New Year's Eve is fast approaching, and for lots of folks that means... drinking. Plenty of drinking. And since there's no shortage of singers and songwriters who've had a little something to say about that particular topic, maybe some of the following tunes can serve as an appropriate soundtrack to your own joyous (or not?) imbibing of spirits. For example, there's... Jimmy Liggins with his succinct rendition of
Drunk, and there's...
[more inside]
posted by flapjax at midnite
on Dec 30, 2011 -
67 comments
There's a new crop of Australian bands that take inspiration from old blues, but twist the music in a strange fashion. The trend may have started with
CW Stoneking (Jungle Blues,
Love Me Or Die), who channeled the old bluesmen despite being a
young man. Its continued on to Sydney's
Snowdroppers, who started out as a
house band for burlesque shows and kept that dirty sensibility up with songs like
Rosemary ,
Do The Stomp, and their signature tune
Good Drugs, Bad Women (lyrics NSW). Frequent Snowdroppers touring partners
Gay Paris add a Southern horror twist (
House Fire In the Origami District, My First Wife? She Was A Foxqueen! ) and an antic stage energy. Some of the bands relay on gimmicks, like Adelaide's
The Beards, who sing about how
you should consider having sex with a bearded man and point out that
if your dad doesn't have a beard, you've got two moms. The Beards recently performed at the
World Beard and Mustache Championships. Horror-country-rockers
Graveyard Train have picked up the torch dropped when Sydney psychobilly masters
Zombie Ghost Train (
Graveyard Queen) disbanded. Graveyard Train tunes like
Mummy,
Ballad for Beelzebub ,
Tall Shadow and
Dead Folk Dance combine cheerful Misfits horror theming with stompy country. Most of the singers from this loose scene are joining forces in Sydney this week to
pay tribute to Tom Waits.
posted by Lovecraft In Brooklyn
on Oct 4, 2011 -
32 comments
Say, you wanna hear a sad song? Eddie Hinton was a guitar player, vocalist, and songwriter from Tuscaloosa, Alabama. Co-writer of one of the tenderest, sexiest hits of the late 60s, Dusty Springfield's
Breakfast in Bed, Hinton was a key member of the world-famous
Muscle Shoals Rhythm Section from 1967 to 1971 (turning down an invitation from Duane Allman to be a member of the Allman Brothers Band) who worked as a studio musician on albums by Aretha Franklin, Otis Redding, Wilson Pickett, Percy Sledge, the Staples Singers, and Toots Hibbert, but his early success was
sidetracked by mental problems, booze, and drugs.
[more inside]
posted by BitterOldPunk
on May 31, 2011 -
22 comments
Bobby Charles 1938-2010. Songwriter, musician's musician and cultural treasure, he died on last Thursday in Abbeville,Lousiana. In the 1950s, he wrote Fats Domino's
Walking to New Orleans, Bill Haley and the Comet's
See You Later, Alligator and recorded for Chess records. His
eponymous Bearsville album recorded in Woodstock in 1972 has been described as the best Band album released under another name.(Check out
Small Town Talk there.) He appeared as well in the Band's farewell concert filmed as The
Last Waltz. He made an enormous contribution to American popular music.
[more inside]
posted by y2karl
on Jan 19, 2010 -
25 comments
NickCaveFilter: Fifty years ago this very day,
Nicholas Edward Cave [
previously] crawled from the womb and started to plot. At 16 he formed his first band which evolved quickly into the
Boys Next Door [
Shivers]. This in turn mutated into
the Birthday Party (1980) who terrorised the post-punk soundscape in Australia and the UK [
Release the Bats |
Nick the Stripper]. The
Birthday Party relocated to England and in 1984 the band imploded in an orgy of drugs and booze. Shortly after
Nick Cave and the Bad Seeds were born [The Ship Song -
video &
solo live | The Mercy Seat -
video &
live |
Where the Wild Roses Grow], and 23 years and 11 studio albums later (not to mention a
best selling book, a
great screenplay,
some acting and several soundtrack projects) he is still going strong. But, instead of sitting on his musical laurels he decided to get back to basics and, in 2006,
grew a huge moustache and formed
Grinderman – a four piece with a primeval hybrid Birthday Party/Bad Seeds sound [
No Pussy Blues |
Honey Bee]. Fellow Mefites, I ask you to raise a glass to
Mr. Cave… And, especially if you are not familiar to his work, don’t forget to “look inside” for my primer on the enigma that is Nick Cave, one of the
finest song-writers on the face of this miserable planet.
[more inside]
posted by the_very_hungry_caterpillar
on Sep 22, 2007 -
98 comments
Al 'Blind Owl' Wilson was one of the more interesting characters on the 60's music scene. A contemporary (and fellow traveler) of
John Fahey, and student of blues history and with Bob Hite, the founder of seminal 60's blues-rockers
Canned Heat (
youtube video of Wilson and the Heat featuring the Owl on vocals) . A painfully introverted man who suffered from depression and addiction throughout his life, Wilson had a light touch and lack of histrionics uncommon among his blues-revival contemporaries. He died by his own hand at 27.
Blind-owl.net is a loving and comprehensive tribute, featuring many rare
interviews and
photos.
posted by jonmc
on Mar 22, 2006 -
11 comments
So You Think You Hate Country Music? Then listen to this. The roots of American country music may surprise you. In this series of NPR programs, trace the gradual development of real country music through the first half of the 20th century. Learn how a woman's instrument of the late 1800s, the parlor guitar, became the the central symbol of country and rock; see how African-American musical forms like gospel and blues meshed with the development of country and early rock and influenced the traditional forms in turn; listen to German-Mexican hybrids of accordian style; find out why women had so many honky-tonk torch songs to sing in the late 40s. The series contains hours of content (narrative, interviews, music tracks), and a multitude of excellent links for deeper digging.
posted by Miko
on Feb 2, 2006 -
111 comments
The King of the Jukebox who disturbed the status quo They called rock music
jump blues during the World War II era, and this
amazingly talented clown was its master, with over fifty Top 10 R&B hits --
eighteen reached #1 -- between 1942 and 1951. Chuck Berry identified with him
"more than any other artist." James Brown said,
"He was everything" and considered him one of the earliest rappers. A pioneer of
music video, the first black artist to
cross over from the "race" market to a white audience and a
central link between big bands and rock, he was a primary influence on
Bill Haley,
Ray Charles and B.B. King, who once said,
"I wanted to be like him." Rest in peace, Louis Jordan. [Dozens of one-minute song clips
here]
posted by mediareport
on Jul 10, 2002 -
11 comments
