Tomorrowland: how Walt Disney’s strange utopia shaped the world of tomorrow - cryogenically frozen head not included.
Tekhnika Molodezhi was the Popular Mechanics of the Soviet Union. The magazine, whose name means Technology for the Youth, had illustrations of everything from space stations, computerized farming, transport of the future, friendly robots, to more abstract images. If you don't want to hunt through the archive, Mythbuster's Tested website has a gallery of 201 great images from the magazine.
This past August, producer Bryan Singer (The Usual Suspects, X-Men) launched a new digital series: H+. The premise: in the near future, 33% of humanity has retired their smartphones, tablets and computers in favor of an implanted computer system, H+, which connects them directly to the internet 24/7. The story begins as a computer virus attacks the implants, killing billions. In intersecting storylines across four continents (told in part through flashbacks,) the series then unravels what happened, who caused it and why. [more inside]
"If you’re not getting it wrong really a lot when you’re creating imaginary futures, then you’re just not doing it enough."
Wired talks to William Gibson: on Why Sci-Fi Writers Are (Thankfully) Almost Always Wrong, on Twitter, Antique Watches and Internet Obsessions, and and on Punk Rock, Internet Memes, and ‘Gangnam Style’.
io9 asks the question: When and Why did Science Fiction drop the ubiquitous "Dinner in a pill" device?
A spherical flying robot has been developed at the Japanese Ministry of Self-Defense; it can zoom along indoors and outdoors at speeds of up to 40 miles per hour, or just hover. Menacingly. Science Fiction In The News is a subsection of science-fiction site Technovelgy, which tracks both the predictions of future tech made in science fiction past and present and its manifestations in real life. What tech, you ask? Well, if it’s appeared in your nightmares, it’s probably been on this page: [more inside]
Neil Blomkamp’s TED Talk starts with the question of does he feel his aliens in his film District 9 are a realistic depiction of what extraterrestrial life might actually be like... (SLYT)
Bruce Sterling's State of the World: an interactive discussion on the Well with the noted sci-fi author and futurist. "The political and economic landscape in 2008 is full of spinning, tottering Chinese plates poised on tall pool-cues." [An MP3 of his State of the World 2006 from SXSW was previously linked here.]
This link goes to an discussion with 'Future Noir' author Paul Sammon... then this one goes to a Q&A with 'BR' director Ridley Scott, talking about the upcoming re-release.
Owen Hatherley, has three blogs where he expounds on culture and architecture from an English Leftist perspective, sit down man, you're a bloody tragedy, The Measures Taken (which has longer essays than the previous blog) and the group film blog kino fist. To give you an idea of the range of subjects he covers, here's a sampling of his blogposts: Towards a Communist Couture? Sartorial Socialism from Huey P Newton to Honecker, Zuckendes Fleischer (on pre-WWII American cartoons), Industrial Island Machine - Vorticism and the absence of an English Avant-Garde, Hurrah for the Black Box Recorder (on songwriter Luke Haines and The Daily Mail), The Children’s Book as a Revolutionary Object (with a bunch of pictures from Soviet avant-garde children's books), Architectural Drawings of the 1960s, Art is a branch of Mathematics (Taylorism and Russian SF classic We), Brechtian Productivism in an age of Mechanical Stagnation and Notes towards an attempted refutation of the 'Associational Fallacy' (on architecture). All of the blogs are heavily adorned with pretty pictures, some not safe for work. [more inside]
Why science fiction is hard. Inspired by reports of a creative new, Rube-Goldberg spamming technique in World of Warcraft, MetaFilter's own Charlie Stross imagines trying to explain gold farming to someone from 1977. (Previously: 1, 2, 3)
Science fiction writers on Arnold Schwarzenegger's election as California gov. (more inside)