James McBride talks about
The Help, Hattie McDaniel, why black women are still winning awards for playing maids, how black culture is appropriated and represented, and whether marginalized groups in America all serve the purpose of "cultural maids".
[more inside]
posted by nakedmolerats
on Jan 30, 2012 -
58 comments
Categories as fundamental as fact and fiction, news and entertainment, gender and sexuality, have eroded away. In literature and architecture, in cuisine, in music, in fashion and furnishings, everywhere, everything—it’s fusion and mix.
Barack Obama emerged as a literal embodiment of this age. To educated people, especially younger people with generally progressive views, other candidates suddenly looked parochial by comparison—or simply outdated. In his ethnicity and biography and in his personality and politics, Obama, the conciliator, was above all a combiner. Because he was from virtually everywhere—Kenya, Indonesia, Honolulu, Harvard, Chicago’s South Side—he was also from nowhere. The pastiche of his persona made him “his own man” in a new sense of the term.
On the Politics of Pastiche and Depthless Intensities: The Case of Barack Obama
posted by Rumple
on Aug 25, 2011 -
22 comments
A tempest in a Livejournal: It starts with author Elizabeth Bear's post
Writing for The Other. Or maybe it started with Jay Lake's
Thinking about the Other. It leads to a wide ranging, intense and angry debate on the portrayal of ethnicity in fiction, culture and the media. Avalon's Willow responds with an
open letter on the racial content in one of her books, and relates it to media portrayals of ethnic peoples. Deepa D follows up with a post on,
cultural appropriation. And then things get intense.
[more inside]
posted by happyroach
on Jan 19, 2009 -
82 comments
While culling my clippings file for the big move, I came across
Ragtime: No Longer a Novelty in Sepia, which led me to the
The Rag-Time Ephemeralist, a labor of love by one
Chris Ware , whose
'The Acme Novelty Library' and
Jimmy Corrigan, Smartest Boy In The World I had long admired. The Ragtime Ephemeralist's mention of
Out of Sight - The Rise of African American Popular Music, 1889-1895---here's a
review from
Musical Traditions--and, its very own
links page, as a consequence, led to this post about Ragtime, Cakewalks, Coon Songs and Vaudeville, with a slight nod to Barbershop Quartets. There's more, of course...
posted by y2karl
on Jan 21, 2005 -
27 comments
Acting White *: In 1986, Professors Signithia Fordham and John Ogbu introduced this phrase into our cultural lexicon, presenting evidence that black academic underperformance might be partially or largely attributable to a devaluation of academic success by black students themselves. Needless to say, this theory was
controversial ...
[*via Arts & Letters Daily] [more inside]
posted by grrarrgh00
on Dec 2, 2002 -
31 comments
Race/Music: Corrine Corrina, Bo Chatmon, and the Excluded Middle. Bo Carter is not the household name that, say, Robert Johnson is but he first recorded and most likely wrote one of the standards of the 20th Century. The essay linked deals with him, his song and the push me-pull you of race and culture in America. It's a post graduate thesis rife with postmodernist terminology--yet full of ideas and insights, not all of which I necessarily endorse or agree with--but which I've found thought provoking.
(Details Within)
posted by y2karl
on Aug 1, 2002 -
15 comments
"In the end, we will need to give up any lingering fantasies of a color-blind Web and focus on building a space where we recognize, discuss and celebrate racial and cultural diversity. To achieve that goal, all of us -- white folks and people of color -- will have to shed the defensiveness that surrounds the topic of race." So says Henry Jenkins in a Technology Review article on
Cyberspace and Race. On the Internet, nobody knows you're oppressed?
posted by sudama
on Mar 22, 2002 -
4 comments
