- A Stop Motion Animated Short
. "The mechanical life form Ohm inhabits a bleak and devastated planet. The thousands of mechanical creatures of this world share a single cycle of energy. In this cycle, Ohm is a rogue element. His nature is to devour and absorb others. When one day a gargantuan foreign object appears in the skies. Drawn in by mysterious creatures of light, the Ohm tracks them across the planet, changing the known order of matter, time and space." [Via]
posted by homunculus
on Apr 20, 2014 -
"Welcome to the Zion Archive. You have selected Historical File #12-1: The Second Renaissance.
So begins the short film of the same name by Mahiro Maeda [Flash: 1 2 - QuickTime: 1 2]
-- a devastating yet beautiful work of animation.
Originally produced to explain the backstory behind the Matrix
trilogy, Maeda's project ended up telling a story far darker and more affecting than any blockbuster.
Using a blend of faux documentary footage
and visual metaphor
, his serene Instructor relates in biblical tones the saga of Man and Machine, how age-old cruelty and hatred birthed a horrifying, apocalyptic struggle that consumed the world.
Packed with striking imagery and historical allusions
galore, this dark allegory easily transcends the films it was made for.
But while "The Second Renaissance" is arguably the best work to come from the Matrix
franchise, it's hardly alone -- it's just one of the projects made for The Animatrix
, a collection of nine superb anime films
in a wide variety of styles
designed to explore the universe and broaden its scope beyond the usual sci-fi action of the movies.
Click inside for a guide to these films with links to where they can be watched online, along with a look at The Matrix Comics
, a free series of comics, art, and short fiction created for the same purpose by some
of the best talent in the business. [more inside]
posted by Rhaomi
on Feb 14, 2011 -
He invented or popularized
a startling array of the fundamental elements of film: the dissolve, the fade-in and fade-out, slow motion, fast motion, stop motion, double exposures and multiple exposures, miniatures, the in-camera matte, time-lapse photography, color film (albeit hand-painted), artificial film lighting, production sketches and storyboards, and the whole idea of narrative film.
By 1897, in a studio of his own design and construction – the first complete movie studio – his hand forged virtually everything on his screen. Norman McLaren writes, "He was not only his own producer, ideas man, script writer, but he was his own set-builder, scene painter, choreographer, deviser of mechanical contrivances, special effects man, costume designer, model maker, actor, multiple actor, editor and distributor." Also, his own cinematographer, and the inventor of cameras to suit his special conceptions. Not even auteur directors such as Charles Chaplin, Orson Welles, John Cassavetes, and Stanley Kubrick would personally author so many aspects of their films."
Inside: 57 films by Georges Méliès, the Grandfather of Visual Effects
. [more inside]
posted by Paragon
on Feb 3, 2010 -