Television Without Pity re-capper
Jacob Clifton has written a short steampunk story for Tor.com. “There’s a level on which the story is an indictment of using steampunk as a fashion or trend. It came about because I wanted to see what would happen if you substituted Jane Austen for Jules Verne in the steampunk equation...”
The Commonplace Book
posted by The Whelk
on Oct 2, 2012 -
19 comments
His official title is continuity database administrator for the Lucas Licensing arm of Lucasfilm — which means Chee keeps meticulous track of not just the six live-action [Star Wars] movies but also cartoons, TV specials, scores of videogames and reference books, and hundreds of novels and comics.
posted by Egg Shen
on Sep 27, 2012 -
65 comments
...
Buckaroo Banzai is paradoxically decades ahead of its time and yet completely of its time; it’s profoundly a movie by, for, and of geeks and nerds at a time before geek/nerd culture was mainstreamed, and a movie whose pre-CG special effects and pre-Computer Age production design were an essential part of its good-natured enthusiasm. What at the time was a hip, modern take on classic SF is now, almost thirty years later, almost indistinguishable from the SF cinema that inspired it in terms of the appeal to modern viewers: the charmingly old-fashioned special effects, and the comparatively innocent earnestness of its tone. -
Danny Bowes [more inside]
posted by Egg Shen
on Aug 19, 2012 -
119 comments
... it’s no exaggeration to say that LIFEFORCE tosses everything in but the kitchen in an attempt to entertain you. Actually, scratch that, it tosses everything including the kitchen sink. By the time the movie is complete, you may have to watch it again just to verify that you actually saw what you just saw. The movie is a mess of enormous proportions which I absolutely loved.* (previously) [more inside]
posted by Trurl
on Feb 6, 2012 -
59 comments
To paraphrase a character in the film, The Black Hole walks "a tightrope;" if not between "genius" and "insanity," then certainly between "genius" and "banality". If you're looking at this movie as a Manichean exercise between darkness and light, then you can -- for at least a few hours -- entertain the "genius" part of that equation.
posted by Trurl
on Sep 25, 2011 -
106 comments
He invented or popularized a startling array of the fundamental elements of film: the dissolve, the fade-in and fade-out, slow motion, fast motion, stop motion, double exposures and multiple exposures, miniatures, the in-camera matte, time-lapse photography, color film (albeit hand-painted), artificial film lighting, production sketches and storyboards, and the whole idea of narrative film.
By 1897, in a studio of his own design and construction – the first complete movie studio – his hand forged virtually everything on his screen. Norman McLaren writes, "He was not only his own producer, ideas man, script writer, but he was his own set-builder, scene painter, choreographer, deviser of mechanical contrivances, special effects man, costume designer, model maker, actor, multiple actor, editor and distributor." Also, his own cinematographer, and the inventor of cameras to suit his special conceptions. Not even auteur directors such as Charles Chaplin, Orson Welles, John Cassavetes, and Stanley Kubrick would personally author so many aspects of their films."
Inside: 57 films by Georges Méliès, the
Grandfather of Visual Effects.
[more inside]
posted by Paragon
on Feb 3, 2010 -
31 comments
Fox have offocially
announced that Ridley Scott has officially
signed on to direct the new 'Alien' prequel. He certainly did a great job on the
original but can he match his previous truimph? Given the number of
projects he has in gestation (heh) maybe any celebration is premature...
posted by Mintyblonde
on Jul 31, 2009 -
166 comments
Did you grow up anticipating sports where death would be likely, if not certain? Almost certainly played by convicts, possibly with robot limbs? And which would be even more likely to have chainsaws and flamethrowers not usually found in the sports of today?
Those We Left Behind’s look at Future-sports of the past, in
videogames,
movies and
comics is for you!
posted by Artw
on Sep 11, 2008 -
41 comments
The Golden Gate Bridge Suicide Documentary is going to be an interesting project. Filmmaker Eric Steel applied for a permit to film the
Golden Gate Bridge in San Francisco for a year, saying he was trying to "capture the grandeur" of the bridge. But what he actually ended up doing was capture 19 suicides and many attempts. He is now working on a feature-length documentary about these suicides, and has 100 hours of interviews with family members, psychiatrists, and some of the people who attempted suicide but didn't follow through. Now that he's revealed what his documentary is and what it will be about, a lot of people are
pretty ticked off.
posted by jscott
on Feb 2, 2005 -
27 comments
Review on SF Site Here’s a question: what if the Wachowski brothers’ 1999 film
The Matrix was not just an entertaining piece of sf-action-adventure hokum. What if, instead, it is all true? Imagine it as a message sent via the medium of the Matrix itself (Hollywood cinema) from someplace outside the Matrix, to wake us up to our human condition, to alert us all to the fact ‘that we are slaves’. If so, then we are not living the lives we thought we were living; we are instead inhabiting a virtual reality composed by oppressive machine-intelligences. What if this were literally true? How would it appear to us? Well, clearly, it would appear exactly as our lives presently appear to us. Unless we get ‘unplugged’, unless we become enlightened, we cannot see past the illusion that has been created for us.
What should we do in this circumstance? Should we collaborate with the machines and not rock the boat? Or should we fight, free ourselves and eventually free everybody else? Clearly, says
The Matrix Warrior, this latter. This is a book that proceeds from the assumption that the situation described in The Matrix is real, and tells you where to go from there.
posted by metameme
on Apr 20, 2003 -
54 comments
Dark Angel is a rip-off of Heinlein's Friday, which I completely agree with. Cameron has been successfully sued by Harlon Ellison before for blatantly ripping off his ideas. Then again the sci-fi word is a static world of either super-humans/machines/aliens/time-trave/alternate dimensions.
posted by skallas
on Oct 19, 2000 -
13 comments
