Amber Galloway Gallego is an ASL-based music interpreter who has worked with Snoop Dogg, Kendrick Lamar, Destiny's Child, Paul McCartney, and many more rappers, R&B stars, and rock bands. Her YouTube channel is chock full of music interpretation for deaf audiences. [more inside]
Is Sampling Tom Petty Like Plagiarizing from Moby-Dick? [SLYT] Mini-documentary on 'sampling' circa 1989.
"Puerto Rican rappers/rockers Calle 13 continue their fierce criticism of government systems and oppression in their latest track Multi_Viral... [more inside]
Meet Holly Maniatty, the sign language interpreter who has brought the words of Wu-Tang Clan, Marilyn Manson, Killer Mike, Bruce Springsteen and the Beastie Boys to the deaf.
If you were watching late-night television in July 1998 you may have seen the half-hour informercial parody that the Beastie Boys produced to promote their upcoming album, Hello Nasty. The ad features Mike D, MCA , and Ad-Rock taking on roles to shill everything from the services of phone psychics to get-rich-quick scams to a food processor that plays songs from the upcoming LP. (Warning: video auto-loads.) [more inside]
Rock’n'roll as spontaneous Paganism: Mick Farren on Nick Cave, Elvis and the Devil is an essay by the author of Gathering Of The Tribe: A look at the role of the occult in music through key albums. Another excerpt is Punk-Esotericism: The Occult Roots of the Wu-Tang Clan
Rock and Rap has had a sometimes fun, sometimes interesting, sometimes possibly regrettable relationship over the years. Artists like Kid Cudi and Lupe Fiasco continue to blur the line by releasing post-punk/electroclash/whatever style music (complete with fake British accent), learning to play the guitar, and announcing that rap is boring. [more inside]
It’s maybe a little early yet for year’s end retrospectives, but who cares: we’ve got 157 songs, 10.5 hours, 1.12 GB of “some of the best and most notable music from 2010... covering indie, pop, rock, punk, folk, rap, R&B, soul, dance, country, modern classical, ambient and electronic music, and in many cases, hard-to-classify genre hybrids.” —Curated by FluxBlog’s own Matthew Perpetua.
SomBy were the winners of the Liet International 2009 song contest for minority european languages and cultures. Sámi rock, you say? But wait, there's more! There's Alit Boazu from the Norwegian side, and Tiina Sanila, a Skolt Sámi singer from Finland. And yes, there is Sámi metal, from the band Intrigue. There are plenty other Sámi musicians across Sápmi and outside of the genre of rock, of course. There's Amoc, an Inari Sámi rapper from Finland; Adjágas who are folky and bluegrassy at times; Niko Valkeapää, who is more ambient and electronic; and of course, Mari Boine, recently knighted for her long career of artistic work (translation). [Sound, MySpace warnings] [more inside]
Sung in incoherent pseudo-English, Adriano Celentano's Prisencolinensinainciusol (1973) could be thought of as an early example of rap.
The King of the Jukebox who disturbed the status quo They called rock music jump blues during the World War II era, and this amazingly talented clown was its master, with over fifty Top 10 R&B hits -- eighteen reached #1 -- between 1942 and 1951. Chuck Berry identified with him "more than any other artist." James Brown said, "He was everything" and considered him one of the earliest rappers. A pioneer of music video, the first black artist to cross over from the "race" market to a white audience and a central link between big bands and rock, he was a primary influence on Bill Haley, Ray Charles and B.B. King, who once said, "I wanted to be like him." Rest in peace, Louis Jordan. [Dozens of one-minute song clips here]