Shigeru Ban’s Pritzker win proves that building hope is finally in vogue
The architecture world has a new laureate, and he builds in cardboard. Japan’s Shigeru Ban was named this week as the winner of the Pritzker Prize, an annual award that is often called architecture’s Nobel – and his win sends a clear and timely message. Social change, sustainability and improving the lives of the many: This is what matters now to the world of architecture. With Ban’s Pritzker, the global design elite is marking that shift.Take a Tour of Pritzker Winner Shigeru Ban's Paper Tube Structures [more inside]
Shigeru Ban: ‘People’s architect’ combines permanence and paper"
Generally speaking, an architect’s style is defined by particular forms or shapes. There’s Frank Lloyd Wright’s prominent horizontal lines, for instance; Le Corbusier’s simple white boxes; or, more recently, the deliberately abstract masses of Frank Gehry — of Guggenheim Bilbao fame. But in the view of Japanese architect Shigeru Ban, such formal elements are ultimately little more than reflections of current trends — in the first two cases above, Modernism, and in the third, “blobbism,” or the recent taste for irregular shapes made possible by computer-aided design. According to Ban, the only way for architects to keep their work free from the influence of such transient fashions is to come up with new ways to actually build things — new materials, for example, or new approaches to structural engineering. His own answer? Paper — or, to be more precise, cardboard tubes.[more inside]
Shigeru Ban is a Japanese architect whose work includes 'temporary' structures (YT) made from cardboard tubes. His work blurs the distinction between temporary and permanent, and includes designs that focus on cost effective and liveable shelter after natural and human disasters. Now, two-and-a-half years after the Christchurch, New Zealand earthquake destroyed the city's cathedral, the Cardboard Cathedral has been opened. [See also: 1 2 ]