The most vivid figure in Michael Gramaglia and Jim Fields's End of the Century was the least articulate and most archetypal of the Ramones: Johnny, the right-wing prole whose hard-ass sense of style the others nutballed and softened and accelerated and above all imitated. ... Exciting and absolutely right though their '70s sets always were, the film establishes that they kept the faith live till the end, lifted by Joey's goofy dedication and powered by the chords Johnny thrashed out like they were why he was alive. As unyielding in his aesthetic principles as he was in everything else, this reactionary was an avant-gardist in spite of himself. -
Robert Christgau
posted by Trurl
on Nov 9, 2011 -
17 comments
There are
Real Fake Buildings,
Real Fake Watches,
real fake books, and of course, "
The Internet's LARGEST Selection of Real Fake Rocks!"
But for truly high-end fakes -- the "realest" of the fakes -- there's the
Museum of Fakes in
Southern Italy, or even better, the
Museum of Art Fakes in Vienna, which includes etchings from "last living master forger from Germany."
"The Museum of Art Fakes, almost directly opposite the Hundertwasserhaus, is unique in Europe. It is filled with paintings from not only world famous forgers (such as van Meegeren, Tom Keating, David Stein, Konrad Kujau, Edgar Mrugalla, Lothar Malskat), but also so-called ‘identical-forgeries’ of Schiele, Klimt, Monet, Raffael and many more."
posted by not_the_water
on Jun 4, 2010 -
19 comments
The Guardian has compiled a list of their
top fifty arts videos, the majority being from either rare or obscure sources and uploaded onto YouTube.
posted by djgh
on Aug 30, 2008 -
13 comments
Legendary artist Alton Kelley created a graphic style that rocked the world beginning in the psychedelic sixties. His
concert posters, logo designs, LP album covers, and fine art have forevermore defined that time.
Kelley passed away peacefully at home on Sunday, June 1, 2008 of complications from a long illness.
posted by terrapin
on Jun 2, 2008 -
18 comments
" Jim's ghost was in my ear, and I felt terrible". Like all top classic-rock franchises, The Doors can exploit a lucrative afterlife in television commercials. Offers keep coming in, such as the $15 million dangled by Cadillac last year to lease the song "Break On Through (to the Other Side)" to hawk its luxury SUVs. To the surprise of the corporation and the chagrin of his former bandmates, drummer John Densmore vetoed the idea. He said he did the same when Apple Computer called with a $4-million offer, and every time "some deodorant company wants to use 'Light My Fire.' "
posted by PenguinBukkake
on Oct 5, 2005 -
119 comments
Nick Hornby discusses pop music in this NY Times essay: "Maybe this split is inevitable in any medium where there is real money to be made: it has certainly happened in film, for example, and even literature was a form of pop culture, once upon a time. It takes big business a couple of decades to work out how best to exploit a cultural form; once that has happened, 'that high-low fork in the road' is unavoidable, and the middle way begins to look impossibly daunting. It now requires more bravery than one would ever have thought necessary to try and march straight on, to choose neither the high road nor the low. Who has the nerve to pick up where Dickens or John Ford left off?
In other words, who wants to make art that is committed and authentic and intelligent, but that sets out to include, rather than exclude? To do so would run the risk of seeming not only sincere and uncool - a stranger to all notions of postmodernism - but arrogant and vaultingly ambitious as well."
posted by grumblebee
on May 26, 2004 -
28 comments
Diary for a New America: Because a toilet seat is a terrible thing to waste. Poison drummer Rikki Rockett says the "days of useless acts of hotel destruction are over." Now he's leaving his artistic mark in hotel loos nationwide. See for yourself in the gallery.
posted by acornface
on Aug 1, 2002 -
12 comments
