40 years ago today, The Rolling Stones played two concerts at the Oakland-Alameda County Coliseum. In the darkness of the audience was a man known to history only as "Dub"... [audio auto-plays] [more inside]
posted by Joe Beese on Nov 9, 2009 - 13 comments

[musicnewsfilter]: European copies of Dinosaur Jr.'s new album Farm have been recalled after duplication software "doubled the sound layers, resulting in a 3 dB increase in the overall sound volume." [more inside]
posted by auralcoral on Jul 12, 2009 - 61 comments

Last year we discussed a recently discovered 10-second audio recording from 1860 that was thought to be the oldest known recorded human voice, a girl or woman singing the 18th century French folk song “Au Clair de la Lune”. Turns out, it was being played too fast - slow it down and it's the voice of the inventor himself. As well, a number of other recordings have been found, pushing back the oldest recording to 1857. Hear it all on NPR (5-min). [more inside]
posted by stbalbach on Jun 1, 2009 - 24 comments

10cc's I'm Not In Love and the story behind it.
posted by klangklangston on May 12, 2009 - 56 comments

Tape Op Magazine exposes Sufjan Stevens' ghetto recording techniques. Via The Buddy Project
posted by chuckdarwin on Apr 27, 2009 - 39 comments

Andy Partridge (ex-XTC frontman) and producer John Leckie (Stone Roses/Radiohead) discuss the making of The Dukes of the Stratosphear 25 o'clock EP, getting sacked by Mary Margaret O'Hara, Roy Harper kissing a sheep and recording Syd Barrett in Abbey Road in 1975 (parts I and II). [more inside]
posted by johnny novak on Apr 24, 2009 - 24 comments

The Year of Led Zeppelin: A (completed) quest to listen to every Led Zeppelin concert in a year
posted by Joe Beese on Apr 17, 2009 - 54 comments

The first known recording of a digital computer playing music, recorded by the BBC in 1951. The music played on a Ferantti Mark 1, one of the first commercial general-use computers, and was entered via punchtape and played on a speaker usually used for making clicks and tones to indicate program progress.
posted by Artw on Jun 18, 2008 - 14 comments

Tourists black out reflective retinas in snapshots before printing them, and millions of people refer to strangers they’ve never spoken to as friends, because they’ve connected through a social-networking platform. [...] It should come as no surprise, then, that singers sometimes choose to correct recorded flaws in pitch with modern software, like Antares’s Auto-Tune.

Sasha Frere-Jones on auto-tuning, in The New Yorker. [more inside]
posted by goodnewsfortheinsane on Jun 10, 2008 - 98 comments

Researchers Play Tune Recorded Before Edison
The Phonoautograph
The history of the Phonoautograph. A technology in which you can still buy stock.
posted by y2karl on Mar 27, 2008 - 34 comments

The Muscle Shoals Rhythm Section was comprised of four session musicians operating out of the tiny northern Alabama town of town Muscle Shoals. Just four unassuming crackers who happened to have provided the funky underpinning for a huge number of hit songs by, among others, Aretha Franklin, Wilson Pickett, Paul Simon, Joe Cocker, The Staple Singers , Jimmy Cliff and many, many others. Hey, they were the house band to the greats. Big respect to the men from 3614 Jackson Highway! [note: see hoverovers for link descriptions] [more inside]
posted by flapjax at midnite on Feb 24, 2008 - 27 comments

Ron Murphy cut records, but not just any records. Responsible for cutting the actual vinyl master plates of much of the now revered Detroit Techno including Jeff Mills, Carl Craig, Underground Resistance's seminal Knights of the Jaguar, and much more - he demonstrated impeccable craftsmanship and skill in both mastering records for sound and aesthetics at company known as Sound Enterprises source link AKA National Sound Corporation. Schooled in Motown, dubplates and jukeboxes, he is the bespoke-crafted, analog link between the digital future and analog past that is the roots of Techno music and modern techno DJ culture. [more inside]
posted by loquacious on Feb 13, 2008 - 15 comments

Want to be a recording star? The Great World of Sound is looking for new talent!
posted by The Deej on Nov 18, 2007 - 22 comments

Led Zeppelin's The Song Remains The Same motion picture soundtrack, reverse engineered. [more inside]
posted by melorama on Nov 17, 2007 - 58 comments

HOMOPHONI
posted by hama7 on Oct 7, 2007 - 37 comments

Philip Kives, the "K" in K-Tel records, built his pioneering record label by cramming up to 24 songs on low-fi compilation LP’s (later cassettes, 8-tracks, and CDs) and aggressively marketing them with TV ads. What's your favorite K-Tel album?
posted by Chinese Jet Pilot on Mar 26, 2007 - 33 comments

The Indie Band Survival Guide: A fantastic, free, 101 pages collection of useful information for musicians - covers topics such as recording, copyright, major label contracts, commercial radio, promoting your music, band websites, distribution, filesharing and live shows.
posted by Ira.metafilter on Feb 25, 2007 - 9 comments

The Pandora Podcast Series: "The idea behind them is to provide some interesting, and hopefully entertaining segments on various aspects of music theory. Kind of like a peek under the hood of music composition and performance using lots of musical examples." So far they've covered vocal harmony, drumming, electric guitar effects, recording vocals and elements of salsa. Schedule for rest of 2007.
posted by Ira.metafilter on Feb 15, 2007 - 7 comments

When I was a kid, my dad, who grew up in London, during the Blitz, used to play this old record: a song called "The Laughing Policeman." It always put a smile on my face. According to Wikipedia, it was written in 1922 by Charles Jolly, who wrote "numerous other laughing songs (The Laughing Major, Curate, Steeplechaser, Typist, Lover, etc)." If you want to hear the happiest policeman ever, here's the mp3. The song has inspired cartoonists, mystery novelists (great series, by the way!), filmmakers, a more-recent recording (mp3), and, inevitably, some scary people on youtube. Speaking of youtube, this is how I remember the song.
posted by grumblebee on Feb 11, 2007 - 41 comments

"In the monitor booth the sound technician listens to the rehearsal through a loudspeaker, and in cooperation with maestro Ellington, brings the music to its highest sound perfection before transmitting it through the electrical circuits to the recording machine!" Record Making With Duke Ellington (1937). [YouTube]
posted by flapjax at midnite on Nov 27, 2006 - 11 comments

Tweak's Guide to Home Recording. A comprehensive home recording guide that will take you all the way from buying an audio interface to choosing a mic preamp to learning the subtle arts of compression and EQing. A good refresher course even for those with recording experience. And for those more interested in composition than recording, Tweak's piece on Inspiration is insightful as well.
posted by ludwig_van on Apr 3, 2006 - 32 comments

John "Paia" Simonton died late last week. His company, PAiA is one of the grandfathers of the DIY synth scene. I have one of his modular synths half-constructed in my garage. He helped create an American buzz for electronic music and DIY music gear in the 70s, and was highly influential till his passing away.
posted by blackvectrex on Nov 29, 2005 - 10 comments

Buying Rare Race Records in the South. Music That Americans Loved 100 Years Ago. The Cheney Talking Machine. Just three among dozens of amazing articles about early recording machines and American popular music at the astonishingly detailed site of Tim Gracyk, author of Popular American Recording Pioneers: 1895-1925. Scroll down for bios of forgotten stars, including Nora Bayes - who performed in the Follies of 1907, before Flo Ziegfeld's name became part of the title, George W. Johnson - "the most important African-American recording artist of the 1890s," and piano player Zez Confrey, whose sheet music for the 1921 hit "Kitten on the Keys" sold over a million copies and became "the third most-frequently recorded rag in history."
posted by mediareport on May 17, 2005 - 39 comments

Meeksville centers around Joe Meek, Britain's first independent record producer, whose DIY engineering wizardry would transform record-making during the Sixties. Five years after an international #1 hit in the Tornadoes' space-age Telstar (Windows Media or RealPlayer), he would self-destruct, in an end not without tragedy or speculation. His works--along with his trademarked name--live on.
posted by LinusMines on Sep 10, 2004 - 4 comments

Head Back to Mono in 32k at the rineke.net records archive, where a rather consistent curator has digitized a goody chunk of his record collection. It's posted in more-or-less every iteration imaginable. Observe the linked scans (1 mb page, careful!) of the covers (also in multiple resolutions up to full-size). Note the records themselves, in sleeve or out, depending. Most especially, savor the clean, low-res mono mp3s that cry out to be played through the dashboard speakers of a 1967 Dodge Dart.

Bonus Big Beat Bonanza: The site's author is also behind the similarly detailed archive of shows by ex-WFMU dj The Hound, from 1987 through 1995, heavy on the rare regional sides beloved of certain of my pals down New Orleans way.

Last, but not least, rineke.net hosts the adventures of a platoon of Tux clones, sealing my geek admiration for the overseer of the site. There's more, of course. My propeller beanie's off to you, sir, and long may you wave, or particle, as is your choice and preference.

(Permission was sought and granted to post this, as I feard for the site's bandwidth. Have at it, Mefites!
posted by mwhybark on Aug 12, 2004 - 7 comments

The daily adventures of mixerman are back. Mixerman has started posting a new set of diary entries about his recording sessions with an anonymous band. His original diary (discussed here) is now available in hardcover.
posted by mfbridges on Aug 12, 2004 - 11 comments

Hello, MUDDA. "The relationship of artist to the business has most often been one of contract and servitude. We believe the way forward must be a partnership in which the artist can take a much bigger role in how their creations are sold, but also have the chance to stand at the front of the queue when payments are made instead of the traditional position of being paid long after everyone else." - Peter Gabriel
posted by eustacescrubb on Aug 11, 2004 - 8 comments

Where did dynamic range go? Compact discs seem to keep getting more and more compressed in an effort to make them seem louder. Didn't the compact disc promise greater dynamic range than vinyl? Then, some record label exec comes along and makes the recording so hot we lose the dynamic range. People have been complaining about this for some time. Papers have been written about it with proposed solutions. Where will it end?
posted by caddis on Jul 21, 2004 - 38 comments

Movies for Music
From the press release: "Movies for Music" (moviesformusic.org) is an online film contest with a simple aim: to give the public a clear and honest look at the music industry. As more people learn how the music business works, major label CD sales will plummet faster. The contest launches Monday.

The short film contest launched today, and first place is a ZVue handheld video player.
posted by bob sarabia on Jun 14, 2004 - 3 comments

While CD sales in the UK continue their upward march (nearly 8% this year) and UK music retailers show healthy profits, the Record Companies are gearing up to sue their British customers (ala The RIAA). Not all record companies, however, are taking the big stick approach: - Warp Records - (home of Aphex Twin, Boards of Canada and Chris Morris) steps up to the plate with high-quality music downloads, unencumbered by DRM. Go figure.
posted by Blue Stone on Jan 15, 2004 - 10 comments

The Problem With Music In a band? Thinking of signing to a major? Stop and read this. Recording engineer Steve Albini has a message for you. Get the independent music religion. Sure, you might not make money, but you would not have anyway. An interesting message to come from a guy whose vitae includes many major label projects, but in interviews, he defends his indie credibility ably by disclosing his practice of charging the client (majors and independents) what they can afford. All that being said, this guy is more technician than indie messiah, and though the guy can be a little outspoken, he is certainly one of my heroes. This essay is old, but not out-dated.
posted by tomharpel on Mar 10, 2003 - 41 comments

Warren Zevon, one of the best damned songwriters I've ever heard, patron saint of many famous curmudgeons, and a real cool SOB in his own right, turns 56 today.

Last September, he was told he had inoperable lung cancer, and so he's living out his remaining years in the studio, recording as much as he can. I for one am glad he's got at least one more album in him. Is there a moral to this tale? Enjoy every sandwich.
posted by chicobangs on Jan 24, 2003 - 16 comments

Real World Studios If you were a recording musician, how could you not want to record here at least once? A gorgeous environment that's inspiring on mulitple levels. Peter Gabriel deserves more credit than he gets. He's a forward thinking, decent guy who never stops trying. Now - release "Up" dammit.
posted by davebush on Apr 8, 2002 - 8 comments