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	<title>MetaFilter posts tagged with race and history</title>
	<link>http://www.metafilter.com/tags/race+history</link>
	<description>Posts tagged with 'race' and 'history' at MetaFilter.</description>
	<pubDate>Wed, 14 Oct 2009 22:01:59 -0800</pubDate> <lastBuildDate>Wed, 14 Oct 2009 22:01:59 -0800</lastBuildDate>

	<language>en-us</language>
	<docs>http://blogs.law.harvard.edu/tech/rss</docs>
	<ttl>60</ttl>
	<item>
		<title>Women Veterans Historical Collection</title>
		<link>http://www.metafilter.com/85847/Women%2DVeterans%2DHistorical%2DCollection</link>
		<description> &lt;a href=&quot;http://library.uncg.edu/dp/wv/results5.aspx?i=3826&amp;s=5&quot;&gt;Jean M. Fasse&lt;/a&gt; (Red Cross during WWII, and later the Special Service). &lt;a href=&quot;http://library.uncg.edu/dp/wv/results5.aspx?i=3840&amp;s=5&quot;&gt;Shirley Ann Thacker&lt;/a&gt; (WAVE). Just two of the interviews from the extensive collection of material (photographs, letters, diaries, scrapbooks, oral histories and posters) at the &lt;a href=&quot;http://library.uncg.edu/dp/wv/&quot;&gt;Women Veterans Historical Collection&lt;/a&gt;.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2009:site.85847</guid>
		<pubDate>Wed, 14 Oct 2009 22:01:59 -0800</pubDate>
		<category>biography</category>
		<category>diary</category>
		<category>discrimination</category>
		<category>history</category>
		<category>letter</category>
		<category>photography</category>
		<category>poster</category>
		<category>race</category>
		<category>sexualharassment</category>
		<category>war</category>
		<category>women</category>
		<category>world</category>
		<dc:creator>tellurian</dc:creator>
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      <item>
		<title>A moment in history; Obama Wins Presidential Nomination.</title>
		<link>http://www.metafilter.com/72245/A%2Dmoment%2Din%2Dhistory%2DObama%2DWins%2DPresidential%2DNomination</link>
		<description> &lt;a href=&quot;http://www.abc.net.au/news/stories/2008/06/04/2264609.htm&quot;&gt;It&apos;s official&lt;/a&gt;. &lt;a href=&quot;http://www.washingtonpost.com/wp-dyn/content/article/2008/06/03/AR2008060302882.html?hpid=topnews&quot;&gt;Obama has won &lt;/a&gt;&lt;a href=&quot;http://www.news.com.au/story/0,23599,23808646-5012572,00.html&quot;&gt;the Democratic Party nomination&lt;/a&gt; &lt;a href=&quot;http://www.guardian.co.uk/world/2008/jun/04/barackobama.hillaryclinton&quot;&gt;for the US Presidency&lt;/a&gt;. In response, &lt;a href=&quot;http://www.washingtonpost.com/wp-dyn/content/article/2008/06/03/AR2008060303059.html?hpid=topnews&quot;&gt;McCain has launched a &quot;verbal sortie&quot; against him&lt;/a&gt; and &lt;a href=&quot;http://www.guardian.co.uk/world/2008/jun/04/hillaryclinton.uselections20084&quot;&gt;the media has already begun disecting Hillary&apos;s campaign&lt;/a&gt;.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.72245</guid>
		<pubDate>Tue, 03 Jun 2008 20:18:49 -0800</pubDate>
		<category>2008</category>
		<category>barack</category>
		<category>barackobama</category>
		<category>clinton</category>
		<category>democrats</category>
		<category>election</category>
		<category>history</category>
		<category>mccain</category>
		<category>media</category>
		<category>obama</category>
		<category>presidency</category>
		<category>race</category>
		<category>republicans</category>
		<dc:creator>Effigy2000</dc:creator>
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      <item>
		<title>Understanding Race</title>
		<link>http://www.metafilter.com/68762/Understanding%2DRace</link>
		<description>&lt;a href="http://www.understandingrace.org/"&gt;A new look at race through three lenses:&lt;/a&gt; &lt;a href=&quot;http://www.understandingrace.org/history/index.html&quot;&gt;History&lt;/a&gt;,  &lt;a href=&quot;http://www.understandingrace.org/humvar/index.html&quot;&gt;human variation&lt;/a&gt; and &lt;a href=&quot;http://www.understandingrace.org/lived/index.html&quot;&gt;lived experience&lt;/a&gt;.  Be sure to check out some of the quizzes, notably &lt;a href=&quot;http://www.understandingrace.org/lived/sports/index.html&quot;&gt;White Men Can&apos;t Jump&lt;/a&gt; and other assumptions about sports and race. &lt;small&gt;[via &lt;a href=&quot;http://www.sportsfilter.com/comments.cfm/9583&quot;&gt;SpoFi&lt;/a&gt;]&lt;/small&gt; A product of the &lt;a href=&quot;http://aaanet.org/&quot;&gt;American Anthropological Association&lt;/a&gt;.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.68762</guid>
		<pubDate>Sun, 03 Feb 2008 09:05:21 -0800</pubDate>
		<category>anthropology</category>
		<category>history</category>
		<category>race</category>
		<category>sociology</category>
		<category>stereotypes</category>
		<dc:creator>psmealey</dc:creator>
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		<title>A Genetic Basis for &apos;Race&apos;</title>
		<link>http://www.metafilter.com/68442/A%2DGenetic%2DBasis%2Dfor%2DRace</link>
		<description>&lt;a href="http://infoproc.blogspot.com/2008/01/no-scientific-basis-for-race.html"&gt;&apos;Race&apos; graphically illustrated&lt;/a&gt; - &quot;&lt;a href=&quot;http://unqualified-reservations.blogspot.com/2007/11/why-i-am-not-white-nationalist.html&quot;&gt;most Europeans&lt;/a&gt;&quot; vs. &lt;a href=&quot;http://www.nytimes.com/2005/06/03/science/03gene.html?pagewanted=all&quot;&gt;Ashkenazim&lt;/a&gt; (&lt;a href=&quot;http://www.metafilter.com/42501/Science-race-and-genetics&quot;&gt;previously&lt;/a&gt;; see also &lt;a href=&quot;http://www.cscs.umich.edu/~crshalizi/weblog/cat_iq.html&quot;&gt;IQ&lt;/a&gt; &amp;amp; &lt;a href=&quot;http://www.metafilter.com/67496/Race-and-Intelligence-Redux&quot;&gt;Gladwell&lt;/a&gt;, &lt;a href=&quot;http://bravenewfilms.org/blog/26141-colbert-report-malcolm-gladwell&quot;&gt;viz&lt;/a&gt;. ;) In the &lt;a href=&quot;http://books.google.com/books?id=-tkkU39dz2wC&amp;pg=PP1&amp;ots=WrZ6PF2aBB&amp;sig=03RkLLKOqdUaDmLhoxA0DGLnfN8&quot; title=&quot;pg. 273 - just out of preview range :P&quot;&gt;words&lt;/a&gt; of &lt;a href=&quot;http://www.cscs.umich.edu/~crshalizi/notebooks/gellner.html&quot;&gt;Ernest Gellner&lt;/a&gt;, however, I&apos;d stress that:&lt;blockquote&gt;...The variety of human societies is staggering. 

This diversity is not explicable genetically. The nature and extent of the contribution of genetic make-up to social forms is a contentious and unsettled issue, bedevilled by its political associations and implications. What is obvious, however, is that a &lt;i&gt;very&lt;/i&gt; large part of the explanation of the form human societies assume must be social-historical and not genetic. This is obvious from the fact that populations which can be safely assumed to remain genetically identical, or very nearly so, can and do assume totally different social forms at different times. Very often, social change is simply far too rapid to be explicable by genetic change. 

To say all this is not to say that genetic constitution makes no contribution whatever to history. It is conceivable that some genetic constitutions have a greater predisposition to some social forms than others. The issue is difficult...&lt;/blockquote&gt;also see &quot;&lt;a href=&quot;http://arstechnica.com/journals/science.ars/2008/01/22/let-1000-genomes-bloom&quot;&gt;Let 1,000 genomes bloom&lt;/a&gt;,&quot; &lt;a href=&quot;http://science.slashdot.org/science/08/01/23/0324244.shtml&quot;&gt;cf&lt;/a&gt;. [and &lt;a href=&quot;http://science.slashdot.org/science/08/01/22/2133202.shtml&quot; title=&quot;a category mistake!&quot;&gt;btw&lt;/a&gt;...]

cheers! </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.68442</guid>
		<pubDate>Wed, 23 Jan 2008 19:40:09 -0800</pubDate>
		<category>biology</category>
		<category>culture</category>
		<category>death</category>
		<category>design</category>
		<category>evolution</category>
		<category>genetics</category>
		<category>history</category>
		<category>nature</category>
		<category>news</category>
		<category>politics</category>
		<category>race</category>
		<category>science</category>
		<category>technology</category>
		<dc:creator>kliuless</dc:creator>
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		<title>What Happened to My Forty Acres and a Mule, Fool?</title>
		<link>http://www.metafilter.com/67450/What%2DHappened%2Dto%2DMy%2DForty%2DAcres%2Dand%2Da%2DMule%2DFool</link>
		<description>&lt;a href="http://www.emergingminds.org/magazine/content/item/1303"&gt;40 acres and a mule&lt;/a&gt; has been a slogan of African-American economic aspirations ever since the legislation creating &lt;a href=&quot;http://www.freedmensbureau.com/&quot;&gt;the Freedman&apos;s Bureau&lt;/a&gt; promised ex-slaves &lt;a href=&quot;http://memory.loc.gov/cgi-bin/ampage?collId=llsb&amp;fileName=039/llsb039.db&amp;recNum=327&quot;&gt;parcels not exceeding forty acres each, to the loyal refugees and freedmen&lt;/a&gt;.  General William Tecumseh Sherman&apos;s &lt;a href=&quot;http://www.history.umd.edu/Freedmen/sfo15.htm&quot;&gt;Special Field Order No. 15&lt;/a&gt; decreed that the land on slave plantations be seized and distributed to freed slaves, but Andrew Johnson rescinded the order and &lt;a href=&quot;http://www.impeach-andrewjohnson.com/05AJFirstVetoes/iiia-5.htm&quot;&gt;vetoed expansion of the Freedman&apos;s Bureau&lt;/a&gt;.  Both &lt;a href=&quot;http://www.nytimes.com/2007/11/18/opinion/18gates.html&quot;&gt;Henry Louis Gates&lt;/a&gt; and &lt;a href=&quot;http://mondediplo.com/2001/09/08richconley&quot;&gt;Dalton Conley&lt;/a&gt; have associated the failure to grant freed slaves their &quot;40 acres and a mule&quot; with the &lt;a href=&quot;http://www.thenation.com/doc/20010326/conley&quot;&gt;wealth gap&lt;/a&gt; between black and white Americans, but now an economics grad student, &lt;a href=&quot;http://www-personal.umich.edu/~millermc/&quot;&gt;Melinda Miller&lt;/a&gt;, has brought important quantitative data to the debate in a new &lt;a href=&quot;http://www-personal.umich.edu/~millermc/Job_Market_Paper.pdf&quot;&gt;research paper&lt;/a&gt;. Using census data from the &lt;a href=&quot;http://cherokeehistory.com/&quot;&gt;Cherokee Nation of Oklahoma&lt;/a&gt;, which was forced to distribute land to &lt;a href=&quot;http://www.jalagi.org/freedmenstory.html&quot;&gt;freed slaves of the Cherokee tribe&lt;/a&gt; shortly after the Civil War, Miller has found a &lt;a href=&quot;http://en.wikipedia.org/wiki/Natural_experiment&quot;&gt;natural experiment&lt;/a&gt; that makes it possible to quantify how much the failed dreams of &quot;40 acres of a mule&quot; are at the root of interracial disparities of wealth.  According to a fine &lt;a href=&quot;http://www.marginalrevolution.com/marginalrevolution/2007/12/would-it-have-h.html&quot;&gt;summary&lt;/a&gt; by econo-blogger Tyler Cowen, Miller argues that the failure to distribute land to slaves may account for as little as 20% or as much as 75% of the black/white wealth gap. </description>
		<guid isPermaLink="false">tag:metafilter.com,2007:site.67450</guid>
		<pubDate>Fri, 14 Dec 2007 10:26:25 -0800</pubDate>
		<category>40acresandamule</category>
		<category>africanamericans</category>
		<category>cherokeenation</category>
		<category>cherokees</category>
		<category>CivilWar</category>
		<category>economichistory</category>
		<category>economicinequality</category>
		<category>economics</category>
		<category>freedmen</category>
		<category>freedmensbureau</category>
		<category>history</category>
		<category>inequality</category>
		<category>race</category>
		<category>racialinequality</category>
		<category>slavery</category>
		<category>slaves</category>
		<category>wealth</category>
		<dc:creator>jonp72</dc:creator>
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      <item>
		<title>&quot;The niggers are coming!&quot;</title>
		<link>http://www.metafilter.com/65031/The%2Dniggers%2Dare%2Dcoming</link>
		<description>&lt;a href="http://www.vanityfair.com/politics/features/2007/09/littlerock200709"&gt;Through a Lens Darkly&lt;/a&gt; - on September 4, 1957, when 15-year-old Elizabeth Eckford tried to enter Little Rock Central High, she was blocked by the National Guard and surrounded by a screaming mob of 250: &lt;em&gt;&quot;Lynch her! Lynch her!&quot; &quot;No nigger bitch is going to get in our school! Get out of here!&quot; &quot;Go back to where you came from!&quot; Looking for a friendly face, she turned to an old woman, who spat on her&lt;/em&gt;. &lt;a href=&quot;http://www.vanityfair.com/politics/features/2007/09/littlerock_slideshow200709&quot;&gt;Photos&lt;/a&gt;. Dramatic &lt;a href=&quot;http://www.youtube.com/watch?v=HH-eC4LgZT4&quot;&gt;news footage&lt;/a&gt;. Ernest Green, another of the Little Rock 9 &lt;a href=&quot;http://www.youtube.com/watch?v=MijCzE9Y1DI&quot;&gt;recalls &lt;/a&gt; the first day of school. Also in 1957
&lt;a href=&quot;http://www.metafilter.com/64411/A-Picture-Counts&quot;&gt;A Picture Counts&lt;/a&gt; - recent  thread by zzazazz of Dorothy Counts entering the Charlotte School system in 1957 
&lt;a href=&quot;http://www.majorcox.com/columns/edwards1.htm&quot;&gt;Willie Edwards: Justice Still Absent in Bridge Death&lt;/a&gt; - January 23, 1957
&lt;a href=&quot;http://www.americanheritage.com/articles/web/20070829-strom-thurmond-filibuster-civil-rights-voting-1957-segregation-integration_print.shtml&quot;&gt;All Through the Night&lt;/a&gt; - Strom Thurmond&apos;s 24-Hour Filibuster, August 29, 1957
&lt;a href=&quot;http://www.eisenhower.utexas.edu/dl/Civil_Rights_Civil_Rights_Act/CivilRightsActfiles.html&quot;&gt;Civil Rights Act 1957&lt;/a&gt; - signed by Eisenhower September 9, 1957 </description>
		<guid isPermaLink="false">tag:metafilter.com,2007:site.65031</guid>
		<pubDate>Tue, 25 Sep 2007 22:03:17 -0800</pubDate>
		<category>1950s</category>
		<category>1957</category>
		<category>50s</category>
		<category>Arkansas</category>
		<category>civilrights</category>
		<category>courage</category>
		<category>desegregation</category>
		<category>hate</category>
		<category>history</category>
		<category>LittleRock</category>
		<category>race</category>
		<category>racism</category>
		<category>segregation</category>
		<category>thurmond</category>
		<dc:creator>madamjujujive</dc:creator>
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		<title>Regarding Paramount Records</title>
		<link>http://www.metafilter.com/57107/Regarding%2DParamount%2DRecords</link>
		<description> &lt;blockquote&gt;...In 1924 New York Recording Laboratory decided to expand its reach into that market by purchasing the Black Swan label. Founded in 1920 or 1921 by black entrepreneur Harry H. Pace, the pioneering company recorded everything from ragtime to grand opera, as long as it was sung by African-Americans... Paramount&apos;s biggest star was Ma Rainey, a blues moaner who influenced the legendary singer Bessie Smith... Paramount did not neglect male blues singers, who tended to be folk artists in the sense that their music was made initially for the entertainment of isolated rural communities. These included the singers and guitarists Charlie Patton... Blind Lemon Jefferson...&lt;/blockquote&gt;&lt;a href=&quot;http://paramountshome.org/photoalbum/albums/userpics/10001/Compliments%20of%20the%20Season_1926.jpg&quot; title=&gt;&lt;em&gt;Compliments of the Season&lt;/em&gt;&lt;/a&gt; from  &lt;a href=&quot;http://paramountshome.org/index.php&quot; title=&quot;ParamountsHome was founded by author of &quot;Paramount&apos;s rise and fall, alex van der tuuk, and grafton residents pat and angela mack in the beginning of 2005. after realizing that such an archive has not been available paramount-related topics, we saw the need to educate.&gt; ParamountsHome&lt;/a&gt;--where, among many other things, one can find an online copy of David Evans&apos;s biography &lt;em&gt;Charley Patton&lt;/em&gt; in Parts &lt;a href=&quot;http://paramountshome.org/modules.php?op=modload&amp;name=PagEd&amp;file=index&amp;topic_id=5&amp;page_id=31&quot; title=&quot;Charley Patton Biography (part 1) - Dr. David Evans&quot;&gt;1&lt;/a&gt;, &lt;a href=&quot;http://paramountshome.org/modules.php?op=modload&amp;name=PagEd&amp;file=index&amp;topic_id=5&amp;page_id=32&quot; title=&quot;Charley Patton Biography (part 2) - Dr. David Evans&quot;&gt;2&lt;/a&gt; and &lt;a href=&quot;http://paramountshome.org/modules.php?op=modload&amp;name=PagEd&amp;file=index&amp;topic_id=5&amp;page_id=33&quot; title=&quot;Charley Patton Biography (part 3) - Dr. David Evans&quot;&gt;3&lt;/a&gt; or look at a picture of &lt;a href=&quot;http://paramountshome.org/photoalbum/albums/userpics/10001/skip%20james%2C%201932.jpg&quot; title=&gt;Skip James in 1932&lt;/a&gt;, not to mention a view of Paramount&apos;s promotion of Patton as the &lt;a href=&quot;http://paramountshome.org/photoalbum/albums/Hawkeye/MaskedMarvel%28Patton%29advert.jpg&quot; title=&quot;Screamin&apos; Hollerin&apos; Blues&quot;&gt;Masked Marvel&lt;/a&gt;. And that is not, as they say, all...  </description>
		<guid isPermaLink="false">tag:metafilter.com,2006:site.57107</guid>
		<pubDate>Mon, 18 Dec 2006 13:31:04 -0800</pubDate>
		<category>78rpm</category>
		<category>Blues</category>
		<category>History</category>
		<category>Music</category>
		<category>Paramount</category>
		<category>Race</category>
		<category>Records</category>
		<dc:creator>y2karl</dc:creator>
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		<title>Human Junk</title>
		<link>http://www.metafilter.com/48737/Human%2DJunk</link>
		<description>&lt;a href="http://www.eugenicsarchive.org/eugenics/"&gt;Engineering Perfect Americans&lt;/a&gt; Were your immigrant ancestors considered genetically predisposed to become criminals? Were your mixed-ethnic ancestors thought to be polluting the nation&apos;s &apos;germ-plasm&apos;? The Image Archive on the American Eugenics Movement presents a well-put-together online exhibit/walkthrough of this disturbing vein in American history.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2006:site.48737</guid>
		<pubDate>Tue, 31 Jan 2006 06:12:12 -0800</pubDate>
		<category>american</category>
		<category>breeding</category>
		<category>ethnicity</category>
		<category>eugenics</category>
		<category>history</category>
		<category>immigrant</category>
		<category>immigration</category>
		<category>race</category>
		<category>science</category>
		<dc:creator>Miko</dc:creator>
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		<title>Will the real Thanksgiving please stand up?</title>
		<link>http://www.metafilter.com/46964/Will%2Dthe%2Dreal%2DThanksgiving%2Dplease%2Dstand%2Dup</link>
		<description>&lt;a href="http://www.raceandhistorhttp://www.counterpunch.org/cohen11272003.html"&gt;Thanksgiving sucks.&lt;/a&gt; &lt;em&gt;The English went on setting fire to wigwams of the village. They burned village after village to the ground. As one of the leading theologians of his day, Dr. Cotton Mather put it: &quot;It was supposed that no less than 600 Pequot souls were brought down to hell that day.&quot; And Cotton Mather, clutching his bible, spurred the English to slaughter more Indians in the name of Christianity.&lt;/em&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2005:site.46964</guid>
		<pubDate>Thu, 24 Nov 2005 10:49:20 -0800</pubDate>
		<category>america</category>
		<category>britain</category>
		<category>christianity</category>
		<category>history</category>
		<category>mather</category>
		<category>pequot</category>
		<category>race</category>
		<category>religion</category>
		<category>thanksgiving</category>
		<dc:creator>j-urb</dc:creator>
	</item>
      <item>
		<title>RIP Hamilton Naki</title>
		<link>http://www.metafilter.com/42932/RIP%2DHamilton%2DNaki</link>
		<description>&lt;a href="http://www.economist.com/people/displayStory.cfm?story_id=4054912"&gt;RIP Hamilton Naki,&lt;/a&gt; the black surgeon &lt;a href=&quot;http://news.bbc.co.uk/2/hi/africa/3011105.stm&quot;&gt;working&lt;/a&gt; &lt;a href=&quot;http://www.guardian.co.uk/southafrica/story/0,13262,943165,00.html&quot;&gt;unrecognised&lt;/a&gt; behind the scenes at Christiaan Barnard&apos;s pioneering South African heart transplant.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2005:site.42932</guid>
		<pubDate>Tue, 21 Jun 2005 02:15:36 -0800</pubDate>
		<category>history</category>
		<category>medicine</category>
		<category>race</category>
		<category>SouthAfrica</category>
		<category>surgery</category>
		<dc:creator>iffley</dc:creator>
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		<title>The Minstrel Show 2.0: Why Postmodern Minstrelsy Studies Matter</title>
		<link>http://www.metafilter.com/40864/The%2DMinstrel%2DShow%2D20%2DWhy%2DPostmodern%2DMinstrelsy%2DStudies%2DMatter</link>
		<description> &lt;a href=&quot;http://jefferson.village.virginia.edu:1852/utc/pretexts/gallery/@ebt-link?root=query(%3Cfigure%3E+with+n=%221%22+inside+%3Ctei.2%3E+with+id=%22MIILLSOA%22);showtoc=false&quot; title=&quot;One of the earliest and most successful is the performer pictured here: Thomas Dartmouth &apos;Daddy&apos; Rice.&quot;&gt;Jump Jim Crow&lt;/a&gt;, through the hoops of one Robert Christgau&apos;s erudition as he surveys the literature extant in &lt;a href=&quot;http://www.robertchristgau.com/xg/music/minstrel-bel.php&quot; title=&quot;What we can know is this: the rise of minstrelsy in the 1840s&#8230; constituted a cultural upheaval remarkably similar to the rise of rock and roll in the 1950s. Right--minstrel music was only a part of the minstrel show, which proved the foundation of the entire American entertainment industry. Right--rock and roll was only one in a series of modern musical mongrelizations, from coon song to jazz age to swing era. Nevertheless, both were benchmarks. Minstrelsy transformed blackface from a theatrical to a musical trope. It established that in a Euro-America obsessed with African retentions (the violence of the blood, the puissance of the penis, the docility of the grin), music was the star attraction, especially for the young riffraff who gave American cities their bustle. Like minstrelsy, rock and roll posed not just a racial danger, but a class danger&#8230; It made a role model of the unkempt rebel. And by finding simple tunes in the three-chord storehouse of folk modality, it cleared a space for unencumbered beat. Got it? Now ask yourself how much of the rock and roll description can be applied to minstrelsy and vice versa. Most of each for sure.&quot;&gt; In Search of Jim Crow: Why Postmodern Minstrelsy Studies Matter&lt;/a&gt;, through multiple readings of &lt;a href=&quot;http://www.hup.harvard.edu/features/popmusic/raisecain.html&quot; title=&quot;Unearthing a wealth of long-buried plays and songs, rethinking materials often deemed too troubling or lowly to handle, and overturning cherished ideas about classics from Uncle Tom&apos;s Cabin to Benito Cereno to The Jazz Singer, W. T. Lhamon Jr. sets out a startlingly original history of blackface as a cultural ritual that, for all its racist elements, was ultimately liberating. He shows that early blackface, dating back to the 1830s, put forward an interpretation of blackness as that which endured a commonly felt scorn and often outwitted it.&quot;&gt;Raising Cain: Blackface Performance from Jim Crow to Hip Hop&lt;/a&gt;, &lt;a href=&quot;http://www.cambridge.org/uk/catalogue/catalogue.asp?isbn=0521560748&quot; title=&quot;Carnival, charivari, mumming plays, peasant festivals, and even early versions of the Santa Claus myth - all of these forms of entertainment influenced and shaped blackface minstrelsy in the first half of the nineteenth century. In his fascinating study Demons of Disorder, musicologist Dale Cockrell studies issues of race and class by analysing their cultural expressions, and investigates the roots of still remembered songs such as &#8216;Jim Crow&#8217;, &#8216;Zip Coon&#8217;, and &#8216;Dan Tucker&#8217;. Also examined is the character George Washington Dixon, the man most deserving of the title &#8216;father of blackface minstrelsy&#8217; and surely one of celebrity&#8217;s all-time heavyweight eccentrics - a bonafide &#8216;demon of disorder&#8217;.&quot;&gt;Demons of Disorder: Early Blackface Minstrels and Their World&lt;/a&gt; and and &lt;a href=&quot;http://etext.lib.virginia.edu/railton/enam982/eastland.html&quot; title=&quot;The current consensus on blackface minstrelsy is probably best summed up by Frederick Douglass&apos;s righteous response in the North Star. Blackface imitators, he said, were &apos;the filthy scum of white society, who stolen from us a complexion denied to them by nature, in which to make money, and pander to the corrupt tastes of their white fellow citizens,&apos; a denunciation that nicely captures minstrelsy&apos;s further commodification of an already enslaved, noncitizen people (October 27, 1848). From our vantage point, the minstrel show indeed seems a transparent racist curiosity, a form of leisure that, in inventing and ridiculing the slow-witted but irrepressible &apos;plantation darky&apos; and the foppish&apos;northern dandy negro,&apos; conveniently rationalized racial oppression. The culture that embraced it, we assume, was either wholly enchanted by racial travesty, or so benighted, like Melville&apos;s Captain Delano, that it took such distortions as authentic. I want to suggest, however, that the audiences involved in early minstrelsy were not universally derisive of African Americans or their culture, and that there was a range of responses to the minstrel show which points to an instability or contradiction inn the form itself. My project is to examine that instability for what it may tell us about the racial politics of culture in the years before the Civil War.&quot;&gt;Love and Theft: Blackface Minstrelsy and the American Working Class&lt;/a&gt;. Consider, too, &lt;a href=&quot;http://www.yk.psu.edu/~jmj3/mincycle.htm&quot; title=&quot;It has been argued - notably by Eric Lott - that the obsession of white boys for black music--the &apos;crossover&apos; phenomenon (cooptation at the level of consumption)--is motivated by the lure of transgressive sex: the bliss or jouissance promised by miscegenation&#8230; White fantasies and desires not only prey upon, they feed black fantasies and desires. That&apos;s why James Brown got blacker and proud as his fan base grew whiter and self-conscious. Their gazes met. White and black identity categories linked up&#8230; In fact, this circulation of mutually defining desire--which I call the minstrel cycle--is sufficient to create and sustain racial difference. Its operations make race seem like one of the raw materials from which culture is produced, rather than one byproduct of a complex social machine.&quot;&gt;The Minstrel Cycle&lt;/a&gt; from &lt;a href=&quot;http://www.yk.psu.edu/~jmj3/k_readk.htm&quot; title=&quot;It&apos;s an old story, this ethnographic tale of identification with the other.&quot;&gt;Reading The Commitments&lt;/a&gt; and other various and sundry attempts to peek &lt;a href=&quot;http://www.upne.com/0-8195-5294-1.html&quot; title=&quot;As the blackface minstrel show evolved from its beginnings in the American Revolution to its peak during the late 1800s, its frenetic dances, low-brow humor, and lively music provided more than mere entertainment. Indeed, these imitations and parodies shaped society&apos;s perceptions of African Americans-and of women-as well as made their mark on national identity, policymaking decisions, and other entertainment forms such as vaudeville, burlesque, the revue, and, eventually, film, radio, and television. Gathered here are rare primary materials-including firsthand accounts of minstrel shows, minstrelsy guides, jokes, sketches, and sheet music-and the best of contemporary scholarship on minstrelsy.&quot;&gt;inside the minstrel mask&lt;/a&gt;&#8212;all multiple readings reading blackface minstrels from the &lt;a href=&quot;http://www.metrotimes.com/editorial/story.asp?id=793&quot; title=&quot;It makes you a nonperson,&apos; says Lee. &apos;It makes you not human. It&apos;s something that denigrates and dehumanizes you. Savion (Glover) and Tommy (Davidson) said they felt that deeply every time they had to put on blackface in the film.&apos; Putting on the mask is the root of the idea that all blacks look alike. Blackface makeup destroyed the differences between blacks and made them the same in the eyes of the minstrel audience. There was no diversity allowed.&quot;&gt;pejorative&lt;/a&gt; to the &lt;a href=&quot;http://www.pbs.org/wgbh/amex/foster/sfeature/sf_minstrelsy_6.html&quot; title=&quot;Was blackface minstrelsy only about caricaturing blacks? Dale Cockrell: Minstrelsy is one of the hardest things to talk about because minstrelsy is all things to all people, and it&apos;s intentionally so. And it&apos;s one of the reasons that it&apos;s such a popular phenomenon. It need hardly be said that minstrelsy is about racial derision. You can hardly look at the mimicking of African-American manners, mores, maybe music, maybe dance, and see that these people are being cast as somehow less than the people who are portraying them. And that needs always to be forefront in any consideration of this. But at the same time, there&apos;s an embrace of that culture that&apos;s happening on the stage at the same time. People are having great fun, entertainment. They&apos;re embracing a culture that they&apos;re seeming to deride at precisely the same time. It&apos;s a kind of love and loathing that&apos;s happening simultaneously.&quot;&gt;explorative&lt;/a&gt;, subversive to oppressive, past to future, unfolding tesseractly, if not exactly, with singing, dancing 
and extraordinary elocutions. Buy your tickets and step within for &lt;a href=&quot;http://scoop.diamondgalleries.com/news_images/3061_8177_1.jpg&quot; title=&quot;Joseph M. Schenck presents Walt Disney&apos;s Mickey Mouse The Meller Drammer is boldly pronounced on this full-color, stone lithographic one-sheet cartoon poster portraying a scene from the black and white film short first distributed by United Artists on March 18, 1933; linenbacked, 41&apos; height by 27&apos; width, custom matted and framed. The scene depicts a reenacted stage-show of Uncle Tom&apos;s Cabin, in which Horace Horsecollar attempts to whip Mickey Mouse... and havoc ensues.&quot;&gt;The Meller Drammer &lt;/a&gt;of Minstrelsy in &lt;a href=&quot;http://www.metafilter.com/mefi/15495&quot; title=&quot;March 13, 2002 - The Minstrel Show presents us with a strange, fascinating and awful phenomenon. Minstrel shows emerged from preindustrial European traditions of masking and carnival. But in the US they began in the 1830s, with working class white men dressing up as plantation slaves. These men imitated black musical and dance forms, combining savage parody of black Americans with genuine fondness for African American cultural forms. By the Civil War the minstrel show had become world famous and respectable. Late in his life Mark Twain fondly remembered the &apos;old time nigger show&apos; with its colorful comic darkies and its rousing songs and dances. By the 1840s, the minstrel show had become one of the central events in the culture of the Democratic party.. The image of white men in blackface, miming black song, dance and speech is considered the last word in racist bigotry for some. And yet, standing at the crossroads of race, class and high and low culture, blackface minstrelsy is one fascinating topic in academic circles. It&#8217;s history is intertwined with the rise of abolitionism, the works of Mark Twain and the histories of vaudeville, American vernacular music, radio, television, movies, in fact all of what is called popular culture. Details within. posted by y2karl at 1:57 PM PST&quot;&gt;The Minstrel Show&lt;/a&gt; &lt;strong&gt;2.0&lt;/strong&gt;&#8230;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2005:site.40864</guid>
		<pubDate>Thu, 31 Mar 2005 12:55:09 -0800</pubDate>
		<category>Americana</category>
		<category>Blackface</category>
		<category>BlackfaceMInstrelsy</category>
		<category>Folk</category>
		<category>History</category>
		<category>Minstrels</category>
		<category>Minstrelsy</category>
		<category>Music</category>
		<category>PopularCulture</category>
		<category>Race</category>
		<category>Vaudeville</category>
		<dc:creator>y2karl</dc:creator>
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      <item>
		<title>Tulsa Race Riots of 1921 &amp;amp; The reparations Question Revisited</title>
		<link>http://www.metafilter.com/39847/Tulsa%2DRace%2DRiots%2Dof%2D1921%2Dand%2DThe%2Dreparations%2DQuestion%2DRevisited</link>
		<description> &lt;small&gt;Otis Granville Clark is a wonder. At 102, the former butler of Joan Crawford - who served Clark Gable and Charlie Chaplin - still drives, lives on his own and twice a week attends church in his home city of Tulsa, Oklahoma...  Today his blue eyes have gone milky but they still sparkle, his wiry frame remains agile, and his most painful memories are still fresh - even after 83 years. Coiled on the edge of an understuffed sofa, Clark leans back and screws his eyes tight to summon up &quot;that day&quot;. It remains the most vivid of his life... Historians call the firestorm that convulsed Tulsa from the evening of May 31 into the afternoon of June 1 the single worst event in the history of American race relations. To most Tulsans it is simply &quot;the riot&quot;. But the carnage had nothing in common with the mass protests of Chicago, Detroit and Newark in the 1960s or the urban violence that laid siege to Los Angeles in 1992 after the white police officers who assaulted Rodney King were acquitted. The 1921 Tulsa race riot owes its name to an older American tradition, to the days when white mobs, with the consent of local authorities, dared to rid themselves of their black neighbours. The endeavour was an opportunity &quot;to run the Negro out of Tulsa&quot;.&lt;/small&gt; &lt;a href=&quot;http://news.ft.com/cms/s/20de5fec-821b-11d9-9e19-00000e2511c8,ft_acl=,s01=2.html&quot; title=&quot;...in the summer of 1971, Ed Wheeler, a local history buff and radio personality, broke the silence. Wheeler was an unlikely candidate to excavate Tulsa&apos;s darkest secret - he is white and now a retired brigadier general in the Oklahoma National Guard. In 1971, however, he was commissioned by the magazine of Tulsa&apos;s chamber of commerce to commemorate the 50th anniversary of the tragedy... When the folks downtown read the expose - Wheeler had collected a trove of photographs of the damage and discovered that police, sheriffs and National Guard files on the riot were &apos;missing&apos; - the chamber refused to run it. He turned to Don Ross, a young black journalist and civil rights veteran trying to keep afloat a fledgling local magazine devoted to black issues, Impact... By 1996, the 75th anniversary of the destruction, Ross had become a veteran legislator in the Oklahoma House of Representatives. He filed a bill on reparations for the riot. The previous year, Timothy McVeigh had bombed the Federal Building in Oklahoma City, killing 168. Ross fumed when television newsmen called McVeigh&apos;s work the &apos;worst act of violence in US history since the Civil War&apos;. &apos;I knew it wasn&apos;t true,&quot; he said. &apos;and so did most of my colleagues in the legislature.&apos;&gt;Burnt Offerings&lt;/a&gt; &lt;br&gt;&lt;small&gt;.See also &lt;a href=&quot;http://www.mc.cc.md.us/Departments/hpolscrv/VdeLaOliva.html&quot; title=&quot;The history of the United States has produced much in the way of race riots, from the New York City riots of 1862 to the Los Angeles riots of 1991, this country has experienced much civil unrest between blacks and whites. The year 1919 was particularly noted for the large number of riots in the urban areas of the North where returning white veterans of WWI competed with Southern Blacks for jobs during the post-war depression. Again, in 1923, a racial confrontation erupted in Rosewood, Fl. There eight blacks and two whites died during the destruction of the Black community of Rosewood. However, the Tulsa Race Riot of 1921 was perhaps the costliest incident of racial violence in American history. At the same time, it is perhaps the most marginalized, being almost forgotten until this decade.&quot;&gt;The Tulsa Race Riot of 1921&lt;/a&gt; or &lt;a href=&quot;http://after-words.org/essays/jan2000/tulsa.shtml&quot; title=&quot;The worst race riot in the history of the United States was in Tulsa, Oklahoma, of all places, in 1921. Many people were killed. Official accounts say that it was about 30; unofficial counts, from people who&apos;s husbands, sons, fathers, mothers, daughters didn&apos;t come home, range around 300. The entire black section of Tulsa burned to the ground. Aircraft were used to bomb the rioters. According, apparently, to a book called Death in a Promised Land by Scott Ellsworth, it was the first use of American air power in any sort of combat; it hadn&apos;t yet been approved by president or congress for use in war.&quot;&gt;the tale of the lost city &lt;/a&gt; or another &lt;a href=&quot;http://www.subliminal.org/tulsa/&quot; title=&quot;Audio/Video | Music | &apos;Official&apos; Historical Materials &amp; Reports | Web Sites, Papers, &amp; Lengthy Articles | News Articles | Books | Misc. Related Links | Other Race Riots&quot;&gt;The Tulsa Race Riot of 1921&lt;/a&gt;. See also &lt;a href=&quot;http://www.tulsareparations.org/FAQ.htm&quot; title=&quot;Questions: Why should I have to pay for someone else&#8217;s mistakes? Not only was I not born, but neither were my parents and we didn&apos;t even live in Tulsa when we were born. Why should I pay when I do not feel that I should be responsible for repayment of something that I nor any of my ancestors had anything to do with? Answer: The City of Tulsa and the State of Oklahoma are an entity that existed both now and in 1921 when the race riot occurred. Those entities are culpable for the riot that happened and the damages that occurred. This is akin to reparations paid to the Japanese Americans for involuntary internment during WWII. The Federal Government has spent billions on the Oklahoma City bombing, yet we the taxpayers had nothing to do with the setting of the explosives. As American citizens we pay huge sums of money to help people anywhere in the world who have suffered devastating losses due to natural disasters or acts of war. Events for which we were not, are not, responsible. The events of the 1921 Tulsa Race Riot resulted in devastating losses to a community of American citizens. They were not protected by their government from the actions of a vicious white mob. In fact there is evidence that government appointed officials participated in the destruction. The real question is: Why in the world would we not pay reparations?&quot;&gt;Frequently Asked Questions &lt;/a&gt;from the &lt;a href=&quot;http://www.tulsareparations.org/&quot; title=&quot;The city of Tulsa, Oklahoma is haunted by a past that remains unresolved - The Tulsa Race Riot of 1921. The Oklahoma State Legislature authorized a commission in 1997 to research this devastating event. After 3 1/2 years of research during which the Commission examined over 20,000 pages of documentation, the Commission delivered their report to the Governor, the State Legislature, the Mayor of Tulsa and the Tulsa City Council. The commission recommended five specific reparations to the Greenwood community, the living survivors and their descendants.&quot;&gt;Tulsa Reparations Coalition&lt;/a&gt;. &lt;/small&gt;&lt;a href=&quot;http://www.metafilter.com/mefi/6104&quot; title=&quot;Tulsa Race Riots of 1921: Who pays? I don&apos;t think Oklahoma Gov. Frank Keating&apos;s pledge to fundraise for a memorial/museum will suffice as a remedy -- or cut much mustard with survivors and their families. (Background info here.) posted by allaboutgeorge at 3:35 AM PST (26 comments total) &quot;&gt;Previous post&lt;/a&gt;  by &lt;a href=&quot;http://www.metafilter.com/user/1425&quot;&gt;allaboutgeorge &lt;/a&gt;re: Tulsa Race Riot Reparations on March 1, 2001 .  </description>
		<guid isPermaLink="false">tag:metafilter.com,2005:site.39847</guid>
		<pubDate>Tue, 22 Feb 2005 17:47:24 -0800</pubDate>
		<category>africanamerican</category>
		<category>black</category>
		<category>history</category>
		<category>oklahoma</category>
		<category>race</category>
		<category>raceriots</category>
		<category>tulsa</category>
		<dc:creator>y2karl</dc:creator>
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		<title>&quot;I&apos;d rather play a maid than be one&quot;</title>
		<link>http://www.metafilter.com/39375/Id%2Drather%2Dplay%2Da%2Dmaid%2Dthan%2Dbe%2Done</link>
		<description>&lt;a href="http://www.randomhouse.com/rhpg/catalog/display.pperl?0345454189&amp;amp;view=printexcerpt"&gt;Call her Madame.&lt;/a&gt; Among the old-timers, the story went like this: a woman known to everyone as Madame came to California from Kentucky with her children and her husband. But once they were in the Gold Rush State, her husband left her. Desperate to find work, she introduced herself to a movie director named &lt;a href=&quot;http://www.pbs.org/wnet/americanmasters/database/griffith_d.html&quot;&gt;D. W. Griffith&lt;/a&gt;. He not only &lt;a href=&quot;http://www.uno.edu/~drcom/Griffith/Birth/index.html&quot;&gt;cast her in his movie&lt;/a&gt;, but the two became friends for life. And with this woman, called &lt;a href=&quot;http://www.aaregistry.com/african_american_history/2015/Beautiful_and_talented_Madame_SulTeWan&quot;&gt;Madame Sul-Te-Wan&lt;/a&gt;, what we now call &lt;a href=&quot;http://www.amazon.com/exec/obidos/ASIN/0345454189/metafilter-20/ref=nosim/&quot;&gt;Black Hollywood&lt;/a&gt; began -- as a &lt;a href=&quot;http://www.boston.com/ae/books/articles/2005/02/07/dreams_focuses_on_black_actors_in_segregated_hollywood/&quot;&gt;new book&lt;/a&gt; by historian &lt;a href=&quot;http://www.fsbassociates.com/fsg/primetimeblues.htm&quot;&gt;Donald Bogle&lt;/a&gt; explains. 
&lt;em&gt;&lt;small&gt;(more inside)&lt;/small&gt;&lt;/em&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2005:site.39375</guid>
		<pubDate>Mon, 07 Feb 2005 13:31:33 -0800</pubDate>
		<category>AfricanAmerican</category>
		<category>California</category>
		<category>cinema</category>
		<category>film</category>
		<category>history</category>
		<category>hollywood</category>
		<category>race</category>
		<category>racism</category>
		<category>USA</category>
		<dc:creator>matteo</dc:creator>
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		<title>Ragtime, Cakewalks, Coon Songs and Vaudeville, Barbershop Quartets &amp; etc.</title>
		<link>http://www.metafilter.com/38843/Ragtime%2DCakewalks%2DCoon%2DSongs%2Dand%2DVaudeville%2DBarbershop%2DQuartets%2Detc</link>
		<description> While culling my clippings file for the big move, I came across &lt;a href=&quot;http://www.nytimes.com/2001/01/21/arts/21WOND.html?ex=1106456400&amp;en=93192e9459660c1e&amp;ei=5070&amp;printpage=yes&quot; title=&quot;You cannot read The Ephemeralist without beginning to understand just how intimately ragtime is bound up with the perennial issue in American music, race. Rather than being the genteel, refined African-American classical music we think we know, ragtime jumps out of the pages of The Ephemeralist as a sometimes morally compromised, often vulgar, always vital form of American popular music, perhaps closer in its articulation to rock and hip-hop than the jazz that was its immediate descendant. At any rate, ragtime was not above titillating the white middle class with big-beat evocations of the (often greatly exaggerated) realities of ghetto life.&quot;&gt;Ragtime: No Longer a Novelty in Sepia&lt;/a&gt;, which led me to the &lt;a href=&quot;http://home.earthlink.net/~ephemeralist/&quot; title=&quot;Still Devoted to the Preservation and Dissemination of Articles and Items Relating to Nineteenth and early Twentieth Century Popular Music, &apos;&apos;The Rag-Time Ephemeralist&apos;&apos; continues to address your home or office syncopation needs.&quot;&gt;The Rag-Time Ephemeralist&lt;/a&gt;, a labor of love by one &lt;a href=&quot;http://quimby.gnus.org/warehouse/resources/resources.html&quot; title=&quot;Chris Ware Resources&quot;&gt;Chris Ware&lt;/a&gt; , whose &lt;a href=&quot;http://www.lambiek.net/ware2.htm&quot; title=&gt;&apos;The Acme Novelty Library&apos;&lt;/a&gt; and &lt;a href=&quot;http://www.grovel.org.uk/reviews/jimmyc01/jimmyc01.htm&quot; title=&quot;It surprised us when we heard it, but until Jimmy Corrigan: The Smartest Kid on Earth, the last comic or graphic novel to win a serious literary award was nearly ten years ago, when Art Spiegelman got a Pulitzer for his concentration camp memoir Maus. Since then, comics and graphic novels have been completely off the map of the big prizes.&quot;&gt;Jimmy Corrigan, Smartest Boy In The World&lt;/a&gt; I had long admired. The Ragtime Ephemeralist&apos;s mention of &lt;a href=&quot;http://www.upress.state.ms.us/catalog/fall2002/out_of_sight.html&quot; title=&quot;Out of Sight is the first book to comprehensively examine the burgeoning African American cultural milieu, emerging shortly after Reconstruction, which resulted in nearly every American popular music genre. The years encompassed were some of the worst ever as far as race relations nationwide, but, somehow, the diversely tentacled development of black music during this brief span of years engendered not only the birth of vaudeville and the cross-racial ragtime craze but resulted in the emergence of an entire African American entertainment industry. Such taken-for-granteds as barbershop quartets, brass and cornet bands, burlesque, mandolin clubs, stand-up comedians and circus sideshow performers all had their origins during this fin de seicle period.&quot;&gt;Out of Sight - The Rise of African American Popular Music, 1889-1895&lt;/a&gt;---here&apos;s a &lt;a href=&quot;http://www.mustrad.org.uk/reviews/outsight.htm&quot; title=&quot;This review can only scratch at the surface of this extraordinary work of research. It&apos;s difficult not to reach for the cliches, like &apos;&apos;labour of love&apos;&apos; and &apos;&apos;tour de force&apos;&apos;, if you are to do justice to the mid-boggling amount of hard work that has gone into it, the depth of its coverage and the potential impact of what it reveals. What&apos;s more, it functions as a magnificent memorial to so many people whose stories have never been told before. Here, for example, is a congregation refusing to sing America and adopting John Brown&apos;s Body as an alternative anthem, in honour of the famous abolitionist. Here is a band of orphan brass musicians from South Carolina stranded in London because their manager had been misled into making the journey, only to find that laws would not allow such young children to perform in public. Here is Blind Tom, a blind piano player, born into slavery and now &apos;&apos;famous for his ability to reproduce instantaneousy, after just one hearing, any passage played for him on the piano.&apos;&apos; And hundreds more. We may never hear their music (in fact, very little of what is described in these pages can be heard on records, so it is not just Out of Sight), but from these pages we can get some feel for what it might have sounded like, and we can marvel at how these people defied the horrors of racism and poverty to leave their small mark on history, and to lay the foundations for a musical revolution that would sweep the world.&quot;&gt;review&lt;/a&gt; from &lt;a href=&quot;http://www.mustrad.org.uk/index.htm&quot; title=&quot;The Magazine for Traditional Music throughout the world&quot;&gt;Musical Traditions&lt;/a&gt;--and, its very own &lt;a href=&quot;http://home.earthlink.net/~ephemeralist/links.html&quot; title=&quot;The Rag Time Ephemeralist; favorite &apos;&apos;links&apos;&apos;&quot;&gt;links page, &lt;/a&gt;as a consequence, led to this post about Ragtime, Cakewalks, Coon Songs and Vaudeville, with a slight nod to Barbershop Quartets. There&apos;s more, of course...  </description>
		<guid isPermaLink="false">tag:metafilter.com,2005:site.38843</guid>
		<pubDate>Fri, 21 Jan 2005 11:41:39 -0800</pubDate>
		<category>Barbershop</category>
		<category>Culture</category>
		<category>Encyclopedic</category>
		<category>History</category>
		<category>Music</category>
		<category>Popular</category>
		<category>Quartets</category>
		<category>Race</category>
		<category>Ragtime</category>
		<category>Songs</category>
		<category>Vaudeville</category>
		<dc:creator>y2karl</dc:creator>
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      <item>
		<title>The times they are a-changing</title>
		<link>http://www.metafilter.com/37855/The%2Dtimes%2Dthey%2Dare%2Dachanging</link>
		<description>&lt;a href="http://www.umich.edu/~lawrace/votetour1.htm"&gt;The Rise and Fall of the Black Voter&lt;/a&gt; is a remarkable sequence of maps graphically describing the realignment of voting patterns in the U.S. during the past century (read &lt;a href=&quot;http://www.metafilter.com/comments.mefi/22396&quot;&gt;this &lt;/a&gt; for a bit more context). It is an excellent companion to the &lt;a href=&quot;http://www.cscs.umich.edu/~crshalizi/election/&quot;&gt;purple &lt;/a&gt; maps of the most recent election, and a nice antidote to  &lt;a href=&quot;http://www.snopes.com/politics/ballot/civilwar.asp&quot;&gt;simplistic &lt;/a&gt; comparisons of pre-Civil War and recent electoral college maps. Republicans can bask in the glow of their successful &quot;&lt;a href=&quot;http://en.wikipedia.org/wiki/Southern_strategy&quot;&gt;Southern Strategy&lt;/a&gt;,&quot; while Democrats can take heart that change, while often slow, is still &lt;a href=&quot;http://www.prospect.org/print/V8/35/starr-p.html&quot;&gt;possible&lt;/a&gt;.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2004:site.37855</guid>
		<pubDate>Wed, 15 Dec 2004 11:57:18 -0800</pubDate>
		<category>history</category>
		<category>maps</category>
		<category>politics</category>
		<category>race</category>
		<dc:creator>googly</dc:creator>
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		<title>Taking the Long View</title>
		<link>http://www.metafilter.com/36742/Taking%2Dthe%2DLong%2DView</link>
		<description>&lt;a href="http://www.law.umkc.edu/faculty/projects/ftrials/conlaw/loving.html"&gt;Only in 1967 did &lt;i&gt;Loving v. Virginia&lt;/i&gt;&lt;/a&gt; overturn vigorously-enforced laws against interracial marriage in these 15 states--Alabama, Arkansas, Delaware, Florida, Georgia, Kentucky, Louisiana, Mississippi, Missouri, North Carolina, Oklahoma, South Carolina, Tennessee, Texas, Virginia, and West Virginia.  Only in 1964 did the &lt;a href=&quot;http://usinfo.state.gov/usa/infousa/laws/majorlaw/civilr19.htm&quot;&gt;Civil Rights Act&lt;/a&gt; overturn laws against equal access to voting, public accommodation, and public education.  Only in 1963 did the &lt;a href=&quot;http://nc.essortment.com/equalpayact_rvwx.htm&quot;&gt;Equal Pay Act&lt;/a&gt; mandate that men and women be paid the same wage for the same work at the same job.

&lt;a href=&quot;http://www.thirdworldtraveler.com/History/TheCentury_NationsView.html&quot;&gt;History&lt;/a&gt;  isn&apos;t a superhighway, leading us in straight lines toward utopia.  We &lt;a href=&quot;http://www.bartleby.com/65/mc/McCarthyJR.html&quot;&gt;fall back&lt;/a&gt; and we &lt;a href=&quot;http://www.liu.edu/cwis/cwp/library/mlking.htm&quot;&gt;move forward&lt;/a&gt;, but over the past fifty years, the United States has become considerably more inclusive and equality of access to opportunity has widened.  Take a look at &lt;a href=&quot;http://balrog.sdsu.edu/~putman/536/mixedschools.htm&quot;&gt;this article&lt;/a&gt; from the &lt;i&gt;Atlantic Monthly&lt;/i&gt; in 1956--1956!--if you don&apos;t believe me.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2004:site.36742</guid>
		<pubDate>Thu, 04 Nov 2004 11:42:36 -0800</pubDate>
		<category>civilrights</category>
		<category>court</category>
		<category>discrimination</category>
		<category>equality</category>
		<category>history</category>
		<category>interracial</category>
		<category>law</category>
		<category>legislation</category>
		<category>loving</category>
		<category>marriage</category>
		<category>prejudice</category>
		<category>race</category>
		<category>racism</category>
		<category>rights</category>
		<category>scotus</category>
		<category>supremecourt</category>
		<category>virginia</category>
		<dc:creator>Sidhedevil</dc:creator>
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		<title>The Slow Death of American Slavery</title>
		<link>http://www.metafilter.com/30051/The%2DSlow%2DDeath%2Dof%2DAmerican%2DSlavery</link>
		<description>&lt;a href="http://www.nblsa.org/programs/reparations/2003-2004/walters.html"&gt;Slavery Ended in the 1960s, not the 1860s&lt;/a&gt; The Civil War made slavery illegal, but that didn&apos;t wipe it out completely.  White farmer, John Williams, forced his black overseer to &lt;a href=&quot;http://www.nonfictionreviews.com/cgi-bin/ae.pl?mode=1&amp;article=article1016.art&amp;page=1&quot;&gt;murder 11 slaves&lt;/a&gt; in the wake of a 1921 federal investigation. The &lt;a href=&quot;http://www.greatlinx.com/peonage.htm&quot;&gt;Dial Brothers&lt;/a&gt; were also convicted by the Justice Department for &quot;African slavery&quot; in the 1940s.  In another case, a black genealogist found a &lt;a href=&quot;http://www.iabolish.com/news/general%20news/coverage/ct06-11-03.htm&quot;&gt;104-year-old man&lt;/a&gt; who claims he and his family were enslaved until the 1960s.  It&apos;s not necessary to rehash the entire &lt;a href=&quot;http://www.metafilter.com/mefi/15833&quot;&gt;reparations debate&lt;/a&gt; to realize that some of these post-Civil War slavery cases may finally have a day in court.  </description>
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		<pubDate>Fri, 05 Dec 2003 23:37:45 -0800</pubDate>
		<category>history</category>
		<category>race</category>
		<category>reparations</category>
		<category>slavery</category>
		<category>slaves</category>
		<dc:creator>jonp72</dc:creator>
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		<title>Gone to Croatan  --  Hi, Iconomy!</title>
		<link>http://www.metafilter.com/21650/Gone%2Dto%2DCroatan%2DHi%2DIconomy</link>
		<description> &lt;small&gt;In the late 18th or early 19th century a group of runaway slaves and serfs fled from Kentucky into the Ohio Territory, where they inter-married with Natives and formed a tribe - red, white &amp; black - called the Ben Ishmael tribe. The Ishmaels (who seem to have been Islamically inclined) followed an annual nomadic route through the territory, hunting &amp; fishing, and finding work as tinkers and minstrels. They were polygamists, and drank no alcohol. Every winter they returned to their original settlement, where a village had grown.&lt;br&gt;&lt;br&gt; 
But eventually the US Govt. opened the Territory to settlement, and the ~official~ pioneers arrived. Around the Ishmael village a town began to spring up, called Cincinnati. Soon it was a big city. But Ishmael village was still there, engulfed &amp; surrounded by &quot;civilization.&quot; Now it was a ~slum~.&lt;/small&gt;&lt;br&gt;&lt;br&gt; 
&lt;a href=&quot;http://www.si.edu/maroon/educational_guide/23.htm&quot; title=&quot;The man who was to become the first African-American maroon arrived within a decade of Columbus&apos; landfall on the very first slave ship to reach the Americas. One of the last maroons to escape from slavery was still alive in Cuba only 15 years ago. The English word &apos;&apos;maroon&apos;&apos; derives from Spanish cimarr&#xf3;n--itself based on an Arawakan (Taino) Indian root. Cimarr&#xf3;n originally referred to domestic cattle that had taken to the hills in Hispaniola, and soon after it was applied to American Indian slaves who had escaped from the Spaniards as well. By the end of the 1530s, the word had taken on strong connotations of being &apos;&apos;fierce,&apos;&apos; &apos;&apos;wild&apos;&apos; and &apos;&apos;unbroken,&apos;&apos; and was used primarily to refer to African-American runaways.&quot;&gt;Maroons&lt;/a&gt;, &lt;a href=&quot;http://genforum.genealogy.com/aa/messages/25.html&quot; title=&quot;According to the first part of the legend, the first settlers in the Ramapo Mountain region were Tuscarora Indians. They fled northward on the Cumberland Trail to join their allies the Iroquois in upper New York after a humiliating defeat at the hands of the British Army in a series of skirmishes, part of the French and Indian Wars, in western North Carolina from 1711 to 1714. They were either joined shortly after their arrival by or came accompanied with runaway slaves, often referred to in those days as &apos;&apos;Jacks.&apos;&apos; The sons of Black freedmen from the plantations of the nearby Hudson River Valley and Catskill Mountains also joined them and brought their former masters&apos; Dutch surnames with them to the Ramapos. They intermarried with the Tuscaroras and possibly local Lenni Lenape Indians, as well. It is at this time that their local neighbors may have begun to refer to these people as the &apos;&apos;Jacks and Whites&apos;&apos; .&quot;&gt;Ramapaughs&lt;/a&gt;, &lt;a href=&quot;http://www.netstrider.com/documents/whites/&quot; title=&quot;That&apos;s how I first came to know who the Jackson Whites were - from Willie G. Mann, Jr., my first and best friend. Junior told me stories about these shy, gentle, reclusive mountain people. They kept mostly to themselves. A lot of the townspeople in the valleys below their homes called them names because they were afraid of them or thought themselves better. Among Junior&apos;s many cousins, some were albino. Some had extra fingers or toes. Some had webbed fingers or toes. Some were a bit slow-witted. Some knew Indian medicine. Some spoke proudly of their Tuscarora or Hessian or Dutch blood. Some spoke &apos;&apos;Jersey Dutch,&apos;&apos; an old dialect that the newer valley people couldn&apos;t understand. Some people said they came from runaway slaves or black whores. Some said they came from traitors and turncoats. Some people called them &quot;Jacks.&quot; Others called them &apos;&apos;Bockies.&apos;&apos; It really didn&apos;t matter. They were all wrong anyway.&quot;&gt;Jackson Whites&lt;/a&gt;, the&lt;a href=&quot;http://hometown.aol.com/jacklyn001/moor.htm&quot; title=&quot;The origin of the term Moor is lost in history. No one knows the derivation of the term or why it became so accepted among the mixed blood people in Kent Co. Some people spoke of English sailors and their Moroccan wives arriving on Tangier Island in the Chesapeake and inter-marrying with local Indians. Some spoke of Portuguese sailor/pirates plying the Chesapeake Bay. Some spoke of a beautiful Irish slaveowner and her handsome Moorish slave. All of the stories have a fanciful quality that does not bear up to close scrutiny. &quot;&gt; Moors of Delaware&lt;/a&gt;, &lt;a href=&quot;http://www.ls.net/%7Enewriver/swva/hssv-2.htm#mel&quot; title=&quot;A generation ago census records of certain mountainous counties of Virginia, Tennessee, Kentucky, Carolina, and others proved somewhat confusing. This was due to the presence of a strange group of people whose origin was, and has remained, one of the deepest and most fascinating mysteries of American ethnology.&quot;&gt;Melungeons&lt;/a&gt;, the &lt;a href=http://www.buckyogi.addr.com/footnotes/natgj.htm title=&quot;SCROLL DOWN to Ishmaelites- The Ishmaelites, or Tribe of Ishmael, were a nomadic group of mixed ethnic descent, but were primarily African. In order to escape government control, the Ishmaelites settled in the Northwest Territory around 1800, on the current site of Indianapolis. They migrated annually across the Midwest, maintaining some Islamic African traditions, which became part of Midwest African-American culture and influenced the foundation of the Nation of Islam. The Ishmaelites were absorbed and ceased to exist as a distinct culture in the early years of the twentieth century.&quot;&gt;Ben Ishmaels&lt;/a&gt;&lt;/a&gt;&lt;small&gt;&lt;small&gt;--hat tip to &lt;a href=&quot;http://www.buckyogi.addr.com/footnotes/index.htm&quot; title=&quot;The nations you didn&apos;t learn about in high school geography.&quot;&gt;Footnotes of History&lt;/a&gt; on that
last--&lt;/small&gt;&lt;/small&gt;Red Bones, Brass Ankles, Turks, Lumbees, &lt;a href=&quot;http://tk-jk.net/Bridgers/Shaggy/fog0000000029.html&quot; title=&quot;In any event, when the Bridgers and their fellow pilgrims trekked into &apos;&apos;The State of Robeson&apos;&apos; in the late 1700&apos;s, they found sandy loam soil, forests of &apos;&apos;long-leaf pines,&apos;&apos; &apos;&apos;The Croatans&apos;&apos; and folks from Scotland.&quot;&gt;Croatans&lt;/a&gt; and other &lt;a href=&quot;http://reactor-core.org/security/fugitive-nation.html&quot; title=&quot;How does it help us to know that before the French and Indian War people of different races were banding together in the face of repression? For one thing it gives us a different perspective on American history, which never hurts. It would be incredible if we could use their brave example as a guide to future action. That&apos;s the true positive result from looking at this secret history: the example set by the fugitives in surviving the demand to assimilate. They made a life for themselves outside the reach of Power. They created an inclusive culture which survives at least somewhat in American popular music, and which bubbles eternally in our dreams, just beyond the frontier in the wilderness of our imaginations.&quot;&gt;lost&lt;/a&gt; &lt;a href=&quot;http://www.davidmargolis.com/journalism_losttribes.html&quot; title=&quot;The &apos;&apos;Lost Tribes&apos;&apos; - Reuven, Shimon, Dan, Naphtali, Gad, Asher, Issachar, Zebulun, Ephraim and Menasseh - nearly 3,000 years ago rejected the rule of King Solomon&apos;s son and broke away to form a separate kingdom. That kingdom was destroyed in 722 BCE by the Assyrians, who sent much of the population into exile. So completely lost were the ten tribes that for many centuries they existed only in legend, inhabitants of a land &apos;&apos;beyond the River Sambatyon&apos;&apos; whom only the Messiah could bring back.... No doubt the messiah, when he comes, will have a very different sense of priorities.&quot;&gt; tribes &lt;/a&gt;and &lt;a href=&quot;http://earlyamerica.com/review/2001_summer_fall/fugative.html&quot; title=&quot;In the 17th century, the settlers of Jamestown described the &apos;&apos;tawny half-breeds&apos;&apos; they encountered in the forests, who strangely preferred the freedom of the wilderness to the safety and comfort of Jamestown. Who were these people, these &apos;&apos;half-breeds&apos;&apos;? Theories as to the identity of this people range from the romantic (the survivors of the Roanoke colony) to the fantastic (the descendants of early Viking, Welsh or Phoenician settlers). In fact, they were members of fugitive (also called maroon) communities that existed on the outskirts of European settlement from the earliest days of colonization.&quot;&gt;rebel slave communities&lt;/a&gt;.&lt;br&gt;&lt;br&gt; The questions raised are what is race, tribe and family ...among others. &lt;br&gt;&lt;br&gt;Included by extension are &lt;a href=&quot;http://www.hermetic.com/bey/&quot; title=&quot;Hakim Bey and Ontological Anarchy&quot;&gt;Hakim&lt;/a&gt; &lt;a href=&quot;http://fusionanomaly.net/peterlambornwilson.html&quot; title=&quot;Peter Lamborn Wilson - A man who yet still searches for &apos;&apos;Irish Soma&apos;&apos;&quot;&gt;Bey&lt;/a&gt;, &lt;a href=&quot;http://www.geocities.com/moorishorthodoxchurch/&quot; title=&quot;BULLETIN: Dr. Emanual Bronner of Chicago (d. 1997) chemist, soap-maker, philosopher and humanitarian, to be canonized Saint by the Moorish Orthodox Church on Winter Solstice 2002&quot;&gt;The Moorish Orthodox Church&lt;/a&gt;,  various tribes of &lt;a href=&quot;http://hometown.aol.com/blkindians/blackindians.html&quot; title=&quot;The BIINAA or BlackIndians.com is a non-profit Internet Group-Organization dedicated to Inter-tribal Native Americans with a special interest in the Native-African-Indian communities abroad. [ Black Indians ]&quot;&gt;Black&lt;/a&gt; &lt;a href=&quot;http://www.blackindians.com/&quot; title=&quot;Geared to the genealogy enthusiast in assisting people with Native American Heritage in finding there roots. Weather mixed blood. Full blood or simply interested in Native Culture. You&apos;ve come to the right place. Founded in 1992:by Chief Jerry Eaglefeather, This topic has become one of the most frequently talked about topics in Native American Community&apos;s abroad. Our goals are not to insult, hamper or offend Native Americans. We do however wish to encourage and bring awareness of our cultures to other mixed bloods. We are here to assist and help, and educate those who have a heart to learn and an ear to hear. And to build together a collaboration of Black And Indian. A History not only forgotten, but hidden. &quot;&gt;Indians&lt;/a&gt;, Jukes, Kallikaks, Margaret Sanger, &lt;i&gt;The Bell Curve&lt;/i&gt; and Heather Locklear. &lt;i&gt;(Step within the tent for the latter&apos;s interpetive dance)&lt;/i&gt;  </description>
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		<pubDate>Fri, 15 Nov 2002 15:27:03 -0800</pubDate>
		<category>America</category>
		<category>BenIshmaels</category>
		<category>BrassAnkles</category>
		<category>Croatan</category>
		<category>Croatans</category>
		<category>History</category>
		<category>Indians</category>
		<category>Ishmaels</category>
		<category>JacksonWhites</category>
		<category>LostTribes</category>
		<category>Lumbees</category>
		<category>Maroons</category>
		<category>Melungeons</category>
		<category>MoorsofDelaware</category>
		<category>Race</category>
		<category>Ramapaughs</category>
		<category>RedBones</category>
		<category>Slavery</category>
		<category>TriRacialIsolates</category>
		<category>Turks</category>
		<dc:creator>y2karl</dc:creator>
	</item>
      <item>
		<title></title>
		<link>http://www.metafilter.com/15495/</link>
		<description>&lt;a href="http://chnm.gmu.edu/courses/magic/news/lgthatcher.html"&gt;The Minstrel Show &lt;/a&gt; &lt;i&gt;The Minstrel Show presents us with a strange, fascinating and awful phenomenon. Minstrel shows emerged from preindustrial European traditions of masking and carnival. But in the US they began in the 1830s, with working class white men dressing up as plantation slaves. These men imitated black musical and dance forms, combining savage parody of black Americans with genuine fondness for African American cultural forms. By the Civil War the minstrel show had become world famous and respectable. Late in his life Mark Twain fondly remembered the &quot;old time nigger show&quot; with its colorful comic darkies and its rousing songs and dances. By the 1840s, the minstrel show had become one of the central events in the culture of the Democratic party.. &lt;/i&gt;


The image of white men in blackface, miming black song, dance and speech is considered the last word in racist bigotry for some. And yet, standing at the crossroads of race, class and high and low culture, blackface minstrelsy is one fascinating topic in academic circles. It&#8217;s history is intertwined with the rise of abolitionism, the works of Mark Twain and the histories of &lt;a href=&quot;http://www.jerryjazzmusician.com/linernotes/giddins.html#Minstrelsy and its effect on America&quot;&gt;vaudeville&lt;/a&gt;, &lt;a href=&quot;http://www.nytimes.com/books/first/g/giddins-jazz.html&quot;&gt;American vernacular  music, &lt;/a&gt;&lt;a href=&quot;http://www.otr.com/amosandy.html&quot;&gt;radio, &lt;/a&gt;&lt;a href=&quot;http://www.geocities.com/Hollywood/2587/&quot;&gt;television&lt;/a&gt;, &lt;a href=&quot;http://www.bamboozledmovie.com/minstrelshow/index.html&quot;&gt;movies&lt;/a&gt;, in fact all of what is called popular culture. Details within.
 </description>
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		<pubDate>Wed, 13 Mar 2002 13:57:05 -0800</pubDate>
		<category>Americana</category>
		<category>Blackface</category>
		<category>BlackfaceMInstrelsy</category>
		<category>Folk</category>
		<category>History</category>
		<category>Minstrels</category>
		<category>Minstrelsy</category>
		<category>Music</category>
		<category>PopularCulture</category>
		<category>Race</category>
		<category>Vaudeville</category>
		<dc:creator>y2karl</dc:creator>
	</item>
      <item>
		<title></title>
		<link>http://www.metafilter.com/1515/</link>
		<description>&lt;a href="http://www.journale.com/withoutsanctuary/index.html"&gt;Without Sanctuary &lt;/a&gt; - postcards &amp; photographs of lynching in America. Shocking and sad.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2000:site.1515</guid>
		<pubDate>Mon, 01 May 2000 09:52:47 -0800</pubDate>
		<category>ephemera</category>
		<category>history</category>
		<category>lynching</category>
		<category>photography</category>
		<category>postcards</category>
		<category>race</category>
		<dc:creator>echelon</dc:creator>
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