Johnny Greenwood (guitar) (2013), Mark Stewart (guitar), Los Angeles Electric 8 (guitars, third movement), Neo_Impressioniste (recorders) [more inside]
In the 1980s, there were twee bands, and then there was Trixie's Big Red Motorbike. Formed in Shanklin, Isle of Wight in 1981, TBRM were brother and sister Mark & Mel Litten, sometimes assisted by Jim Bycroft on sax and Jane Fish (of The Marine Girls — whose most famous alumna you would have heard if you were alive in the 90s [previously]) on backing vocals. Their sound, lofi, their artwork handmade. Their first single was sent to John Peel [passim], who proclaimed they'd “wipe the floor with the competition” and had them in for two sessions. [more inside]
People can't decide if he looks more like Tom Cruise or Keanu Reeves. But whoever he looks like, it's the way he sounds and what he can play that make Benoît Sauvé unique. [more inside]
Matt Mulholland performing "My Heart Will Go On" on the recorder. That is all. (SLYT)
Sure, every band geek has heard of the mythic contrabass sax. But I bet you didn't know there were contrabass clarinets and french horns or subcontrabass recorders, flutes, and... uh... this thing. On the other end of the spectrum you've got the sopranino recorder, saxaphone, clarinet, and ukulele.
Two flutes at once. Two guitars at once. (Honorable mentions.) Two recorders at once, 100% nose-powered. Two trumpets at once (breakdown at three).Two harps at once. Two saxophones at once. (Bonus: Clarinet/sax unos.) [more inside]
QuickMuse is a cutting contest, a linguistic jam session, a series of on-the-fly compositions in which some great poets riff away on a randomly picked subject. via
An Eye for Annai is a terrific little animation, suitable for all ages. (QuickTime).
There appears to be a three-minute discrepancy between the time that Flight 93's black box stopped recording and the time that it actually crashed. Hmm ... I wonder if ... nah.