Tekhnika Molodezhi was the Popular Mechanics of the Soviet Union. The magazine, whose name means Technology for the Youth, had illustrations of everything from space stations, computerized farming, transport of the future, friendly robots, to more abstract images. If you don't want to hunt through the archive, Mythbuster's Tested website has a gallery of 201 great images from the magazine.
Poets appeared in Russia in the eighteenth century. They wore officers’ uniforms and mostly wrote odes for the accession of German empresses onto the Russian throne. In a country where life was lived according to the wartime principle of unity of command, everyone including poets served the government, which was personified by the autocracy. But everything changed with Pushkin. Born in a country where serfdom was only the formal expression of a deep internal psychological slavery, he achieved the most important Russian coup, the greatest Russian revolution: in opposition to the pyramid of power, at the head of which the Czar administers the fates of individuals and nations, he created an alternative pyramid, at the head of which stood the poet. The juxtaposition of the czar and the holy fool—the old divided paradigm of authority—was exchanged for the juxtaposition of the czar and the poet.— Poets and Czars — From Pushkin to Putin: the sad tale of democracy in Russia by Russian novelist Mikhail Shishkin, who caused a stir earlier this year when he withdrew from participation in literary events sponsored by the Russian state with a strongly-worded letter. His action was equally strongly criticized by the state and several Russian writers. Shishkin spoke to The American Reader about recent events. He currently lives in Switzerland and recently wrote an essay about being separated from his native language community.
In the first years of the Fifteenth Century Henry III of Castile sent Ruy Gonzalez de Clavijo as his ambassador to Samarkand. His journey introduced him to giraffes and many other sights unknown to Europeans of the time. Samarkand was then the center of the largest empire in the world, that of Tamerlane the Great (a.k.a Timur), the last of the nomad conquerors. His capital began as a city of the Sogdians, which became an important center of culture and trade, as is recorded in these 7th Century wall paintings. Samarkand was refashioned by Timur and his descendants, the most famous being the astronomer Ulugh Beg, and the Timurid legacy is still visible in Samarkand. After Timur's death, his empire disintegrated, and soon fell into decline, but left enough of a mark to inspire both Christopher Marlowe and Edgar Allan Poe. The Russian Empire conquered Samarkand in 1868, and the city was documented in the early 20th Century in color photograhs by Sergei Prokudin-Gorskii (this one's a favorite) and remained an out of the way place in the Soviet era.
Perry Anderson's book length three part series on the history of India from the beginnings of its independence movement, through independence and partition into its recent history as a nation-state is the latest in a series of erudite, opinionated and wordy articles in The London Review of Books by the UCLA professor of history and sociology on the modern history of various countries, so far taking in Brazil, Italy, Turkey, Cyprus, the EU, Russia, Taiwan and France. [more inside]
Hanover Historical Texts Project is a collection of primary source texts from ancient times to the modern era in English translation. There is a great number of interesting texts, for instance accounts of Zeno, he of the paradoxes, the diary of Lady Sarashina, a lady-in-waiting in Heian era Japan, a letter from Count Stephen of Blois and Chartres, a crusader writing to his wife, Arthur Young's travels in France before and during the Revolution, a report by the American ambassador in St. Petersburg on March 20th, 1917, immediately after the February Revolution, and finally Petrarch's letter about his graphomania. That last one is from what is perhaps my favorite part of the website, a trove of Petrarch's Familiar Letters. But there's much more in the Hanover Historical Texts Projects besides what I've mentioned.
Tango With Cows is an exhibition by the Getty Museum of the book art of the Russian avant-garde from 1910 to 1917, which included a performance of sound poetry, all captured on video, both of Futurist poems, other historical sound poems, and contemporary works. Among performers are Christian Bök and Steve McCaffery. The exhibition takes its name from the book of ferro-concrete poems, one of 21 books can be downloaded as PDFs, most are by Alexei Kruchenykh but there are also works by Roman Jakobson, Vladimir Mayakovsky, David Burliuk, Andrei Kravtsov, Vasily Kamensky and Velimir Khlebnikov. These were all Futurists. [more inside]
The BBC World Service has put together a special report on the 1989 revolutions in Eastern Europe (they also have a simpler portal). There is a wealth of material, including TV reports on key events from the BBC archives, interviews, a map timeline, a report on Catholicism's role in the 1989 revolutions, a first-hand report of what it was like to gather news in East Germany during that time and much more.
Early Twentieth Century Russian Drama and From the Ends to the Beginning: A Bilingual Anthology of Russian Poetry are both products of Northwestern University Slavic Department. The former is devoted to Russian theater from the 1890s through the 1930s and focuses on the visual aspect of theater, with images of costumes, set designs and photographs of stagings. The latter is a collection of 250 poems, both in Russian and English translations ranging from the 18th Century to the modern day. There are some amazing images from the history of Russian drama, such as Kazimir Malevich's designs for Victory over the Sun and a quicktime video of actors doing Meyerhold's biomechanical exercises. The Listening Gallery of russianpoetry.net has over 75 recitals of poems, including Vladmir Mayakovsky reading his own And Could You? and a reading of Velimir Khlebnikov's famous Invocation of Laughter.