Its writer refused to record it. Pat Boone almost killed it. Then it was resurrected as a B-side to an indie prestige project. Then it became an A-side in its own right, sold a half a million copies, and ended up being performed by its writer on the last ever episode of the Monkees. - "Song to the Siren's irresistible tang" by Martin Aston. [more inside]
"The Led Zeppelin show depends heavily on volume, repetition and drums. It bears some resemblance to the trance music found in Morocco"
I told Jimmy he was lucky too have that house with a monster in the front yard. What about the Loch Ness monster? Jimmy Page thinks it exists. I wondered if it could find enough to eat, and thought this unlikely–it’s not the improbability but the upkeep on monsters that worries me. Did Aleister Crowley have opinions on the subject? He apparently had not expressed himself. - William Burroughs attends a Led Zeppelin concert and has a chat with Jimmy Page (via Bruce Sterling)
AOL Sessions has live videos from more than 150 different artists specially recorded for the series. Here are just a few of the artists on offer: Paul McCartney, Mary J. Blige, Modest Mouse, Tori Amos, Robyn, Tom Petty, Rhymefest, Red Hot Chili Peppers, Natasha Bedingfield, Cat Power, Toby Keith, Lil' Wayne, Robert Plant, Yeah Yeah Yeahs, Kelly Rowland, Weezer and Brian Wilson. To the left of the videos there's a Q&A link that has short interview videos with the artists as well as behind the scenes footage and longer interviews.
The Mercury Prize shortlist for 2008 is: Adele - 19 | British Sea Power - Do You Like Rock Music? | Burial - Untrue | Elbow - The Seldom Seen Kid | Estelle - Shine | Laura Marling - Alas I Cannot Swim | Neon Neon - Stainless Style | Portico Quartet - Knee-Deep in the North Sea | Rachel Unthank & The Winterset - The Bairns | Radiohead - In Rainbows | Robert Plant & Alison Krauss - Raising Sand | The Last Shadow Puppets - The Age of the Understatement [more inside]
"Window in the Sky" is a YouTube style video synch mash-up done on a professional budget with the magic of copyright clearances. "It's a triumph of postmodern reconstruction" says the Washington Post.