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11 posts tagged with sf and movie. (View popular tags)
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The Eternal Ingénue

SF/F legend Connie Willis pours a preview of a near-future version of the story of backstage back-stabbing, " All About Eve" with "All About Emily" for Asimov's Science Fiction Magazine.
posted by The Whelk on Apr 30, 2014 - 12 comments

Selections from the BFI's collection of early cinema

The British Film Institute's YouTube channels offer a staggering amount (previously) of content on historical cinema, shorts, and discussion. Some short selections from the early and silent period of note - The Sick Kitten (1903) - How Percy Won The Beauty Competition (1909) - Tilly The Tomboy Visits The Poor (1910) - Suffragette Riot In Trafalgar Square (1913) - The Fugitive Futurist, in which a man on the run shows a device that can see far into the future (1924) - Vaudevillian legend Billy Merson Singing 'Desdemona'. Widely considered Britain's first sound film - (1927) Charley In New Town - part of an animated series from the Central Office, this one explaining the need for "New Towns." (1948) - Growing Girls, a filmstrip guide to puberty for young women (1951).
posted by The Whelk on May 2, 2013 - 5 comments

We, The Aliens.

In Defense Of Spielberg's War Of The Worlds
posted by The Whelk on Feb 19, 2013 - 197 comments

Every Hollywood Movie Is A Children's Film

Essayist and cartoonist Tim Kreider is no stranger to film criticism ( previously) but his thoughtful, surprising, detailed analysis of Lynch's The Straight Story and Spielberg/Kubrick's AI deserve special attention.
posted by The Whelk on Jun 23, 2012 - 42 comments

Yeah, I'm pro-cat-saving, too.

Alex Pappademas and Sean Witzke over at Grantland have a long, detailed, super geeky film-nerd discussion of the Alien franchise. "It's important to note here that this is a nuke-it-from-space kind of conversation in which just about every aspect of the original "Alien Quadrilogy" is spoiled, as are some fairly crucial plot points from Prometheus. The Alien vs. Predator movies are neither spoiled nor discussed, because that would mean acknowledging their existence. Some people will undoubtedly view this as curatorial negligence on our part, but we welcome their scorn. "
posted by The Whelk on Jun 14, 2012 - 109 comments

The Logical Extension Of Business Is Murder

The extended trailer for David Cronenberg's adaptation of Don DeLillo's Cosmopolis has hit the internet.
posted by The Whelk on Apr 21, 2012 - 62 comments

Deja Vu

EVERYTHING IS A REMIX tackles the truly numerous amount of references, call-backs, remixes, quotations, scene mimics, and inspiration parallels found in The Matrix (via) [more inside]
posted by The Whelk on Oct 6, 2011 - 65 comments

Support Telepath Local 153

The Washington Post asks: Can Mutants And Humans Really Co-Exist? Metafilter's own Mightygodking responds.
posted by The Whelk on Jun 10, 2011 - 80 comments

Georges Méliès, the Cinemagician

He invented or popularized a startling array of the fundamental elements of film: the dissolve, the fade-in and fade-out, slow motion, fast motion, stop motion, double exposures and multiple exposures, miniatures, the in-camera matte, time-lapse photography, color film (albeit hand-painted), artificial film lighting, production sketches and storyboards, and the whole idea of narrative film.
By 1897, in a studio of his own design and construction – the first complete movie studio – his hand forged virtually everything on his screen. Norman McLaren writes, "He was not only his own producer, ideas man, script writer, but he was his own set-builder, scene painter, choreographer, deviser of mechanical contrivances, special effects man, costume designer, model maker, actor, multiple actor, editor and distributor." Also, his own cinematographer, and the inventor of cameras to suit his special conceptions. Not even auteur directors such as Charles Chaplin, Orson Welles, John Cassavetes, and Stanley Kubrick would personally author so many aspects of their films."
Inside: 57 films by Georges Méliès, the Grandfather of Visual Effects. [more inside]
posted by Paragon on Feb 3, 2010 - 31 comments

SF cinema sans CGI

The Fountain "No matter how good CGI looks at first, it dates quickly...So I set the ridiculous goal of making a film that would reinvent space without using CGI." Director Aronofsky tapped into the microphotography work of Parks and Parks to bring a new look to special effects in science fiction cinema.
posted by dhruva on Feb 13, 2007 - 95 comments

They have a Plan

Rather unusually, the Sci-Fi channel have made the entire first episode of their new Battlestar Galactica show available online, uncut and without commercials, for free (Real format, not bad video quality). While the series is still being aired in the US and Australia, the first episode has now been shown in all markets and the Sci-Fi channel may be trying to figure out if making the ep available online could improve ratings.

Their decision may have been aided by the fact that the show was aired in the UK two months before the US, resulting in an awful lot of US fans downloading the show; normally it's the other way around.
posted by adrianhon on Feb 24, 2005 - 43 comments

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