is the John J. and Rebecca Moores Chair of History and African American Studies at the University of Houston. He is a prolific author whose most recent book is The Counter-Revolution of 1776: : Slave Resistance & the Origins of the United States of America
(published by NYU Press
; available on Google Books
). From the publisher's description:
The so-called Revolutionary War, Horne writes, was in large part a counter-revolution, a conservative movement that the founding fathers fought in order to preserve their liberty to enslave others—and which today takes the form of a racialized conservatism and a persistent racism targeting the descendants of the enslaved.
Early in the book, Horne writes:
The construction of 'whiteness' or the forging of bonds between and among European settlers across class, gender, ethnic, and religious lines was a concrete response to the real dangers faced by all of these migrants in the face of often violent rebellions from enslaved Africans and their indigenous comrades.
He recently sat down with Paul Jay of the Real News Network for the show Reality Asserts Itself
. The result is a far-ranging discussion that covers his youth growing up in Jim Crow era St. Louis, his personal and intellectual development, pre-revolutionary America and the lucrative business of slavery, the Civil War and Reconstruction, and the Civil rights movement. The interview concludes by bringing us back to recent events, including the recent chokehold death of Eric Garner in New York, and the protests in Ferguson, Missouri. [more inside]
posted by mondo dentro
on Aug 25, 2014 -
Why I Yelled at the Kara Walker Exhibit
: "Anger shot up my body like a hot thermometer. Face flushed, I walked to the Mammy sphinx. Couples posed in front of it, smiling as others took their photos. So here it was, an artwork about how Black people’s pain was transformed into money was a tourist attraction for them... Something snapped... I yelled that this was our history and that many of us were angry and sad that it was a site of pornographic jokes." [more inside]
posted by flex
on Jul 2, 2014 -
An NPR interview
with the creator of a 75 foot long Mammy-Sphinx sculpture made entirely of sugar. Award-winning artist Kara Walker's latest work
challenges viewers to confront the relationships between American history, racism, slavery, and industrialization. Her exhibition is held in the soon-to-be-demolished, historic Domino Sugar Factory. (New Yorker article) [more inside]
posted by warm_planet
on May 16, 2014 -
NYT Editorial Filter -- "Now African-Americans make up about a fifth of the military. The idea that today we ask any of these soldiers to serve at a place named for a defender of a racist slavocracy is deplorable; the thought that today we ask any American soldier to serve at a base named for someone who killed United States Army troops is beyond absurd. Would we have a Fort Rommel? A Camp Cornwallis?" [more inside]
posted by bardic
on May 27, 2013 -
Ta-Nehisi Coates, a senior editor at The Atlantic
, recently touched on a couple of interesting aspects of the American Civil War. First, Racism Against White People
briefly looked at how Southern intellectuals argued that Northern whites were of a different race. Then a subthread in the comments on that post spawned an investigation of American Exceptionalism in History
and the notion of preserving democracy in the context of the American Civil War. After all, "if a government can be sundered simply because the minority doesn't like the results of an election, can it even call itself a government?" Definitely check out the comments of both posts.
posted by Brandon Blatcher
on Jul 8, 2012 -
Ta-nehisi Coates sparks months of debate with his contention that The Civil War Isn't Tragic
. "The Civil War is our revolution. It ended slavery, and birthed both modern America, and modern black America.
That can never be tragic to me." [more inside]
posted by Danila
on Aug 25, 2011 -
"I am an American, so that is why I make films about America.
America is sitting on our world, I am making films that have to do with America (because) 60% of my life is America. So I am in fact an American, but I can't go there to vote, I can't change anything. We are a nation under influence and under a very bad influence… because Mr. Bush is an asshole and doing very idiotic things."
Lars Von Trier introduces his new film
at the Cannes Film Festival
picks up where «Dogville
» left off, with the character originated by Nicole Kidman -- now played by Bryce Dallas Howard -- stumbling
onto a plantation that time forgot, where slavery
still operates in the 1930s. The film (5 MB .pdf file, official pressbook)
ends, as Dogville did, with David Bowie’s Young Americans played over a photomontage of images that range from a Ku Klux Klan meeting to the Rodney King beating, George Bush at prayer and Martin Luther King at his final rest, American soldiers in Vietnam and the Gulf, the Twin Towers. More inside.
posted by matteo
on May 16, 2005 -
Rebecca Protten, born a slave in 1718, gained her freedom and joined a group of proselytizers from the Moravian Church
. She embarked on an itinerant mission, preaching to hundreds of the enslaved Africans of St. Thomas, West Indies. Weathering persecution from hostile planters, Protten and other black preachers created the earliest African Protestant congregation in the Americas. University of Florida historian Jon Sensbach
has written a book
about Protten's life -- the interracial marriage, the trial on charges of blasphemy and inciting of slaves, the travels to Germany and West Africa. Later in her life, after she moved to Germany, Rebecca was ordained as a deaconess: "a former slave now administered Communion and practiced other claims to spiritual authority over white women, including European aristocrats." More inside.
posted by matteo
on May 15, 2005 -
Sacred Arts of Haitian Vodou.
'Vodou is Haiti's mirror. Its arts and rituals reflect the difficult, brilliant history of seven million people, whose ancestors were brought from Africa to the Caribbean in bondage. In 1791 these Africans began the only successful national slave revolt in history. In 1804 they succeeded in creating the world's first Black republic: the only one in this hemisphere where all the citizens were free. Their success inspired admiration, fear and scorn in the wider world. Cut off from Euro-American support, Haitians managed to created their own dynamic "Creole" society-one rooted in Africa but responsive to all that was encountered in their new island home.' History, theology
and religious art.
Related :- an essay on the Vodou concept of soul
, Voodoos and Obeahs
on sacred-texts ('required reading if you want to understand the background of Haitian and Jamaican Vodun, and the profound influence of imperialism, slavery and racism on its development').
posted by plep
on Jan 2, 2004 -
Mark Twain: A Film Directed by Ken Burns
started on PBS tonite, on my local station. I know we have discussed Mark Twain's writting before, but I found this
as I was looking for other sources about Twain.
What do you think? Was he racist or was he trying to expose racist thinking? Or just weaving a good story?
posted by bjgeiger
on Jan 14, 2002 -