Ten years ago today saw the English launch of a quirky Japanese puzzler, a sleeper hit that would go down as one of the most endearing, original, and gleefully weird gaming stories of the 2000s: Katamari Damacy. Its fever-dream plot has the record-scratching, Freddie Mercury-esque King of All Cosmos destroy the stars in a drunken fugue, and you, the diminutive Prince, must restore them with the Katamari -- a magical sticky ball that snowballs through cluttered environments, rolling up paperclips, flowerpots, cows, buses, houses, skyscrapers, and continents into new constellations. It also boasts one of the most infectiously joyous soundtracks of all time -- an eccentric, richly produced, and incredibly catchy blend of funk, salsa, bossa nova, experimental electronica, J-Pop, swing, lounge, bamboo flute, hair metal, buoyant parade music, soaring children's choirs, Macintalk fanfares, and the finest theme song this side of Super Mario Bros. Called a consumerist critique by sculptor-turned-developer Keita Takahashi (who after one sequel moved on to Glitch, the supremely odd Noby Noby Boy, and playground design), the series has inspired much celebration and thought [2, 3] on its way from budget bin to MoMA exhibit. Look inside for essays, artwork, comics, lyrics, more music, hopes, dreams... my, the internet really is full of things. [more inside]
The sale of Glenn Brown's "Ornamental Despair (Painting For Ian Curtis) Copied from the Stars Like Dust, 1986 by Chris Foss" (1994) for roughly $5.7 million has again raised questions over whether copying something but larger and slapping your name on it constitutes art and how it can sell for so much. Here's why it does. Just don't talk about Shia LaBeouf.
"During 3 years I was working on Tron Uprising as the Art Director/Production Designer... Here, 4 minutes re-edit of my favourite scenes." - Alberto Mielgo
It’s a fierce object, many-layered yet taut as could be. It’s a dense field made of raw materials so rarefied that even in combination the resulting effect is singular, tensile. The album in question is Fugazi Edits, for which Chris Lawhorn took the extensive discography of the hardcore band Fugazi and combined multiple songs into new hybrid compositions.
Back in 09', Star Wars Uncut (previously) asked people to recreate 15 second chunks of Star Wars: A New Hope however they wanted, using live action, animation, text adventure screens, SCUMM interfaces, costumed pets, and more. Now they've been edited together to recreate the entire movie as a homemade, constantly shifting media experiment. (Vimeo link)
When a movie one sheet not an ad for an upcoming film? Some talented graphic designers have taken to creating one sheets for already released films. These 'unsheets' as screenwriter John August calls them are often clever and subtle pieces that reference iconic scenes of the film such as Die Hard's infamous walk on broken glass scene for example. Previous discussion of re-imagined movie posters. and here.
Midi plus Art plus Cleverness with video game nostalgia then put up on Youtube -- What does that equal? Beats me, but it sure looks and sounds cool. [more inside]