There's a new crop of Australian bands that take inspiration from old blues, but twist the music in a strange fashion. The trend may have started with
CW Stoneking (Jungle Blues,
Love Me Or Die), who channeled the old bluesmen despite being a
young man. Its continued on to Sydney's
Snowdroppers, who started out as a
house band for burlesque shows and kept that dirty sensibility up with songs like
Rosemary ,
Do The Stomp, and their signature tune
Good Drugs, Bad Women (lyrics NSW). Frequent Snowdroppers touring partners
Gay Paris add a Southern horror twist (
House Fire In the Origami District, My First Wife? She Was A Foxqueen! ) and an antic stage energy. Some of the bands relay on gimmicks, like Adelaide's
The Beards, who sing about how
you should consider having sex with a bearded man and point out that
if your dad doesn't have a beard, you've got two moms. The Beards recently performed at the
World Beard and Mustache Championships. Horror-country-rockers
Graveyard Train have picked up the torch dropped when Sydney psychobilly masters
Zombie Ghost Train (
Graveyard Queen) disbanded. Graveyard Train tunes like
Mummy,
Ballad for Beelzebub ,
Tall Shadow and
Dead Folk Dance combine cheerful Misfits horror theming with stompy country. Most of the singers from this loose scene are joining forces in Sydney this week to
pay tribute to Tom Waits.
posted by Lovecraft In Brooklyn
on Oct 4, 2011 -
32 comments
Wallaby Beat is a blog dedicated to punk, DIY, powerpop, grillfat (pre-punk Australian hard rock) and NWOAHM from Australia 1975-1984. It follows projects like
Do The Pop,
Lethal Weapons, and
Inner City Sound in documenting Australia's fertile underground rock and roll scene. While those blogs and books are focused on the past,
I-94 Bar is documenting the scene as it stands today and interviewing the various survivors.
posted by Lovecraft In Brooklyn
on May 1, 2011 -
17 comments
"From then on, the difference became clear. It’s the male band members who don’t take you seriously, and when you get upset with how you’re treated, ask you if you’re menstruating. It’s the promoters and planners who screw you, then call you a diva when you assert yourself. It’s the kids who don’t talk to you after your set, but talk to your male bandmates because they assume you’re only there for show. It’s the people who think you’re sleeping with the guitarist, the people who assume you’re queer, or the journalists who mention your weight in reviews. It’s every single time a producer has told me I can’t play guitar on my own record because “sweetie, you’re not a studio musician” or “sing it again, but naked.”
Mariel Loveland from
Candy Hearts and
Lauren Denitzio from
The Measure [SA] discuss sexism in modern punk rock. For further reading there's Jessica Hopper's classic essay
Emo: Where the Girls Aren’t.
Previously.
posted by Lovecraft In Brooklyn
on Apr 18, 2011 -
39 comments
Color Me Obsessed is a new documentary about legendary Minneapolis rock band
The Replacements. It features over 140 interviews with rockers, journalists and fans (including Colin Meloy, Craig Finn, Tommy Ramone and Robert Christgau) but not one note of the Mats music. Director Gorman Bechard has been documenting the making of the film on his
blog and screening it in
select cities.
posted by Lovecraft In Brooklyn
on Apr 16, 2011 -
63 comments
