This year marks the 50th anniversary of the 1956 Hungarian Revolution. A key documentary artifact of the uprising is Magyarország lángokban (Hungary in Flames) [embedded .wmv], partly composed of footage shot by two young film school students using whatever equipment they could find. Narrowly avoiding capture by the Communists, the duo smuggled 10,000 feet of film out of the country in spare tires and potato sacks; there's much more to the story, but better to hear Vilmos tell it in his own words. [.rm] Eventually, they made their way to America, where László Kovács, ASC (Five Easy Pieces, Ghost Busters, more) and Vilmos Zsigmund, ASC (Close Encounters of the Third Kind, Deliverance, more) became two of the most prolific cinematographers in Hollywood history. [more inside]
posted by milquetoast on Aug 8, 2006 - 7 comments

"I had come to Spain with some notion of writing newspaper articles, but I had joined the militia almost immediately." – George Orwell, writing about the revolutionary war which started 70 years ago yesterday: July 19th, 1936. Also: Anarchism and the Spanish Civil War. The Visual Front: Posters of The Spanish Civil War. Photos from the Spanish Civil War. Films from the CNT (National Confederation of Labour), 1936-1938.
posted by Len on Jul 20, 2006 - 28 comments

The Spook Who Sat By The Door, a movie pitched and marketed as blaxploitation, was a low budget political science fiction thriller about black revolution in urban black America based upon the novel written by Sam Greenlee. It was withdrawn two weeks after its release in 1973, ostensibly at the behest of the FBI. Some remember it fondly, while others revile it in recollection. Thirty-one years later, it has been released on DVD. Sam Greenlee's an interesting man--another book of his, Baghdad Blues, is evidently an autobiographical novel based upon his first hand experience of the 1958 Baath coup in Iraq. Side notes: Researching this post led me to the intriguing Chicken Bones. And here is Elvis Mitchell's take on The Marginalization of Black Action Films.
posted by y2karl on Jan 20, 2004 - 6 comments

Amnest Int'l drops documentary after petition. Two Irish filmmakers were inside the palace during the coup in Venezuela in 2002 (also on MeFi: 1 2). I caught their powerful documentary, The Revolution Will Not Be Televised here in Chicago (review). The film was just recently dropped from Canada Amnesty International's upcoming film festival in Vancouver after opposition parties in Venezuela organized a petition of over 7,000 signatures (mp3). The groups have concerns about it's accuracy, especially in it's characterization of the opposition to the democratically elected President Chavez. A petition supporting the film has been started as well. I found the movie stunning and a chilling account of how media outlets can shape, gauge and control public perception at home and abroad (ergo the Reagan miniseries debacle). Also notable I found was Chavez's passion to teach the poor to understand the constitution of their country - impoverished Venezuelans talking passionately about how they realize that understanding politics and policy is one of the first steps out of their poverty. I picture Jerry Springer trash trying to articulate any understanding of the U. S. constitution. Any Venezuela MeFi'ers wanna give a background on how the country had been faring since the coup and restoration? Was it a CIA action? I'm sure the honeymoon's over - how's it going?
posted by ao4047 on Nov 6, 2003 - 16 comments