Человек с киноаппаратом ("Man with a Movie Camera") is a classic experimental documentary film that was released in 1929. Directed by pioneer Soviet filmmaker Dziga Vertov, this classic, silent documentary film has no story and no actors, and is actually three documentaries in one. Ostensibly it documents 24 hours of life in a single city in the Soviet Union. But it is also a documentary of the filming of that documentary and a depiction of an audience watching that documentary and their responses. "We see the cameraman and the editing of the film, but what we don't see is any of the film itself." [more inside]
posted by zarq on Feb 13, 2012 - 26 comments

The best stop motion film ever? Or do you prefer The Night[mare] before Christmas?

Wladyslaw Starewicz' childhood passion for entomology led his career: he began producing short documentaries in Moscow around 1909-1910, beginning with a documentary about insects in Lithuania. In his spare time, he experimented with stop-action films using beetles, which he articulated by wiring the legs to the thorax with sealing wax! This, of course, led to his big breakthrough, released by the Van Kanjonkov Studio of Moscow: "The Battle of the Stag Beetles", the first puppet-animated film. [more inside]
posted by infinite intimation on Dec 30, 2011 - 16 comments

"Legendary" Russian movie studio Mosfilm is posting some it's most famous films on its youtube channel. They will be posting 5 new legendary Soviet films per week. They expect to have 200 uploaded by end of year. Most have English subtitles. [more inside]
posted by spicynuts on May 6, 2011 - 16 comments

Animatsiya in English is weblog (warning: livejournal) with a narrow focus: tracking the production of Russian animated feature films. Russian animation has a long history with output both abstract and obstructed; from the early influence of the Russian avant-garde and the work of small groups of enthusiasts, through Stalin-era Socialist realism and a style known as Éclair that was marked by the use of extensive rotoscoping, to the 1960's and beyond when surreal and politically charged (and unfortunately, in this case, anti-Semitic) as well as unconventionally structured, emotionally fueled films found release. Fortunately, when Pilot Studio—the Soviet Union's first private animation studio—decided to relegate parts of that history to the dumpsters out back, the people were ready to sift through the mess. [more inside]
posted by defenestration on Nov 16, 2008 - 6 comments

What America needs now is ... Rambo! Fighting off the Russians, shoulder to shoulder with the Mujahedeen in Afghanist...fighting the...against...oh hell.
posted by argybarg on Sep 16, 2001 - 10 comments