TRONICBOX (twitter) makes 1980s versions of current day pop songs including an absolutely spot on version of Justin Bieber's "What Do You Mean."
19-year old French film student Candice Drouet compiled all the Stanley Kubrick references in The Simpsons alongside their original counterpart and captured 25 years of visual references in two minutes. Her visual project, 1.000.000 Frames (100 videos) collects images from all the movies she seen in her life, split into different themes such as loneliness, the sounds of Wes Anderson, and addictions. Much more at Vimeo.
Beyoncé - 1+1 (I Don't Give A Damn Remix) Taeyang - You're My (Poom Poom Remix) 2pm - l'll Be Back 아윌비백 (Video Remix) AA / GD&TOP / TZECHAR - I'm So Crazy High, Take Me Away p.s. LOL THX BILLy
Kutiman has dropped his new video album: OFF GRID (YouTube version here). "In this new work, Kutiman utilizes his unique method of carefully blanketing together YouTube users' original content into one natural and cohesive audio-visual experience. This time around, Kutiman plays with the concept of expanded time, musical complexity and intricate layering while adding special visual effects to create a new perspective of the Jazz genre."
1983: Donald Mattern releases his first remix, a 12" for Kid Nice's song "Keep Dreaming". It was the inauspicious birth of a phenomenon who would dominate house music remixes for decades -- Junior Vasquez. Join me for a chronological and selective journey through his remix career, won't you? As the years go by, witness the evolution of synth technology, remix philosophy, and house and dance music. [more inside]
Why Hamilton is the Perfect Mashup for Every Fandom Writing like you’re running out of time, making an impact on history, sabotaging yourself, stepping in and out of the narrative—could there be a more accurate depiction of what it is to be a fan?
On January 6th, 2016, The New York Public Library made over 187,000 digital items in the public domain available for high resolution download. NYPL Labs released a visualization tool to help people understand and explore the collection; another tool helps you mine all that sweet, sweet public domain data. [more inside]
Please enjoy a cover of Nirvana's Heart-Shaped Box by Icelandic phenom Ásgeir. Then try a deep house remix of Ásgeir's cover by Romanian producer Kataa, and another one by Danish producer Notize. Heck, throw in a deep house remix of the Nirvana original by Argentine producer Ubbah.
A day in the life of a 90s kid, set to the music of that great 90s man Aaron Carter. Pogs and Pez! Mechanical claws! It's like BOOM! Brought to you by Neil Cicierega, the trinity ghost of 90s past, present, and future.
Kutiman (previously) has released Thru Tel Aviv, this time with a tool that allows you to create your own remixes.
A new genre has emerged, the mock jihadi video. This involves short clips with ISIS-ish sound tracks layered on for shocking and/or comic effect. [more inside]
L. Young & Da Youngstaz get funky! An amazing a cappella version of the already amazing funktastic anthem Uptown Funk. [more inside]
I Have Recut Peter Jackson’s Hobbit Trilogy Into A Single 4-Hour Film
Back in 2012, I had high hopes of adding The Hobbit to my annual Lord of the Rings marathon, but in its current bloated format, I simply cannot see that happening. So, over the weekend, I decided to condense all three installments... into a single 4-hour feature that more closely resembled Tolkien’s original novel. Well, okay, it’s closer to 4.5 hours, but those are some long-ass credits![more inside]
It's the end of the year, which means it's time for DJ Earworm's annual United State of Pop mashup. This year's offering: Do What You Wanna Do [more inside]
There are many mashups out there, but there is something quite special about this blend of Sam Smith's "I'm Not The Only One" and Kanye West's "Can't Tell Me Nothing" by Carlos Serrano: “Tell Me I’m the Only One”. [more inside]
Final Fantasy 3 (or is it 6?) was released 20 years ago. As it was coming out, Enter the Wu-Tang (36 Chambers) was blowing up the NYC music scene. In their honour, enjoy Final Fantasy - The 3-6 Chambers! [more inside]
An offbeat & off-key remix of "Let it Go" as performed by Emily Mandelbaum, age 8. NSFW.
About a decade ago, in the mid 1990s jazz remix era, as heard in the Verve Remixed series, one particular compilation of re-visionings stands out: Bird Up. The compilation featured a range of remixers and producers, including the RZA from the Wu-Tang Clan, Dan the Automator, Hal Willner, Me’Shell NdegéOcello, and Serj Tankian of System of a Down, extended "now-familiar bebop soundscapes into new places that are sometimes strange, occasionally brilliant and always invigorating." [more inside]
Ten years ago today saw the English launch of a quirky Japanese puzzler, a sleeper hit that would go down as one of the most endearing, original, and gleefully weird gaming stories of the 2000s: Katamari Damacy. Its fever-dream plot has the record-scratching, Freddie Mercury-esque King of All Cosmos destroy the stars in a drunken fugue, and you, the diminutive Prince, must restore them with the Katamari -- a magical sticky ball that snowballs through cluttered environments, rolling up paperclips, flowerpots, cows, buses, houses, skyscrapers, and continents into new constellations. It also boasts one of the most infectiously joyous soundtracks of all time -- an eccentric, richly produced, and incredibly catchy blend of funk, salsa, bossa nova, experimental electronica, J-Pop, swing, lounge, bamboo flute, hair metal, buoyant parade music, soaring children's choirs, Macintalk fanfares, and the finest theme song this side of Super Mario Bros. Called a consumerist critique by sculptor-turned-developer Keita Takahashi (who after one sequel moved on to Glitch, the supremely odd Noby Noby Boy, and playground design), the series has inspired much celebration and thought [2, 3] on its way from budget bin to MoMA exhibit. Look inside for essays, artwork, comics, lyrics, more music, hopes, dreams... my, the internet really is full of things. [more inside]
If you're alone and you need a friend
Someone to make you forget your problems
Just come along baby
Take my hand
I'll be your lover tonight
Someone to make you forget your problems
Just come along baby
Take my hand
I'll be your lover tonight
The butt-shakingly over the top video for Nicki Minaj's Anaconda (Previously) was released recently and while there's been discussion if it re-claims the twerk or refuses the male gaze, video artist Jeff Osborne has put the song into its 90s "Baby's Got Back" pop culture context with appearances by Jessica Rabbit, Beavis And Butthead, and more. (all videos quite NSFW) [more inside]
Six and a half years ago, the duo of Pocketknife (Skooby Laposky) and Cousin Cole (aka Cousin Culo) released handful of remixes, edits and re-works, compiled under the name Tambourine Dream (Discogs) on their joint Flagrant Fowl label. The label only lasted a few years, and it seems the duo are now operating alone. Cole/Culo is still solidly in remix/rework territory, with self-selected highlights including the moombahton "So Emotional" & volume 2 mixtape/EPs he made with Phi Unit, while Laposky has ventured into a few tributes to Arthur Russell (Russell, previously), in the form of a mix of Russell's tracks, and releasing a recently discovered track (which he remixed as Pocketknife) on his label, Wilde Calm Records, where he also released an album of "piano not piano" house music created solely with a prepared piano and raw drum programming, under the name Boonlorm.
Musical proof that Scully Likes Science.
Maybe you know everything there is to know about Space Jam. Maybe you've still got the lovingly-preserved official website (previously) in your bookmarks folder. And you may have already seen the creepy Space Jam-themed mod of NBA 2K14. But if you really wanna jam, listen to the many, many, many mashups featuring the Quad City DJs' theme song. So, come on and slam! And welcome to the jam! [more inside]
Well Prepared (Lorde - Royals Refix) (Soundcloud, static video at YouTube) from Jamaican dancehall singer Busy Signal. Pitchfork says "It's an effortless track that makes something incredibly familiar feel eerily and pleasantly brand new." [more inside]
My head just exploded because the the two epic spiraling vortexes of iconic American pop have met and merged and made my head explode and it's exploded. Like a Rolling Sex Machine.
Jeff Goldblum, as Dr. Ian Malcolm, utters an odd little laugh in Jurassic Park. Here it is, extended to 10 minutes. And if that's not enough, try 10 hours! But that's too straight-forward, so Soundcloud user FLIPSHOT made a dance remix, which YouTube user MrTabarnaco2 made into a music video of sorts.
The sale of Glenn Brown's "Ornamental Despair (Painting For Ian Curtis) Copied from the Stars Like Dust, 1986 by Chris Foss" (1994) for roughly $5.7 million has again raised questions over whether copying something but larger and slapping your name on it constitutes art and how it can sell for so much. Here's why it does. Just don't talk about Shia LaBeouf.
Just in time for Halloween, David Bowie releases the kind of creepy video for Love Is Lost (Hello Steve Reich Mix by James Murphy for the DFA). The original track comes from his most recent album, The Next Day. [more inside]
Ollie Teeba from The Herbaliser: "A few years back I was given, as a Christmas gift, the 'Collectors Edition box set of Jeff Wayne's War of the Worlds'. As well as tons of interesting facts about the creation of the original recordings it had several CD's of alternate takes, remixes etc. On one CD, I excitedly discovered that they had included all of Richard Burton's dialogue parts, without music. Having already created and performed an alternate live DJ score to silent film 'The Lost World' from 1927, this seemed like a great opportunity to do a similar project with one of my favourite childhood stories." "This is by no means intended as an improvement to Mr Wayne's recording but a tribute to H.G Wells, Jeff Wayne, Richard Burton, Orson Welles and of course Solid Steel." Listen here (It's the second hour)
“Stylistically, I never had a plan – at the time, I was listening to a lot of intelligent drum ’n’ bass, but when I heard Squarepusher I was like, I can’t listen to normal jungle any more." Vapor City is the 9th album from North Carolina born, New York & Berlin based 'future jungle' producer Machinedrum. Illustrated by the grey-and-black industrial sprawl on the cover, (it) is about an imaginary metropolis; each of its ten tracks is devoted to one of its districts. [more inside]
Grapevine (The Reflex Stems ReVision) is a deeply funky version of Creedence Clearwater Revival's version of Heard it through the Grapevine remixed by French DJ Reflex, using just the original stems. [more inside]
House of Leaves of Grass: Mark Z. Danielewski's House of Leaves (previously) remixed with Walt Whitman's Leaves of Grass into a 100-trillion-stanza poem. Artist's statement. Instructions for reading.
You've probably never heard anything quite like the musical documentary More About Henry. Remixing interviews with musical interpretation, composer Adam Goddard has woven a unique work of art from the stories of his grandfather, Henry Robert Tindale Haws, who spent a half-century farming in rural Ontario. More About Henry first aired on CBC Radio's Ideas. [more inside]
"During 3 years I was working on Tron Uprising as the Art Director/Production Designer... Here, 4 minutes re-edit of my favourite scenes." - Alberto Mielgo
Whole Lotta Helter Skelter (slyt)
DJ Nirso explores the connection between Africa, North and South America with tasteful remixes and mixtapes.
Digging up long forgotten memories for a generation who spent their formative years glued to the boob tube, Memorex is a veritable nostalgia nuke for children of the 80s. Endless beach parties, Saturday morning cartoons, claymation everything, sleek cars, sexy babes, toys you forgot existed, station idents, primitive computer animation, all your favorite sugary cereal mascots, and so much more. An ode to the hyper consumerism and sleek veneer of a simpler time. (previously)
"You know why we did [that]? So a DJ could take a lunch break. When you have all three-minute records, you don't even have time to go to the bathroom. Or you just want to stop for a minute. So that's 19-and-a-half minutes of 'I don't have to worry about a thing.' But I didn't do it to create this thing. I just did it to help the DJs out."