He is the spirit of vengeance and the wrath of God given form. But when Daimajin's rage was unleashed, it could be directed at both the wicked and the innocent alike.[more inside]
Following the death of his sister to brain cancer, Motoi Yamamoto adopted salt as his primary artistic medium. In Japanese culture salt is not only a necessary element to sustain human life, but it is also a symbol of purification. He uses salt in loose form to create intricate labyrinth patterns on the gallery floor or in baked brick form to construct large interior structures. As with the labyrinths and unnavigable passageways, Motoi Yamamoto views his installations as exercises which are at once futile yet necessary to his healing.
Netsuke of the Meiji Period is an online exhibit from the Los Angeles County Museum, noted for the depth of its collection. (more). The György Ráth Museum and the Ferenc Hopp Museum also house a fine classic collection. (more). Today, netsuke carving is alive and well - see the Kiho Collection for one young master. If you would like to explore more sculpture for the hand, the International Netsuke Society has a good link list to many excellent contemporary netsuke artists.
Known as scholar's rocks or gongshi, viewing stones are rocks of complex shapes that suggest worlds within worlds, microcosms in stone. In Japan they are called Suiseki, from the Japanese characters for water "sui" and stone "seki", placed on a daiza, a carved wood base. They are at once a miniature landscape and a point of imaginative departure…