A very long interview with screenwriter Lem Dobbs. Single link to text on a page but it's a wonderful interview and those who love film, culture, the arts... will dig it I think.
posted by You Should See the Other Guy on May 4, 2012 - 8 comments

Loudly and with much smashing, FilmCritHulk has become a major presence in the world of online film criticism with his semiotical essays on storytelling, cinematic principles, and media theory. Starting first on his personal blog, Hulk now writes for Badass Digest [previously] (the lifestyle blog corner of the Alamo Drafthouse empire [previously, previously]) [more inside]
posted by kcalder on Jan 26, 2012 - 24 comments

"Storytelling is inherently dangerous. Consider a traumatic event in your life. Think about how you experienced it. Now think about how you told it to someone a year later. Now think about how you told it for the hundredth time. It's not the same thing. Most people think perspective is a good thing: you can figure out characters arcs, you can apply a moral, you can tell it with understanding and context. But this perspective is a misrepresentation: it's a reconstruction with meaning, and as such bears little resemblance to the event." Charlie Kaufman: Why I Wrote Being John Malkovich. [more inside]
posted by codacorolla on Oct 7, 2011 - 47 comments

The first 15 pages of Sam Peckinpah’s long-buried script for The Texans. Via CHUD.com
posted by brundlefly on Jan 20, 2011 - 8 comments

Zombie Baby, Fucking Jane Austen, The Last Witch Hunter, Abraham Lincoln: Vampire Hunter, American Bullshit, Better Living Through Chemistry... just some of the titles that made this year's Black List, a list of the best unproduced screenplays of the year as voted on by industry insiders. LA Times and Deadline Hollywood have pieces on it and here's an October audio interview with Franklin Leonard, creator of the Black List. In past years, aspiring screenwriters could find PDFs of the scripts online. It's gonna be a lot harder now.
posted by dobbs on Dec 13, 2010 - 42 comments

Todd Alcott has written in-depth analyses of Inglourious Basterds (Parts 1, 2, 3, 4, 5) and Death Proof (1, 2, 3) that are pretty nifty. [more inside]
posted by Toby Dammit X on Feb 11, 2010 - 102 comments

Patrick Sauriol's Corona Coming Attractions, the comprehensive insider film news site of the late-'90s (resurrected in December 2008), presents the top unproduced screenplays for 2009 as selected by film professionals (Part 1 | Part 2). "Over 300 film professionals were asked to submit the titles of up to ten of their favorite screenplays. The only condition for the picks were that the projects would not be released in theaters this year." Some sound fascinating, others cringe-inducingly tired.
posted by AugieAugustus on Feb 4, 2010 - 21 comments

PDF screenplays of most of the scripts that will probably pick up Oscar nods this year. And the Public Enemies and Funny People scripts, too.
posted by You Should See the Other Guy on Dec 11, 2009 - 3 comments

Simply Scripts is a repository of screenplays. Sort of a collection of links to scripts hosted on other sites (like official studio or screenwriter sites). There's some neat stuff there. For instance, I found a Coen brothers script (pdf), based on a James Dickey novel, I'd never heard of before.
posted by Manhasset on Dec 7, 2008 - 14 comments

After a lengthy hiatus, Terry Rossio is once again writing columns on screenwriting and other aspects of the film trade for Wordplayer (previously). New articles include a dissertation on the use of dramatic irony, a fascinating story about a single vacation photo and the strange twists of life, and an insider's look into how good stories get killed, and which battles are worth fighting. [more inside]
posted by Navelgazer on Jul 7, 2008 - 18 comments

An essay by Bill Lawrence, creator of "Scrubs," on why he writes. It's part of a series: "Why We Write." [more inside]
posted by Tehanu on Mar 16, 2008 - 28 comments

Word Into Image: Writers on Screenwriting {youtube}
William Goldman (Butch Cassidy and the Sundance Kid) (1 2 3)
Robert Towne (Chinatown) (1 2 3)
Carl Foreman (High Noon) (1 2 3)
Neil Simon (The Odd Couple) (1 2 3)
Paul Mazursky (An Unmarried Woman) (1 2 3)
Eleanor Perry (The Swimmer) (1 2 3)
posted by dobbs on Feb 22, 2008 - 9 comments

How I Ended Up In Big Pitches - article in London Times about last weekend's Screenwriting Expo in Los Angeles. Features Warren Hsu Leonard, William Goldman, Brian Watanabe, David Freeman, Michael Hauge.
posted by nromanek on Nov 17, 2005 - 10 comments

I Find Your Lack of Faith Disturbing is the new blog by screenwriter Josh Friedman. Not much there yet but what is is fun, especially parts one and two of his adventures with arbitration on War of the Worlds. (Of note: Friedman is the writer who adapted James Ellroy's The Black Dahlia for David Fincher Brian De Palma.) {via The Screenwriting Life}
posted by dobbs on Aug 21, 2005 - 9 comments

From Pitch to Premiere LA-based radio show The Business decided to track a film project from its earliest stages. Host Claude Brodesser began with an interview with the producer, the original screenwriter, and her agent, just after they had sold the project as a pitch.(RealAudio stream; interview starts at 11:08) Then he followed up with them as they were beginning their hunt for a director (RealAudio stream; interview starts at 2:51). And when they found a director, the director did an interview as well (RealAudio stream; interview starts at 9:20). It's an interesting look into how movies actually get made. (Via John August, who is the current writer on the project.)
posted by yankeefog on May 5, 2005 - 2 comments

Tired of having to go through directors and producers, more and more screenwriters have their own websites to speak directly to the public (and to speak privately to each other.) Craig Mazin (screenwriter of the upcoming Opus the Penguin film) talks about why the hero aims low and how the screenwriter is like the Director of Photography. John Rogers worked on Catwoman and says "The one tiny shred of my artistic integrity I can take out of that process is that I've never actually seen the movie". Max Adams (whose Excess Baggage is reputed to be one of the best scripts ever made into a crappy movie) talks about how scripts get ruined. William Martell (the Robert Towne of made-for-cable movies) thinks it's a mistake to be too original. Terry Rossio (co-author of Pirates of the Caribbean reveals the physics of the story molecule. (Terry Rossio's site was mentioned in this thread on screenwriter John August's website but is worthy of a front page post of its own.)
posted by yankeefog on Feb 8, 2005 - 19 comments

Script-O-Rama! Hundreds and hundreds of film scripts, film transcripts, tv show scripts, and anime scripts.
posted by crunchland on Jul 18, 2003 - 5 comments

"The Day The Clown Cried." Even unfinished, the breathtaking scope of it's...awfulness has for thirty years both attracted and repelled would-be producers and distributors. (script, zipped Word doc) Just the concept is startling, like some kind of hellish Sad Lib -- Jerry Lewis plays a clown in Auschwitz who leads children to the gas chambers. Harry Shearer, one of the few to see the film: "You are rarely in the presence of a perfect object. This was a perfect object. This movie is so drastically wrong, its pathos and its comedy are so wildly misplaced, that you could not, in your fantasy of what it might be like, improve on what it really is. 'Oh my God!' -- that's all you can say." Can this movie ever be made?
posted by stupidsexyFlanders on Jul 16, 2003 - 39 comments