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Suddenly My House Became a Tree of Sores.

He doesn't do metaphors. He doesn't make Postmodern references to other art. He doesn't even know what his own work 'means.' Richard Kovitch on the failure of the Tate Modern's recent symposium on David Lynch, which featured Gregory Crewdson, Louise Wilson, Chris Rodley, Parveen Adams, Simon Critchley, Roger Luckhurst, Tom McCarthy (edited remarks here), and Sarah Churchwell and Jamieson Webster (transcription here), among others. Write-up on Paris retrospective of Lynch's painting here, which was collected into the book The Air is On Fire.
posted by shakespeherian on Jan 15, 2010 - 121 comments

 
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