Agile Mobile Hostile [ Mov. file] A year with Andre Williams the documentary. The wiki entry, some clips from the film.
posted on Jun 29, 2008 - View this thread

The Pointer Sisters rehearse.
posted on Apr 30, 2008 - View this thread

Despite ongoing legal issues, Robert Sylvester Kelly continues to reign as an icon of commercial rap/r&b. His 'direct' approach to lyrics - that behind the bizarre metaphors and often hilariously tasteless statements that have been the key to his longevity - also shines through in some of his biggest hits. Kelly's piece de resistance, Trapped In the Closet, which recently released 10 new 'chapters,' takes his penchant for crude storytelling to new heights. Featuring love-triangles, -pentagons, and -octagons, not to mention a well-endowed 'midget', the soap-like series is being credited with the creation of a new genre of music video. Not one to let the strange allure of his work speak for itself, Kelly describes TITC as "my alien."
posted on Sep 18, 2007 - View this thread

The dog's nuts of the periodic table.
posted on May 30, 2006 - View this thread

After the Storm Sometime this weekend, you may be able to hear one of the best expressions of New Orleans’ role in music and culture available in any mass media. It's American Routes, a weekly show carried on many US public radio affiliates. Programmed and hosted by folklorist and UNO professor of folklore and culture Nick Spitzer, the show normally broadcasts from a studio in the heart of the French Quarter, but has found a temporary home on a Creole/Cajun French/English public radio station in Lafayette. Spitzer told the NYT that he began planning the music for this week’s show as he was fleeing the flooding city in his car, playing Fats Domino’s “Walking to New Orleans." This week’s show highlights New Orleans’ recovery from disasters past, emphasizing the city’s role as the greatest single wellspring of American music. The Crescent City, after all, has either birthed or nurtured everything from jazz, R & B, cajun and the related black-influenced zydeco, soul, blues, gospel, and rock and roll.) With an encyclopedic knowledge of American vernacular music, an utterly democratic spirit, and an unmistakeable respect and love for American musical forms and the people who create them, Spitzer has stepped forward several times this week to serve as a compassionate and optimistic spokesman for the irrepressible creative spirit of a suffering city and a culture in diaspora.
posted on Sep 10, 2005 - View this thread

The King of the Jukebox who disturbed the status quo They called rock music jump blues during the World War II era, and this amazingly talented clown was its master, with over fifty Top 10 R&B hits -- eighteen reached #1 -- between 1942 and 1951. Chuck Berry identified with him "more than any other artist." James Brown said, "He was everything" and considered him one of the earliest rappers. A pioneer of music video, the first black artist to cross over from the "race" market to a white audience and a central link between big bands and rock, he was a primary influence on Bill Haley, Ray Charles and B.B. King, who once said, "I wanted to be like him." Rest in peace, Louis Jordan. [Dozens of one-minute song clips here]
posted on Jul 10, 2002 - View this thread

What happened to the two-step invasion? In early 2001, America was supposed to be poised for an invasion of this skittery garage/R&B combo, with Craig David's "Fill Me In" taking over the charts. However, while two-step has conquered England, it remains unknown in the US. Where is the homegrown two-step, and why are Artful Dodger, Oxide & Neutrino, MJ Cole and the rest failing to gain any converts on this side of the pond?
posted on Jan 11, 2002 - View this thread