This was the official inauguration of indigenous futurism. The movement is in part about speaking back to the SF genre, which has long used indigenous subjects as the foils to stories of white space explorers hungry to conquer new worlds. Given these continuously re-hashed narratives of “the final frontier,” it is no coincidence that western science fiction developed during a time of imperial and capitalist expansion. Science/speculative fiction author Nalo Hopkinson, known for her use of creole languages and Caribbean oral stories in her works, writes that people of color engaging with SF “take the meme of colonizing the natives and, from the experience of the colonizee, critique it, pervert it, fuck with it, with irony, with anger, with humor and also, with love and respect for the genre of science fiction that makes it possible to think about new ways of doing things.”
Heavily influenced by samurai films from film makers such as Akira Kurosawa, French/Burkinabe filmmaker Cédric Ido produced a short award winning film, Hasaki Ya Suda (The Three Black Samurai) set in the future. Its synopsis reads: It is 2100. In the world engulfed in chaos and war whose residents are consumed by terrible hunger, the last fertile land became the subject of fierce battles. Three warriors: noble Wurubenba (Jacky Ido), Shandaru (Cedric Ido), who wants to avenge his father’s death, and Kapkaru (Min Man Ma) craving for power, will face one another in a fight for life and death. Watch the full 25-minute Hasaki Ya Suda short film (available only with French subtitles at the moment) or the 1 minute teaser. Interview with Cedric in English.
Since Georges Melies' 1902 'Trip to the Moon' cinema has been in love with science fiction. The romance has been rocky though, with many potential classics lost to spiralling budgets or studio whim. David Hughes the author of a new book, The Greatest Sci-Fi Movies Never Made, shares his favourites with us - The Top 10 Greatest Sci Fi movies never made Via The Times online