“Sometimes, music is the best medicine.” Frank Waln is a 26-year-old Hip-Hop artist; a Sicangu Lakota person who grew up on the Rosebud Reservation, taught himself to play piano as a child, and mixes his own music in his basement studio. [more inside]
Native Americans were promised health care by the government, but what are they really getting? Stanford Medicine on the Rosebud Indian Reservation in South Dakota, where health services are underfunded, suicide rates are high, and the life expectancy is just 46 years:
According to national statistics, one in three Native American women will be raped in their lifetimes. Vanguard correspondent Mariana Van Zeller travels to Rosebud reservation in South Dakota to investigate the alarmingly high incidence of rape and sexual assaults. What happened to 19-year-old Marquita, and how can the reservation's understaffed police force keep it from happening again? Candid interviews with her family members, classmates and police reveal many of the disturbing social attitudes and behaviors that lead up to her death. It is one of many compelling guides to the kinds of lives most never see in Current TV's season before last of Vanguard. (previously) [more inside]
Donald Trump discusses the major thematic elements of Citizen Kane. Featured in the awesome new... err... issue?... of Wholphin.
David Edelstein's article in Slate on idiotic twist endings should make it easy to score 10/10 on this Guardian quiz. For a more challenging quiz, try this one (answers here).
Still looking for Rosebud. Nine Years after sending a copy of a radio programme he made to Stanley Kubrick, Jon Ronson, is invited to the late Kubrick's "secret lair". You drive through rural Hertfordshire, passing ordinary-sized postwar houses and opticians and vets. Then you turn right at an electric gate with a "Do Not Trespass" sign. Drive through that, and through some woods, and past a long, white fence with the paint peeling off, and then another electric gate, and then another electric gate, and then another electric gate, and you're in the middle of an estate full of boxes. [...] Tony takes me into a large room painted blue and filled with books. "This used to be the cinema," he says. "Is it the library now?" I ask. "Look closer at the books," says Tony. I do. "Bloody hell," I say.