Women of Punk 30 shows containing almost 400 video clips exploring the role women have played in Punk music from the 70's to today, with rare interviews and concerts, videos, documentaries and feature films.
posted by ifjuly
on Apr 29, 2013 -
15 comments
Eric's Trip, first Canadian band to be signed to Subpop. (video is halfway down the page: I was unable to extract a workable link to include here)
I've collected a lot of stuff from friends over the years and luckily, i personally bothered to lug 4 tracks machines, mics and old video cameras to the shows at the time. Talking friends into holding the camera or keeping an eye on the input levels. I'm really glad i kept all those VHS tapes and reels of super8 films safe. The boxes of cassettes stored at my folks house still play great after 20 years. In 2007 i started transferring all these tapes into digital form to put this movie together, dubbing old VHS tapes was the scariest thing as some of them would barely play but i eventually got them all. I was excited that with use of modern editing stuff, i could finally sync up old video with better sounding tapes recorded at the same show, or editing together footage i had with someone else’s camera angle of the same show that i got from them years later. I worked on this movie for four years with much love until i finally had what i thought was a good document of what Eric's Trip really was. [more inside]
posted by whyareyouatriangle
on Dec 16, 2012 -
16 comments
The Way They Were (SLYT... 1:07:45 'The tape fails there!')... an old Granada / Channel 4 program that was a compilation of Tony Wilson's
So It Goes a show that featured performances from some of the best British Punk and New Wave bands of the time.
posted by fearfulsymmetry
on Aug 29, 2012 -
12 comments
You're a Monk, I'm a Monk, We're All Monks is a short video introduction to The Monks, a band
founded in 1964 by five American soldiers in Germany. They put out only one album, the abrasive, noisy, minimalistic
Black Monk Time in 1965, that sounded like nothing else at the time. They also dressed in all-black, shaved monkish tonsures in their hair and wore bits of rope as neckties. In 1966 they appeared on German TV shows
Beat-Club and
Beat, Beat, Beat, and played three songs on each,
Boys Are Boys and Girls Are Choice,
Monk Chant,
Oh, How to Do Now,
Complication,
I Can't Get Over You and
Cuckoo. Aaron Poehler interviewed The Monks and
wrote about their history back in 1999. That same year
they got
back together to
play at the Cavestomp festival. And here
The Monks are being interviewed by a hand-puppet on public access television in Chicago.
[The Monks previously on MetaFilter]
posted by Kattullus
on Jul 12, 2012 -
49 comments
"
Rhyece O’Neill is an intense young man. A polemical folk singer, a producer of bass-heavy dance music, a protester, and a digital media worker for a major record label. He’s unlike anyone else in Australia’s dubstep landscape."
Cyclic Defrost interviews O'Neill, aka
electronic/dub/dubstep producer Westernsynthetics, and head of the
Sub Continental Dub label. You can skip the rest and hear
two streaming mixes from Westernsynthetics,
19 tracks from the Sub Continental Dub label, plus
the label's first three singles, or continue inside for background, context, and even more music.
[more inside]
posted by filthy light thief
on Feb 27, 2012 -
9 comments
Swissted New York graphic designer
Mike Joyce takes vintage flyers from punk, hardcore and indie rock shows and redesigns them "into international typographic style posters. Each poster is sized to the standard swiss kiosk dimensions of 35.5 inches wide by 50 inches high and set in berthold akzidenz grotesk medium, all lowercase. Every single one of these shows actually happened."
posted by BitterOldPunk
on Jan 11, 2012 -
36 comments
In Southern California in the 1980s, KROQ had this weird un-DJ-like guy named (seriously)
Rodney Bingenheimer, who came on late at night on Sundays and played punk records and new bands like Blondie, The Ramones, X, Joan Jett, Devo and Cheap Trick. Did this weirdo really have some influence? A 90-minute 2004 documentary now on YouTube,
Mayor of the Sunset Strip (Part 1) tells his story, and it's weirder than you may have imagined.
[more inside]
posted by planetkyoto
on Nov 14, 2011 -
24 comments
The most vivid figure in Michael Gramaglia and Jim Fields's End of the Century was the least articulate and most archetypal of the Ramones: Johnny, the right-wing prole whose hard-ass sense of style the others nutballed and softened and accelerated and above all imitated. ... Exciting and absolutely right though their '70s sets always were, the film establishes that they kept the faith live till the end, lifted by Joey's goofy dedication and powered by the chords Johnny thrashed out like they were why he was alive. As unyielding in his aesthetic principles as he was in everything else, this reactionary was an avant-gardist in spite of himself. -
Robert Christgau
posted by Trurl
on Nov 9, 2011 -
17 comments
Folk-punk,
Orgcore (
UD definition) and
Dadpunk are all names for a
new wave of earnest, authentic rock that draws its roots from The Clash,
Billy Bragg, The Pogues, Social Distortion and Bruce Springsteen. In England, its best represented by
Frank Turner, the former singer of hardcore band
Million Dead. His anthemic songs about
life on the margins of fame,
poetry,
death,
inspiration and
the power of rock and roll have made him famous in England, leading to an upcoming
show at Wembley Arena. He follows in the footsteps of British folk-punk pioneers
Leatherface.
[more inside]
posted by Lovecraft In Brooklyn
on Oct 23, 2011 -
92 comments
Hank Williams III has had a rocky relationship with his label, Curb Records, from the beginning, when his first album with them was
an album with his grandfather and father, "
thanks to the wonders of 21st century digital overdubbing." A decade and a half later,
Hank 3 was free from Curb Records, though the label snuck out one last album, even though the contract was over. It was actually
an old album from a decidedly non-country style, but that didn't stop Curb from
offering it as a Hank III album at a fire-sale discount, ensuring
Billboard Country charting. That was in June of this year. Jump ahead to September:
Hank 3 released three albums over four CDs, spanning his broad musical styles and beyond.
CD1:
country (of sorts);
CD2:
haunted ambient soundtrack and
Cajun-tinted country, with guests (
like Tom Waits);
CD3:
cattle-core;
CD4:
doom rock.
posted by filthy light thief
on Sep 20, 2011 -
91 comments
