8 posts tagged with soundtrack by Joe Beese.
Displaying 1 through 8 of 8.
The Art of Memory - minimal film music art
His melodies are more familiar than those of any other soundtrack composer except perhaps John Williams. He won 20 Grammy Awards, more than any other pop musician in history, and 4 Academy Awards. He scored what some consider the greatest opening shot in cinema history. His versatility encompassed situation comedy as well as science fiction horror. He is commemorated on a 37-cent stamp. He is Henry Mancini. [more inside]
Often dismissed as a failed experiment, this oddity from Arthur Penn is a constantly surprising and enigmatic classic. Two years ahead of Bonnie and Clyde, this New Hollywood prototype is ragged and frantic, a skewed but thrilling attempt to rewrite established narrative form. [more inside]
Do you like musical instruments with lots of keyboards? And lots and lots of dials? Then you may like 36 15 MOOG: Stuff with Moog and/or 60's and 70's vintage synths in it. (related Ask MeFi) [more inside]
Jerry Fielding (1922-1980) was one of cinema's most distinctive voices in the 1960s and especially '70s, the perfect musical complement to the films of Sam Peckinpah*, Michael Winner, Clint Eastwood and others. His scores are marked by modernism and intricate orchestrations but also a poetic beauty and intensity—an appropriate accompaniment to the decade's strange and often sad (but never sentimental) criminals and antiheroes, be they in westerns (The Wild Bunch) or crime films. He was, however, capable of numerous styles (he was a former Vegas bandleader), and wrote a great number of scores (from sticoms to dramas to sci-fi) for television. - Film Score Monthly [more inside]
Maurice Jarre (September 13, 1924 – March 29, 2009) was a French composer and conductor. Although he composed several concert works, he is best known for his film scores for motion pictures, particularly those of David Lean: Lawrence of Arabia (1962), Doctor Zhivago (1965), and A Passage to India (1984). All three of these scores won Academy Awards. - Wikipedia
Tennessee Williams said it was the best film version of any of his plays. Roger Ebert called it "awkward and hopeless on its most fundamental level". John Waters calls it a major influence on the development of his taste. [more inside]