Wondercore Island is a Melbourne-based label/ artist management and PR company label that supports a range of future soul, alternative and hip-hop acts, including Clever Austin, Ainslie Wills, Jaala, Oscar Key Sung, Vulture St. Tape Gang, Hiatus Kaiyote, and Sampa the Great, to name a few groups and artists. You can check out more from this umbrella group/ thing on Vimeo, YouTube, Soundcloud and perhaps most conveniently on Bandcamp, where they have a number of mixtapes and other musical collections available to stream and download for free.
How did a funky R&B guitarist and singer get signed on to a spook-tacular music video? No, I'm not talking about Ray Parker Jr.'s very Halloween-appropriate music video for "The Other Woman", but his later video for the scary-funny movie, Ghostbusters. Screen Crush has the inside story on the making of Ghostbusters theme song video (alt source: Daily Motion). [more inside]
Taking on the dreamy, compelling sound of the lost soul decades is a damn high bar to set for yourself. Soul revivalists usually don’t get very far in my book, because what’s the point of competing with the likes of Sam Cooke and Otis Redding? Listening to Leon Bridges made me do a 180 on that stance. See, if you actually can hold a candle to legends like Cooke and Redding — and Bridges can — then there’s no reason not to indulge in some nostalgia.NPR has a first listen of Coming Home, Bridges' debut album, and you can see and hear plenty more of him on YouTube, from a live cover of Cooke's "Nothing Can Change This Love" to a solo performance of "Lisa Sawyer," a reflective song about his mother. [more inside]
Mavis Staples speaks about "The Weight" in "The Last Waltz." Elon Green asks Mavis Staples about her memories of the Staple Singers' unforgettable collaboration with The Band, captured on film in Martin Scorsese's "The Last Waltz." [more inside]
Louie Louie is a song with a curious history. Inspired by (and/or partially copied from) El Loco Cha Cha by Rene Touzet and Havana Moon by Chuck Berry (YouTube), the original song by Richard Berry and The Pharaohs (YT) is a mix of calypso, cha-cha, and rhythm & blues. The next version was by Rockin' Robin Roberts & The Wailers (YT), which added a certain rock and roll swagger that will sound more familiar to most folks. But the vocals are all wrong, as they're too sharp, too easy to understand. The Kingsmen made the version everyone was talking about, with concerns of obscene lyrics getting the FBI involved (choice excerpts on The Smoking Gun). [more inside]
It's time to say farewell to one of the great and legendary voices of American music. Mr Bobby 'Blue' Bland has died. With the perfect combination of muscle and tenderness, grit and sweetness, he gave us so many stellar performances over his long career. Here are but a few: Ain't No Love in the Heart of the City, The Way You Treated Me, Stormy Monday, Further Up the Road, St. James Infirmary, I'll Take Care of You, I Stand Accused, That's the Way Love Is, Ain't Nothing You Can Do... and the list goes on. Thanks for the music, Bobby Bland.
Before hip-hop beefs, there were response records, also known as answer songs, usually replies to well-known songs. There are a few key eras: blues and R&B recorded music in the 1930s through 1950s, including a number of responses to "Work With Me, Annie" (1954), recorded by Hank Ballard & the Midnighters, with answers including "Annie had a Baby," and "The Wallflower" by Etta James; and Big Mama Thornton's "Hound Dog" (1953), with a quick response by Louis Innis and Charlie Gore, made a mere week after the original was released, and Rufus Thomas' "Bear Cat" (1953), Sun Records' first hit. Country, rock & roll, doo-wop and pop music picked up where the blues left off, with most activity in the 1950s to 60s. Two examples from this era are "Are You Lonesome To-night" and "Who Put The Bomp," and responses to both. The most well known from the next decade was Lynyrd Skynyrd's "Sweet Home Alabama" (1974), a response to Neil Young's "Southern Man" (1970) and "Alabama" (1972). Until the 2000s, no answer songs had charted as high as the original hits. That changed with Frankee's "F.U.R.B. (Fuck You Right Back)" (2004), a response to Eamon's "Fuck It (I Don't Want You Back)" (2003), which was the first answer song to reach number 1 in the UK. Six years later and across the pond, Katy Perry's "California Gurls" was a response to "Empire State of Mind" by Jay-Z. It was the first answer song to reach No. 1 in the Billboard Hot 100. More Responses inside. [more inside]
New Year's Eve is fast approaching, and for lots of folks that means... drinking. Plenty of drinking. And since there's no shortage of singers and songwriters who've had a little something to say about that particular topic, maybe some of the following tunes can serve as an appropriate soundtrack to your own joyous (or not?) imbibing of spirits. For example, there's... Jimmy Liggins with his succinct rendition of Drunk, and there's... [more inside]
On March 14th, the 26th Annual Rock and Roll Hall of Fame Induction Ceremony will add 5 new performers to the growing list of well-known musicians. As previously discussed, the 2011 inductees are Alice Cooper, Neil Diamond, Dr. John, Tom Waits and Darlene Love. Though the last name may not be as famous as the four fellows, the chances are you know her voice, from Monster Mash, Rockin' Robbin, or Da Doo Ron Ron. Except her name wasn't credited first on any of those recordings, if it was mentioned at all. [more inside]
Bobby Charles 1938-2010. Songwriter, musician's musician and cultural treasure, he died on last Thursday in Abbeville,Lousiana. In the 1950s, he wrote Fats Domino's Walking to New Orleans, Bill Haley and the Comet's See You Later, Alligator and recorded for Chess records. His eponymous Bearsville album recorded in Woodstock in 1972 has been described as the best Band album released under another name.(Check out Small Town Talk there.) He appeared as well in the Band's farewell concert filmed as The Last Waltz. He made an enormous contribution to American popular music. [more inside]
Timi Yuro, an Italian-American singer born in Chicago (where, the story goes, her nanny snuck her into clubs to watch singers like Dinah Washington and Mildred Bailey), was arguable the greatest blue-eyed soul artist of the '60s. [more inside]
Ahmet Ertegun was profiled by George W. S. Trow in The New Yorker in a classic piece back in 1978. Ertegun was the son of the Turkish ambassador to the US and he remained behind in D.C. studying medieval philosophy at Georgetown. Instead of devoting himself to his studies he founded Atlantic Records with his friend Herb Abramson. Trow charted how Ertegun moved from tramping through muddy, Louisiana fields in search of hot new sounds to the whirl of Studio 54. Below the cut are links to the songs mentioned in the article, as best as I could find, in the order in which they appear. [more inside]
Legendary record man and music producer Jerry Wexler died on August 15, at the age of 91. His keen insight, and his deep love and appreciation for the artists he worked with resulted in an extraordinary enriching of American music. [more inside]
So, there was this little rock band from England, and they got pretty famous and all, so famous that they initiated the era of stadium concerts, back in '65, at a little place in Queens called Shea. But there was an opening act that night, led by a sax-blowin' fellow name of King Curtis, and he kicked total muhfukkin ass, and it wasn't even with his baddest band! You can hear them here. Jump Back! [more inside]
The best-known version of that joyful ode to getting smashed, Drinkin' Wine Spo-Dee-O-Dee, would surely be the Jerry Lee Lewis rendition, and Memphis rockabilly singer Johnny Burnette recorded a hopping little version of the tune as well. But the song was written and originally recorded by Stick (aka "Sticks") McGhee, who adapted it from a chant he learned during his stint in the Army. And yes, "spo-dee-o-dee" was a substitute for another word, which, though fine for the Army, wasn't exactly radio friendly. Stick wrote a few other tunes in celebration of the alcoholic beverage, including "Six To Eight" and "Jungle Juice". And as has been pointed out previously, the song title was likely the inspiration for the alcoholic concoction known as the "spodi". Drink up!
Proceeding Otis by two years and 364 days, Sam Cooke was shot and killed on this day in 1964. Much controversy still surrounds his death, but his legacy is untouchable and influence sweeping. From gospel to pop, he did it all. You Send Me, Ain't That Good News, Cupid, Chain Gang, and Bring it on Home to Me were some of his biggest hits and (along with Ray's work) the early foundations of soul; but it was one song, inspired by a white boy's passion, that gave a posthumous voice to a broken nation. Today and forever, Sam Cooke is yours, he'll never grow old.
Ever heard of Barbara Lynn? She was a rarity in the world of R&B in the early 60's: a black female songwriter, guitarist and singer. After a couple of decades out of the spotlight, she returned in 1999 with a new album. [more inside]
Swamp Dogg (born Jerry Williams, Jr.), is one of the deepest of the deep soul singers. Described as “Wilson Pickett meets Frank Zappa in a bad mood,” and known for his dubious album covers, his association with the anti-Vietnam movement (allegedly) put him on Nixon’s enemies list. Swamp wrote or co-wrote hits for Gene Pitney, Johnny Paycheck, and a host of others. You might have heard his music in samples on tracks by Talib Kweli [mp3] and the Jurassic 5 [.wmv]. Long out of print, his 1970s albums are now available on CD.
Spodee (among other spellings) is a Pacific Northwest party drink, a mixture of alcohol and fruit, frequently made in a trash can and left to marinate a day or two before the party. The origin of the word is unknown, but it seems likely to come from the classic R&B song "Drinkin' Wine Spo-Dee-O-Dee" by Stick McGhee, which in 1949, was the first big hit record for Atlantic Records. (More inside, including links to sound files)
Luther Vandross is gone. The great R&B balladeer died today, apparently due to complications from a stroke he suffered two years ago. Believers in an afterlife can hope he's enjoying a dance with his father. After all, he did believe in the "Power of Love". RIP.
The King of the Jukebox who disturbed the status quo They called rock music jump blues during the World War II era, and this amazingly talented clown was its master, with over fifty Top 10 R&B hits -- eighteen reached #1 -- between 1942 and 1951. Chuck Berry identified with him "more than any other artist." James Brown said, "He was everything" and considered him one of the earliest rappers. A pioneer of music video, the first black artist to cross over from the "race" market to a white audience and a central link between big bands and rock, he was a primary influence on Bill Haley, Ray Charles and B.B. King, who once said, "I wanted to be like him." Rest in peace, Louis Jordan. [Dozens of one-minute song clips here]