"While DC continues to race through San Francisco power lines at nearly the speed of light, it does so anonymously. You’ll find no reference to DC power distribution in PG&E’s annual reports or on its websites. Even some utility engineers are unaware of its existence, which raises a curious question: Why is the inheritor of this legacy, the mighty and sophisticated PG&E, still bothering with DC distribution 133 years later?" [more inside]
Reddit user and actual wizard bananimator takes us on a quick spin through the city by the bay.
Meanwhile, 6th and Mission St is in the center of city. If you've ever walked it, it's like stepping into the another world, not a pleasant one either. On a rainy night, wandering into Tu Lan, it's famed Vietnamese restaurant, is the closest experience I can recommend to feeling like you're in Blade Runner in America. I work between 5th and 6th on Mission and have wondered and despised how such a place like this came to be. Here's an answer from someone that lives there, which really has me thinking.
In 1974 - or 1976, depending who you ask - Armistead Maupin began writing "an extended love letter to a magical San Francisco” in the form of a serialized, fictional drama published originally in the Pacific Sun, the San Francisco Chronicle and the San Francisco Examiner, originally called "The Serial" which then became collectively known as Tales of The City. It is a suprisingly beautiful, deep, emotional, cosmopolitan and lasting tale about life in San Francisco in the turbulent, heady days of the 1970s and 1980s. Widely credited with and cherished for helping spread a little of the openess, tolerance and acceptance that San Francisco is now famous for. It then became a series of books - Tales of the City, More Tales of the City, Further Tales of the City, Babycakes, Significant Others, Sure of You - and lastly, the spin-off tale of Michael Tolliver Lives. Almost exactly twenty years after first publishing, it then became an excellent miniseries from the United Kingdom's Channel 4, which aired in the United States on PBS, but not without protest or limitations. [more inside]