"Storytelling is inherently dangerous. Consider a traumatic event in your life. Think about how you experienced it. Now think about how you told it to someone a year later. Now think about how you told it for the hundredth time. It's not the same thing. Most people think perspective is a good thing: you can figure out characters arcs, you can apply a moral, you can tell it with understanding and context. But this perspective is a misrepresentation: it's a reconstruction with meaning, and as such bears little resemblance to the event."
Charlie Kaufman: Why I Wrote Being John Malkovich. [more inside]
posted by codacorolla
on Oct 7, 2011 -
47 comments
Patrick Sauriol's
Corona Coming Attractions, the comprehensive insider film news site of the late-'90s (resurrected in December 2008), presents the top unproduced screenplays for 2009 as selected by film professionals (
Part 1 |
Part 2). "Over 300 film professionals were asked to submit the titles of up to ten of their favorite screenplays. The only condition for the picks were that the projects would not be released in theaters this year." Some sound fascinating, others cringe-inducingly tired.
posted by AugieAugustus
on Feb 4, 2010 -
21 comments
Word Into Image: Writers on Screenwriting {youtube}William Goldman (
Butch Cassidy and the Sundance Kid) (
1 2 3)
Robert Towne (
Chinatown) (
1 2 3)
Carl Foreman (
High Noon) (
1 2 3)
Neil Simon (
The Odd Couple) (
1 2 3)
Paul Mazursky (
An Unmarried Woman) (
1 2 3)
Eleanor Perry (
The Swimmer) (
1 2 3)
posted by dobbs
on Feb 22, 2008 -
9 comments