Freedom of speech in the digital age - "Speech that disseminates ideas is more valuable than speech whose purpose is to intimidate others." [more inside]
On Carefree Black Boys: Understanding the Appeal of the 'Carefree' Aesthetic to Black Male Musicians From Young Thug to Chance the Rapper [MTV] “Chance has found a slogan to represent what is irrepressible in him: #BlackBoyJoy. Following his appearance at the 2016 VMAs, he started sharing photos of himself at the event, preening, dancing, and posing, with the hashtag. He was a natural spokesman. Others followed suit, posting photos of boys and men frolicking and grinning. The #BlackBoyJoy hashtag preceded Chance’s use of it, and its origins are in the broader, voguish idea of “carefree blackness.” Like the loose digital community that bore it, this carefreeness has an ambient quality, a collection of aesthetics and identities that many laud as a generalized form of activism.”
As newsrooms disappear, veteran reporters are being forced from the profession. They dedicated their lives to telling other people’s stories. What happens when no one wants to print their words anymore?
"From righteous fury to faux indignation, everything we got mad about in 2014—and how outrage has taken over our lives." The Year of Outrage (SLSlate)
How the Internet Changed the World of Fashion: from seapunk and normcore to vaporwave and health goth.
"Flaunting themselves on Instagram, they are also all proudly and openly gay ... But at the same time, they all look fairly heteronormative: hunky, sporty, the kind of guy who would call himself “masc & musc” in a hook-up app and would never take a photo of himself at Drag Brunch. And all are careful to avoid appearing like they are doing this just to get laid. By showing that, they would be revealing that they are vulnerable and have needs, and an #Instastud can never look unsatisfied with his life." Meet The #Instastuds - The Cut looks at the gays on instragram who really want to you look at them and how they live. Contains a link to a discussion of “Fire Island Pines, Polaroids 1975 to 1983” at Salon. (NSFW, nudity)
UK adoption agencies are reporting "huge numbers of calls from 'deeply distressed' adoptive parents whose children have been contacted" through Facebook and other social networking sites, in violation of the traditional, confidential reunion process between birth parents and their offspring who have been placed with other families. Full report from Channel 4. [more inside]
Cupidtino is a "new social dating website exclusively for Apple fans" which launches in June. If your Cupidtino Appleationship works out, you could have a magical Apple Store Wedding! Via "Oh God No." [more inside]
Circuits are flipping on in the nation's attic. A couple of weeks ago, 31 "digerati" -- like Clay Shirky, Chris Anderson, and George Oates -- dropped in to the Smithsonian Institution for the invitation-only conference "Smithsonian 2.0: A Gathering to Re-imagine the Smithsonian in the Digital Age". Dan Cohen of the Center for History and New Media provides a great summary (and continues to pose provocative questions) on his own blog. Those whose invitations were somehow lost in the mail can play fly-on-the-wall by watching the keynotes, paging through the Flickr pool of envymaking glimpses of their behind-the-scenes lab and collections tours, reading the blog (where Bruce Wyman of the Denver Art Museum lays out a succinct road map for museums using social media), and poking around in the SI's website gallery. Want to cheer on the USA's favorite 163-year-old "Establishment for the increase & diffusion of knowledge" without taking the trip to DC? Thanks to their recent efforts, you can now follow the SI on Twitter, listen to its podcasts, watch its YouTube channel, visit the Latino Virtual Museum in Second Life, or use the FaceBook gifts page to send your best friends their very own pair of Dorothy's ruby slippers, Hope diamond, Negro Leagues baseball, or coelocanth.
Some say economics is changing so radically that attention is of more value than money or material wealth. If that's true, then should Paris Hilton and Britney Spears be considered role models? Must we each be stars in order to be a success, to get anything achieved, or to gain even the slightest traction?