7 posts tagged with rockabilly and country. (View popular tags)
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New Year's Eve is fast approaching, and for lots of folks that means... drinking. Plenty of drinking. And since there's no shortage of singers and songwriters who've had a little something to say about that particular topic, maybe some of the following tunes can serve as an appropriate soundtrack to your own joyous (or not?) imbibing of spirits. For example, there's... Jimmy Liggins with his succinct rendition of Drunk, and there's... [more inside]
posted by flapjax at midnite on Dec 30, 2011 - 67 comments

Fifty years ago, those decrying rock 'n' roll as devil music that would crumble the morals of America needed to look no further than Wanda Jackson for evidence. Her raspy, brassy voice, suggestive lyrics, and sexual energy were almost unbelievable for the Eisenhower years. Coaxed into singing rockabilly by her then-boyfriend, Elvis, she had a string of rock hits, before marrying and IBM programmer and switching to more traditional, conservative country music.
posted by Jon_Evil on Aug 20, 2009 - 23 comments

Whole Lotta Shakin' - a PRI documentary series on the history of rockabilly, hosted by Rosie Flores.
posted by Miko on Apr 26, 2008 - 14 comments

I tell you what, buddy, that ol' Joe Maphis fellow outta Bakersfield, he was one fast picker. Yup, fast as greased lightning and smooth as gaht-damn silk on that double-neck Mosrite guitar. He and the missus have a little advice for you, too: Don't Make Love In a Buggy. And though Joe was mainly a picker, he did pen one memorable little country ditty which you might've heard in some honky tonk along the line: Dim Lights, Thick Smoke (and Loud, Loud Music). [note: see hoverovers for link descriptions] [more inside]
posted by flapjax at midnite on Feb 28, 2008 - 27 comments

So You Think You Hate Country Music? Then listen to this. The roots of American country music may surprise you. In this series of NPR programs, trace the gradual development of real country music through the first half of the 20th century. Learn how a woman's instrument of the late 1800s, the parlor guitar, became the the central symbol of country and rock; see how African-American musical forms like gospel and blues meshed with the development of country and early rock and influenced the traditional forms in turn; listen to German-Mexican hybrids of accordian style; find out why women had so many honky-tonk torch songs to sing in the late 40s. The series contains hours of content (narrative, interviews, music tracks), and a multitude of excellent links for deeper digging.
posted by Miko on Feb 2, 2006 - 111 comments

Pay Up, Cheaters! The Story of the Beat Farmers (QT trailer for as-yet unreleased DVD, Jamie Dawson, director)
Pour yourself a shot of Jäger and gather round the campfire, boys and girls, it's time for testifyin'. Tonight I present the cautionary tale of a big, kind-hearted stink-ape of a man, Country Dick Montana, who spent his short life as the Master of Ceremonies for a neverending party. He played drums, guitar and sang in The Beat Farmers, a legendary Southern California roots rock (embedded RealVideo) band proud of its fans' ability to make bar cash registers explode. Too country for rock radio, too rock for country radio, they could fill any showroom, but their only airplay outside San Diego consisted of ditties (embedded RealVideo) played by Dr. Demento; not exactly the recognition one would hope to receive. [more inside]
posted by planetkyoto on Nov 6, 2005 - 27 comments

Rockin' Country Style You usually hear the music termed "rockabilly," but the creator of this site prefers the term "country and western rock 'n' roll," a term he feels reflects what observers of the music's prime era (the mid-to-late 1950s) thought was going on, and is more inclusive besides (racially and also in regard to artificial genre boundaries). Whatever you think about his "theoretical scope," there is so much here to explore. And so much deeply, deeply odd music. The usual suspects are here, among them Elvis and the usual Sun heroes, as well Gene Vincent and Buddy Holly, etc. What is really interesting about this site, however, is how one can explore the evolution of a performer's sound (see: Link Wray) or the sounds of a geographical area or city. Then there are just so many great song samples, like Hep Cat Baby from Eddy Arnold and Fickle Chicken by the Atmospheres - and that's only from the A's! The site also features compilations by label, photographs of singles, and likes to sites dedicated to labels and performers. Terry Gordon, who oversaw the creation of this impossibly thorough database, is now working on a second database site dedicated to southern soul.
posted by raysmj on Aug 14, 2005 - 14 comments

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