The sale of Glenn Brown's "Ornamental Despair (Painting For Ian Curtis) Copied from the Stars Like Dust, 1986 by Chris Foss" (1994) for roughly $5.7 million has again raised questions over whether copying something but larger and slapping your name on it constitutes art and how it can sell for so much. Here's why it does. Just don't talk about Shia LaBeouf.
Iain M. Banks, Alastair Reynolds, and Peter F. Hamilton discuss their books with fans (video). The Hydrogen Sonata, the 10th of Bank's Culture books, will be released October 12th, read the first chapter here. Meanwhile it's 20 years since Reynolds first started work on Revelation Space.
"If you’re not getting it wrong really a lot when you’re creating imaginary futures, then you’re just not doing it enough."
Wired talks to William Gibson: on Why Sci-Fi Writers Are (Thankfully) Almost Always Wrong, on Twitter, Antique Watches and Internet Obsessions, and and on Punk Rock, Internet Memes, and ‘Gangnam Style’.
Snark is the universal solvent of cultural conversation. Someone mentions Hemingway; you mention cross-dressing, drinking, and short choppy sentences. Not only did you not have to read Hemingway, you have one-upped the other person by not having read it; you know more about it than they do because you know the important thing, that Hemingway doesn't need to be read. Star Wars has a plot straight out of a comic book, the indescribable beauty of an athlete's best moment is just ritualized combat, any given religion is a collection of three or fewer especially silly-sounding superstitions, all academic subjects are useless hazing intended to keep the wrong people from being hired, all peace protestors are just trying to get on television and soldiers are all unemployed hillbillies whose masculinity feels threatened so they've enlisted for a chance to commit war crimes. Occupy Wall Street is rebels without a clue (itself a plagiarized phrase), the Tea Party is scared old people, and nothing in the wide world matters compared to the general wonderfulness of the observer. [Some 3700 words from a science fiction writer deriding and analyzing the emptiness of snark as a rhetorical mode. Might need to click through Blogger's NSFW warning, though it's just text.]
Surface Detail is the latest science fiction novel by the Scottish writer Iain M. Banks to be set in his Culture universe.... [more inside]
Land of the Free, home of the geek. Steven Schofield takes photos of british sci-fi fans, dressed in character in their homes. He treats it as 'found' photography, which seems to illustrate the subjects vulnerability. The title of the work is Land of the Free - and illustrates how American culture infiltrates, with the ironic edge of questioning the idea of the freedom of choosing to copy the look of these fictional characters. via kottke
Edinburgh author Iain M. Banks, creator of the post capitalist space faring society The Culture and it's oddly named ships, has long been the UKs top science fiction writer, but has never had more than a toehold in the US (in part through lack of availability, in part due to lack of promotion and in part due to some pretty awful covers. That could change: Matter, his latest, has been heavily promoted in the US and sports a cover nearly identical to the UK edition. This week Orbit are releasing US editions of the two earliest Culture novels, with the third following in July, which could mean a complete release of all the novels in the US in order. [more inside]
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