This past August, producer Bryan Singer (
The Usual Suspects,
X-Men) launched a new digital series:
H+. The premise: in the near future, 33% of humanity has retired their smartphones, tablets and computers in favor of an implanted computer system,
H+, which connects them directly to the internet 24/7. The story begins as a computer virus attacks the implants, killing billions. In intersecting storylines across four continents (told in part through flashbacks,) the series then unravels what happened, who caused it and why.
[more inside]
posted by zarq
on Dec 19, 2012 -
66 comments
Earth, 2147. The legacy of the Metal Wars, where man fought machines—and machines won. Bio-Dreads — monstrous creations that hunt down human survivors... and digitize them!
In 1987, before he created Babylon 5, J. Michael Straczynski was a writer for
Captain Power and the Soldiers of the Future, a live-action sci-fi show for kids. 24 episodes were produced. Straczynski wrote or co-wrote 14 of them, including multi-episode plot arcs. A
line of interactive toys brought the battle into kids’ living rooms, and
Captain Power was also one of the very first shows on television to feature computer animation in every episode. But in an attempt to appeal to both children and the adults who watched with them, the campy show included some concepts and scenes critics deemed too violent for children and lasted only a single season in syndication.
The full run of the show has now been uploaded to Youtube. [more inside]
posted by zarq
on Apr 1, 2012 -
28 comments
"
Welcome to the Zion Archive. You have selected Historical File #12-1: The Second Renaissance."
So begins the short film of the same name by Mahiro Maeda
[Flash: 1 2 - QuickTime: 1 2] -- a devastating yet beautiful work of animation.
Originally produced to explain the backstory behind the
Matrix trilogy, Maeda's project ended up telling a story far darker and more affecting than any blockbuster.
Using a blend of
faux documentary footage and
visual metaphor, his serene Instructor relates in biblical tones the saga of Man and Machine, how age-old cruelty and hatred birthed a horrifying, apocalyptic struggle that consumed the world.
Packed with striking imagery and
historical allusions galore, this dark allegory easily transcends the films it was made for.
But while "The Second Renaissance" is arguably the best work to come from the
Matrix franchise, it's hardly alone -- it's just one of the projects made for
The Animatrix, a collection of
nine superb anime films in a
wide variety of styles designed to explore the universe and broaden its scope beyond the usual sci-fi action of the movies.
Click inside for a guide to these films with links to where they can be watched online, along with a look at
The Matrix Comics, a free series of comics, art, and short fiction created for the same purpose by
some of the best talent in the business.
[more inside]
posted by Rhaomi
on Feb 14, 2011 -
54 comments
Q&A with
Duncan Jones, the director of the recent Hugo winner
Moon plus Gavin Rothery - concept designer and VFX supervisor, Barrett Heathcote - visual effects editor and Hideki Arichi - art director (MLYT) (
1,
2,
3,
4,
5)
posted by fearfulsymmetry
on Sep 10, 2010 -
30 comments
The Martians And Us a BBC documentary series on the history of British science fiction.
Part 1 - 'From Apes To Aliens' (
1,
2,
3,
4,
5,
6)
Part 2 - 'Trouble In Paradise' (
1,
2,
3,
4,
5,
6)
Part 3 - The End Of The World As We Know It (
1,
2,
3,
4,
5,
6)
[more inside]
posted by fearfulsymmetry
on Jun 7, 2010 -
7 comments
He invented or popularized a startling array of the fundamental elements of film: the dissolve, the fade-in and fade-out, slow motion, fast motion, stop motion, double exposures and multiple exposures, miniatures, the in-camera matte, time-lapse photography, color film (albeit hand-painted), artificial film lighting, production sketches and storyboards, and the whole idea of narrative film.
By 1897, in a studio of his own design and construction – the first complete movie studio – his hand forged virtually everything on his screen. Norman McLaren writes, "He was not only his own producer, ideas man, script writer, but he was his own set-builder, scene painter, choreographer, deviser of mechanical contrivances, special effects man, costume designer, model maker, actor, multiple actor, editor and distributor." Also, his own cinematographer, and the inventor of cameras to suit his special conceptions. Not even auteur directors such as Charles Chaplin, Orson Welles, John Cassavetes, and Stanley Kubrick would personally author so many aspects of their films."
Inside: 57 films by Georges Méliès, the
Grandfather of Visual Effects.
[more inside]
posted by Paragon
on Feb 3, 2010 -
31 comments
With all the
crystal skulls,
nazca lines and such at the box office these days now might be the ideal time to reacquaint yourself with the theories of
Erich von Däniken. What better way to do it than by watching
William Shatners Mysteries of the Gods (
Pt. 1,
Pt. 2,
Pt. 3,
Pt. 4,
Pt. 5,
Pt. 6,
Pt. 7,
Pt. 8,
Pt. 9,
Pt. 10)
(MULTI LINK YOUTUBE SHATNERFEST)
posted by Artw
on Jun 10, 2008 -
28 comments
