18 posts tagged with short by filthy light thief.
Displaying 1 through 18 of 18.
Animated stories that parents tell their children: How milkshakes are made (really bouncy grass) and why you have to be quiet on trains (beware of bears, they're unstoppable). But if you're grown up now and want to really know if your parents were full of ... molasses, let Ken Jennings share the truth behind 17 things parents tell their kids, and five more excerpts from his collection of such because-I-said-so-isms.
Projections in the Forest is a micro-scale projection video ("making of" short) that imitates a bioluminescent forest (project site), with projections to look like foxfire and such bioluminescent mushrooms, plus some animals and elements that usually don't generally glow in the dark. If you like such projection techno-magic, 3hund have a few other projection projects on their Vimeo account.
30 years ago, Rick Rubin was a college student, living in NYU's Weinstein Residence Hall, room #712. It was there that Def Jam Records was formed, shifting the focus of hip-hop from the MCs to promote the DJs, too. Rubin and his label quickly outgrew the dorm, and he hasn't been back since. Recently he returned, and the adventure was captured and put into context by Rolling Stone Film's mini-documentary, Rick Was Here. New footage rolls alongside old, with some animations to bring a few audio-only stories to life. [more inside]
"If I had been born 10 years earlier, I don’t think I would be an animator," wrote Makoto Shinkai. Despite the fact that even his earliest animations were completed with a Mac and a tablet, his style is influenced by the works of prior Japanese animators, even earning him the title "the next Miyazaki," which he says is an honor, but overstating his skills. From his earliest short, Other Worlds, he set some of the tone and pacing featured in his subsequent works, which are discussed in the lead up to an interview Shinkai did with Tested. [more inside]
Butter Ya'Self (Vimeo; YouTube) is "basically ... the story of Drake and Lil’ Wayne [as told with an anthropomorphic banana, hot dog bun, and stick of butter]. ButterKrust is 100% based on Wayne – Nana Splits isn’t based on anyone real but his relationship to ButterKrust is based on Drake’s relationship to Lil’ Wayne. The most important thing I wanted to express in this video is the relationship between them, how tight they are and how much Nana Splits looks up to ButterKrust." That's the story from Julian Petschek, who is studying at The California Institute of the Arts. [more inside]
Take a bit of nonsense rhyming about Moses' toeses as set to a lively tap dancing number by Gene Kelly and Donald O'Connor turns into something else in this short animation of a ghost girl joining a dancing pair of shoes (YouTube; Vimeo).
"To launch a science-fiction anthology series is to dare comparisons with The Twilight Zone. Happily, Welcome to Paradox is not unworthy to be mentioned in the same sentence as Rod Serling's classic show. The weekly dramas, all based on short stories, are set in Betaville [a nod to Jean-Luc Godard's 1965 dystopian sci-fi/noir film, Alphaville], a future city filled with ultrahigh technology and perennial human unhappiness.... Bottom Line: Makes the future look intriguing." The Sci-Fi channel only produced 13 episodes (archived view of their site; ep list on Wikipedia), letting the series end with one season. The show was only released on DVD in Australia, which now seems to be out of print. But fear not! You can watch the episodes on YouTube in a convenient playlist, or with separate episodes linked below the fold. [more inside]
Let's think back to the 1960s, when more people were writing surreal, paranoid themes. Now place Jim Henson in that context, and you get Time Piece (YouTube, excerpt; behind the scenes clip, YT). Add in collaboration with writer (and puppeteer) Jerry Juhl and you have The Cube (YT, full film), as well as the setting for the hypnagogic story of a man pursued in the desert, called Tale of Sand. This was first written up as a screenplay and pitched as a movie in the late 1960s, then revised and re-pitched in 1974. But no one bit, so the screenplay was shelved, and then Jim gained fame for Sesame Street and The Muppets. Elements of Tale of Sand appeared in The Muppet Movie (YT, full movie) and other places since then, but the work was largely unseen and forgotten. Jump ahead three decades, and the Henson Company teams up with Archaia, first releasing Fraggle Rock and Dark Crystal comics, then digging in the Henson Company vault to bring Tale of Sand to light with cartoonist Ramón Pérez. You can see a preview of the graphic novel on Graphicly (including a nice dynamic display) and Amazon (static images, but more pages in the preview). [more inside]
Three young filmmakers from Melbourne, Australia were set to make a short film on the serenity of fly fishing, focusing on a man named Phipps who lived on a lake in central Tasmania. Once they met Phipps, however, that all changed. Here is a glimpse into Phipps' beautiful, quiet world. [more inside]
Strange Oaks is the latest teaser trailer from the Barcelona-based Headless Productions (and friends), this time about a retirement community for witches. The Headless Productions Vimeo account has 13 more teasers and trailers, mostly featuring hand-drawn animation, some of which has since made its way into full movies. [more inside]
Sometimes you want to be somber, or serious, or just enjoy some peace and quiet. And in some of those instances, you get jazz that nobody asked for. Jazz that just won't die. [more inside]
New York Biotopes deals with abstract plants and creatures, which change their forms because of insufficient living space and adapt themselves to the surroundings of the metropolis New York City. Set to the music of Man Mantis. More videos from Lena Steinkühler on her Vimeo channel.
"You may find my actions extreme, but for a crew of sufficient numbers, if a suitable destination could be found, no return destination would be needed. Therefore, I have had to improvise, with our ship, with our crew." The goal was to make a short sci-fi film, but without CGI, greenscreens, or other digital trickery, instead relying on camera tricks, miniature photography, and stop-animation. And now it is done: C 299,792 km/s [more inside]
Sci-Fi-London put on another 48 hour film challenge this year, challenging film teams to make a short based around a given title, a snippet of dialogue, a short list of props, and an optional "scientific" theme. After two days in April, over 380 shorts had been made, and the winners have now been announced and and their short films posted on Sci-Fi-London's Vimeo account. 17 more shorts below the break. [more inside]
Animation veteran Steve Moore recently posted a short from the archives of Disney TV Animation, written by Dan O’Shannon, narrated by Garrison Keillor, and voiced by Mia Farrow, Michael Richards, June Foray, and Adam West, all set to a jazz soundtrack. Take 15 minutes and watch Redux Riding Hood. Steve tells the story of the short on his blog. (Via Cartoon Brew)
"There are two ways to fish, with nets or without. But if I fish with violence, will my nets be full of blood?" Fishing Without Nets is a short film about Somali pirates from their point of view, which won the recent Sundance Jury Prize in short filmmaking. The film will tour film festivals, and may be worked into a feature-length film. Writer/ producer/ editor Cutter Hodierne told his story of filming in Kenya to Vice. [more inside]
Frédéric Back was born in 1924 in France, where he studied drawing and lithography. He was lured to Canada by Jack London's stories and Clarence Gagnon's paintings, as well as correspondence with a Canadian pen-pal. Back moved to Canada in 1948, married his pen-pal Ghylaine Paquin, and was hired by Radio Canada at the birth of their television network to create still images for display on and to promote moving pictures. The drawings lead to experiments with animations, which lead to a series of animated shorts, starting with the wordless short Abracadabra (9:23, YT) in 1970. You can read and see more about Frédéric Back on his extensive website, and see more animations inside. [more inside]
Fede Alvarez, a Uruguayan filmmaker, posted a short live action/CG video on YouTube back in early November (prev). The short, which features mysterious robots destroying Montevideo and cost approximately $300 to make, received interest from Hollywood days after being online. By the end of November, news spread that Alvarez signed a deal with Ghost House Pictures, reportedly worth $30 million. For now, Alvarez has a six-figure holding deal to wait while Ghost House hires a high-end scribe to turn the idea into a feature. The six-figure deal will be applied against a seven-figure fee if Ghost House makes the film, though Sam Raimi and Rob Tapert are already set up to produce the film. (via) [more inside]