For us children, our mother's nagging can be a frustrating, constant annoyance. However, when her presence is no longer felt, these words become our strongest source of comfort and affection. It is then that we learn to hold on tightly to these warm, faint traces of memories. From Singapore, a
"tribute to all the mothers of the world". [SLYT]
posted by undue influence
on May 24, 2012 -
5 comments
"
Welcome to the Zion Archive. You have selected Historical File #12-1: The Second Renaissance."
So begins the short film of the same name by Mahiro Maeda
[Flash: 1 2 - QuickTime: 1 2] -- a devastating yet beautiful work of animation.
Originally produced to explain the backstory behind the
Matrix trilogy, Maeda's project ended up telling a story far darker and more affecting than any blockbuster.
Using a blend of
faux documentary footage and
visual metaphor, his serene Instructor relates in biblical tones the saga of Man and Machine, how age-old cruelty and hatred birthed a horrifying, apocalyptic struggle that consumed the world.
Packed with striking imagery and
historical allusions galore, this dark allegory easily transcends the films it was made for.
But while "The Second Renaissance" is arguably the best work to come from the
Matrix franchise, it's hardly alone -- it's just one of the projects made for
The Animatrix, a collection of
nine superb anime films in a
wide variety of styles designed to explore the universe and broaden its scope beyond the usual sci-fi action of the movies.
Click inside for a guide to these films with links to where they can be watched online, along with a look at
The Matrix Comics, a free series of comics, art, and short fiction created for the same purpose by
some of the best talent in the business.
[more inside]
posted by Rhaomi
on Feb 14, 2011 -
54 comments
2008's "
Glory at Sea"
[.mov] [vimeo] [youtube] is an extaordinary 25-minute short film in which
a group of mourners and a man spat from the depths of Hades build a boat from the debris of New Orleans to rescue their lost loved ones trapped beneath the sea.
[more inside]
posted by churl
on Feb 17, 2010 -
13 comments
He invented or popularized a startling array of the fundamental elements of film: the dissolve, the fade-in and fade-out, slow motion, fast motion, stop motion, double exposures and multiple exposures, miniatures, the in-camera matte, time-lapse photography, color film (albeit hand-painted), artificial film lighting, production sketches and storyboards, and the whole idea of narrative film.
By 1897, in a studio of his own design and construction – the first complete movie studio – his hand forged virtually everything on his screen. Norman McLaren writes, "He was not only his own producer, ideas man, script writer, but he was his own set-builder, scene painter, choreographer, deviser of mechanical contrivances, special effects man, costume designer, model maker, actor, multiple actor, editor and distributor." Also, his own cinematographer, and the inventor of cameras to suit his special conceptions. Not even auteur directors such as Charles Chaplin, Orson Welles, John Cassavetes, and Stanley Kubrick would personally author so many aspects of their films."
Inside: 57 films by Georges Méliès, the
Grandfather of Visual Effects.
[more inside]
posted by Paragon
on Feb 3, 2010 -
31 comments
SIGNS A very cute
"simple short film about communication". (SLYT)
posted by Memo
on Feb 18, 2009 -
12 comments
