Jacques Rivette, who emerged in the 1950s... as one of the primary filmmakers of the French New Wave, is the most underappreciated (and under-screened) of this legendary group. Rivette’s deliberately challenging, super-size films defy easy assimilation, and demand a level of attention unusual even to his compatriots’ works. In addition to being considered difficult, however, Rivette’s body of work is also, arguably, the richest of the New Wave era, possessing an intellectual inquiry and humanity unmatched in the French cinema of his time. [more inside]
This month, the Vancouver International Film Festival will screen the legendary Jacques Rivette film, Out 1: Noli Me Tangere, for the first time ever in North America. At approximately 750 minutes long, the work is the fourth longest film ever commercially released. A Holy Grail for cinephiles, the film was finally dug out of the vaults again for a rare British Film Institute screening, where New York film critic Dennis Lim made a pilgrimage to see it. Long championed by Jonathan Rosenbaum, the film finally makes its American debut at a complete Jacques Rivette retrospective at the American Museum of the Moving Image this November.