD2:
haunted ambient soundtrack and
Cajun-tinted country, with guests (
like Tom Waits);
CD3:
cattle-core;
CD4:
doom rock.
posted by filthy light thief
on Sep 20, 2011 -
91 comments
It’s maybe a
little early yet for year’s end retrospectives, but who cares:
we’ve got 157 songs, 10.5 hours, 1.12 GB of “some of the best and most notable music from 2010... covering indie, pop, rock, punk, folk, rap, R&B, soul, dance, country, modern classical, ambient and electronic music, and in many cases, hard-to-classify genre hybrids.” —Curated by FluxBlog’s own Matthew Perpetua.
posted by kipmanley
on Dec 3, 2010 -
30 comments
Bloodied but Unbowed "... chronicles, for the first time anywhere, the late 1970's/early 1980's Vancouver punk rock scene. The documentary tells a tale of rebellion and music — a fiercely independent scene created from nothing."
The full documentary can be seen
here.
posted by squeak
on Oct 12, 2010 -
31 comments
"...it's probably extra easy to trace my life & interests through these galleries. They start out in Kansas (most of the early non-Lawrence/ KC ones were sent to me either by people ordering copies of my zine or by a few pals of mine who had run away to CA), and as I move around in life the bands & venues change accordingly: Kansas, Ohio, Washington DC, Kansas again, Arizona."
The Jason Willis Flyer Collection, 1981-2006
posted by nomadicink
on Oct 3, 2010 -
4 comments
mid-70s proto-punk band, Death, have finally gotten a
real disc out. unearthed in crates lost for decades, their founder dead before seeing it happen, their children never knowing the shadowy past of their forebears, the sound of black pop-punk-politi-metal-wave is finally here.
[more inside]
posted by artof.mulata
on Mar 29, 2009 -
16 comments
Not all groups with synthesizers in the 1970s and 1980s were lame Top 40 acts with
keytars. Some groups of the era used synths for spastic keyboard bleeps, herky-jerky tempos, and angst-ridden aggression in a style now classified by record collector geeks as
synthpunk,
minimal synth, or
minimal wave. Several famous New Wave acts dabbled in the style before providing soundtracks for Molly Ringwald movies (
OMD, Electricty) or singing about waitresses in cocktail bars (
the Human League, Being Boiled), but vintage videos from synth punk acts all over the world can be found all over YouTube.
[more inside]
posted by jonp72
on Mar 14, 2009 -
29 comments
Mickey Ween: A security guard came onstage and Gibby threw the alcohol on him. The dude just started backing away, it was clear that Gibby probably would set him on fire. And now, knowing Gibby like I do, it was definitely within the realm of possibility.
Mark Pesetsky: And Gibby just gave me that psycho look with the Charles Manson eyes. He grabs a bottle of the rubbing alcohol and throws it on me and then starts walking towards me with a lighter. And John, the other bouncer, just jumps offstage. It was every man for himself at that point.
Gibby Haynes: Oh yeah, I do remember that. I mean, I've lit kids' heads on fire and they were smiling!
An Oral History of May 3, 1987: The Day The Butthole Surfers Came to Trenton, New Jersey. Butthole Surfers interviewed in bed, parts
1 and
2, playing The Scott & Gary Show on their first run through New York, parts
1 and
2,
playing live in 1985 [low quality],
live footage from the 80s.
[more inside]
posted by Kattullus
on Mar 6, 2009 -
51 comments
