Quiverfull of shit: a Guide to the Duggars' Scary Brand of Christianity - Gawker, Jennifer C. Martin
"In 1985, a writer named Mary Pride published a book called The Way Home: Beyond Feminism, Back to Reality, which detailed her journey away from the second-wave feminism of the '70s and into what she perceived was a woman’s Biblical place in the home, and the commandment to fill the house with as many of her husband’s children as possible.
"Pride insisted that no woman could possibly find true happiness without submitting to her vision of Christianity: Relinquish control of your womb to God, and exist only to please your husband, give birth, feed everyone, and educate your children in the home—almost certainly without having received any formal higher education yourself."
"There is consternation at Wikipedia over the discovery that hundreds of novelists who happen to be female were being systematically removed from the category American novelists and assigned to the category American women novelists." [more inside]
The Everyday Sexism Project collects user-submitted reports from women to document their day-to-day experiences with normalized sexism, including sexual harassment and job discrimination. Entries can be submitted at the site, in an email to founder Laura Bates or to their twitter account. [more inside]
The New York Times asks seven 'experts': Does makeup ultimately damage a woman’s self-esteem, or elevate it? [more inside]
Clint Eastwood as Superman or James Bond? ‘It could have happened.’
In Buffy Vs. Edward (Twilight Remixed), Edward Cullen from the Twilight Series meets Buffy the Vampire Slayer at Sunnydale High. It's an example of transformative storytelling serving as a visual critique of Edward's character and generally creepy behavior. Seen through Buffy's eyes some of the more patriarchal gender roles and sexist Hollywood tropes embedded in the Twilight saga are exposed in hilarious ways. (Previous Twilight discussion on MeFi )
I have been thinking about masks lately. Masks are ancient and universal, our ancestors put on masks to become an other, to become a god, even unto this day. Greek tragedy and comedy began in the worship of Dionysos, the god of wine, intoxication, and creative ecstasy, in rituals where worshipers often wore or worshipped masks. Indeed, the word for mask in Greek drama was persona, now commonly used to describe constructed online identities. And so we understand ourselves as wearing masks, whole series of masks--behind which we find only emptiness, for we can never see ourselves truly.