MetaFilter posts tagged with records and History

A tool for 20th-century Australian History

mattoxic — Wed, 08 Jul 2009 04:36:37 -0800

Even after some deliberation it is difficult to find reasons to support the appointment of women Trade Commissioners. The Virtual Reading Room of the National Archives of Australia is a mine of information about Australia, its relationships and past attitudes.

Revival Revival

Miko — Mon, 16 Feb 2009 09:06:52 -0800

The Folkways Collection is a downloadable, 24-part podcast series that "explores the remarkable collection of music, spoken word, and sound recordings that make up Folkways Records (now at the Smithsonian as Smithsonian Folkways Recordings)."

Digital Vaults

netbros — Thu, 17 Jul 2008 04:46:06 -0800

This is a collection of the National Archives stored in the Digital Vaults. You can browse through hundreds of photographs, documents, and film clips and discover the connection between some of the National Archives' most treasured records. With the Pathways tool you can see the unique and surprising connections between events and people and test your knowledge of history. As you travel through the site and collect documents, images and films, you can then merge the objects to create your own poster or movie from your collection.

the tail wagging the dog

sergeant sandwich — Sun, 29 Jun 2008 03:08:00 -0800

webofdeception.com is a bizarre, timecubesque linkdump maintained and updated by private investigator and domain squatter Joseph Culligan. In addition to sleazy dirt-digging on various celebrities and politicians, Culligan also includes a huge resource list of links to databases and public-record searches. My favorite part was the document archive; highlights of the weird crap he's found include:

Letter from Elvis to Nixon, asking to meet with the President and be appointed a federal agent

White House internal reaction to Elvis' request

Immigration papers of the Sound of Music family

First draft of Roosevelt's "date which will live in infamy" speech

Letter from young RFK to his brother

Enjoy!

(NSC) - RIP Ron Murphy, master vinyl cutter.

loquacious — Wed, 13 Feb 2008 02:55:52 -0800

Ron Murphy cut records, but not just any records. Responsible for cutting the actual vinyl master plates of much of the now revered Detroit Techno including Jeff Mills, Carl Craig, Underground Resistance's seminal Knights of the Jaguar, and much more - he demonstrated impeccable craftsmanship and skill in both mastering records for sound and aesthetics at company known as Sound Enterprises source link AKA National Sound Corporation. Schooled in Motown, dubplates and jukeboxes, he is the bespoke-crafted, analog link between the digital future and analog past that is the roots of Techno music and modern techno DJ culture. One hour interview here, in mp3 format. (Coral Cache link. Original link here. Which includes gems such as "Richie Hawtin? Well, here's the Elvis of Techno!". He's a lovely curmudgeon, I promise. It's worth the download just for the tracks they play in the background and breaks in the interview, all NSC-cut tracks.) Are you a DJ? Own any older techno, club or pop-remix club vinyl? Look for the handwritten (NSC) tag on the run-out spiral on the inside of the record, nearest the label. Ron Murphy cut the plates for that record. Ron Murphy also pushed the the boundaries of plate cutting with his NSC-X2 technique, spiraling two separate tracks together in a paired helix on the platter. He also experimented with reverse spirals, locked ending grooves, and hybrid platters where the outside track spiraled in normally, and the inside track spiraled out and they met between mid-record in a locked groove. Thanks, Ron, for making it sound so good, and caring.

Regarding Paramount Records

y2karl — Mon, 18 Dec 2006 13:31:04 -0800

...In 1924 New York Recording Laboratory decided to expand its reach into that market by purchasing the Black Swan label. Founded in 1920 or 1921 by black entrepreneur Harry H. Pace, the pioneering company recorded everything from ragtime to grand opera, as long as it was sung by African-Americans... Paramount's biggest star was Ma Rainey, a blues moaner who influenced the legendary singer Bessie Smith... Paramount did not neglect male blues singers, who tended to be folk artists in the sense that their music was made initially for the entertainment of isolated rural communities. These included the singers and guitarists Charlie Patton... Blind Lemon Jefferson...

Compliments of the Season from ParamountsHome--where, among many other things, one can find an online copy of David Evans's biography Charley Patton in Parts 1, 2 and 3 or look at a picture of Skip James in 1932, not to mention a view of Paramount's promotion of Patton as the Masked Marvel. And that is not, as they say, all...