Reading in the traditional open-ended sense is not what most of us, whatever our age and level of computer literacy, do on the Internet. Books cease to be individual works but are scanned and digitized into one great, big continuous text. The dynamics of the digital are encouraging authors, journalists, musicians and artists to treat the fruits of intellects and imaginations as fragments to be given without pay to the hive mind. But what becomes of originality and imagination in a world that prizes metaness and regards the mash-up as more important than the sources who were mashed? The very value of artistic imagination and originality, along with the primacy of the individual, is increasingly being questioned in our copy-mad, postmodern digital world. Remix is the very nature of the digital. But do we now face a situation in which culture is effectively eating its own seed stock?
The Works of Swede Mason: "Jeremy Clarkson," "Get in the Back of the Van," "Jungle All The Way," "Bill Wyman's Metal Detector," "Put the Lotion in the Basket, *" "Got The Sucka," "The Gobshite, *" "Squashed Thingy," "Spare Me The Madness," and the pair of tracks based on Neighbors deaths "Coffee And Croissants" and "Todd....Dead." [more inside]