What you see here is a prime example of what happens to film that is neglected and improperly stored. This is an original reel from It's a Mad, Mad, Mad, Mad World that is now untouchable. The film has turned acidic, sporting the strongest and most foul vinegar-like odor I have ever smelled. In fact, Robert Harris told me a story of how his contact lenses were singed by the fumes the film produced, causing temporary retinal damage to his eye. [more inside]
posted by Trurl on Apr 27, 2012 - 37 comments

The Prado Museum in Madrid has what they had considered to be an inferior late-era replica of the Mona Lisa, a portrait surrounded by black. But when conservators compared infrared images of their copy with images taken in 2004 from the Leonardo's masterpiece, they found that the Prado replica closely resembled early under-drawings covered by the Mona Lisa everyone sees. Yesterday, Prado held a news conference to announce that their restoration efforts are nearly done and displayed the work in progress. The comparison is striking, showing details that might have been visible when the Mona Lisa was fresh, 500 years ago. The Guardian has more details and a high-detail portion of the apprentice's painting, believed to be by Francesco Melzi. [more inside]
posted by filthy light thief on Feb 2, 2012 - 21 comments

This stealthy undertaking was not an act of robbery or espionage but rather a crucial operation in what would become an association called UX, for “Urban eXperiment.” UX is sort of like an artist’s collective, but far from being avant-garde—confronting audiences by pushing the boundaries of the new—its only audience is itself. More surprising still, its work is often radically conservative, intemperate in its devotion to the old. Through meticulous infiltration, UX members have carried out shocking acts of cultural preservation and repair, with an ethos of “restoring those invisible parts of our patrimony that the government has abandoned or doesn’t have the means to maintain.” The group claims to have conducted 15 such covert restorations, often in centuries-old spaces, all over Paris. - Wired.com "The New French Hacker-Artist Underground"
posted by The Whelk on Jan 24, 2012 - 20 comments

As time has gone by, though, Touch of Evil has acquired a large cult following, and it now regularly appears on lists of the best films of the century. What is not generally known is that the film never accurately reflected Welles's intentions for it. In July 1957, the studio took over the editing of the film and prevented him from participating in its completion. In an odd turn of events, however, a 58-page memo that Welles wrote in 1957 was recently rediscovered, and a small team on which I was film editor and sound mixer has used that remarkable document to bring Touch of Evil as close as possible to Welles's original concept. - Walter Murch, 1998
posted by Trurl on Jun 14, 2011 - 37 comments

In 2006 in the Fitzwilliam Museum three enormous porcelain vases from seventeenth or eighteenth century China were smashed by a museum visitor who fell down the stairs. This presentation "follows the vases' progress from scattered fragments to their redisplay in the Fitzwilliam Museum. The site includes slideshows, film clips of the conservation process and a timelapse of one of the vases under reconstruction". [more inside]
posted by paduasoy on May 5, 2008 - 20 comments

A restoration project has been underway since 1998 to restore the 15th-century Tibetan Buddhist monastery wall paintings of Lo Monthang, a city in the kingdom of Mustang in northwest Nepal. The results have been very impressive. Mustang is also home to some amazing cave temples.
posted by homunculus on Dec 27, 2003 - 12 comments