In 2273, after having been thought lost in a black hole, Voyager 6 returned to Federation space as
V'Ger, the massive and menacing spaceship at the heart of
Star Trek: The Motion Picture...
Designing the Living Machine - concept art for V'Ger,
Redesigning the Walk to V’Ger,
The Lighting and Photography of Star Trek's "V'ger",
working on the interior of V'ger,
V'ger External View,
V'Ger - Spock Mindmeld Model Piece (scroll way down) (may contain
Darth Vader and Miss Piggy),
animating the "V'ger Probe",
V'ger rear view.
posted by Artw
on May 3, 2012 -
41 comments
He invented or popularized a startling array of the fundamental elements of film: the dissolve, the fade-in and fade-out, slow motion, fast motion, stop motion, double exposures and multiple exposures, miniatures, the in-camera matte, time-lapse photography, color film (albeit hand-painted), artificial film lighting, production sketches and storyboards, and the whole idea of narrative film.
By 1897, in a studio of his own design and construction – the first complete movie studio – his hand forged virtually everything on his screen. Norman McLaren writes, "He was not only his own producer, ideas man, script writer, but he was his own set-builder, scene painter, choreographer, deviser of mechanical contrivances, special effects man, costume designer, model maker, actor, multiple actor, editor and distributor." Also, his own cinematographer, and the inventor of cameras to suit his special conceptions. Not even auteur directors such as Charles Chaplin, Orson Welles, John Cassavetes, and Stanley Kubrick would personally author so many aspects of their films."
Inside: 57 films by Georges Méliès, the
Grandfather of Visual Effects.
[more inside]
posted by Paragon
on Feb 3, 2010 -
31 comments
Seeing The Matrix yesterday (and just before it, the preview for the third Terminator movie) reminded me of this old David Foster Wallace essay
"F/X Porn", in which he points out how Hollywood blockbusters have become the equivalent of your average "2 for $10.99!!" XXX rentals.
[Google cached version here.]
posted by slipperywhenwet
on Jun 13, 2003 -
36 comments
Maunday, Toosday, Thursday, Saturday... The special effects of the Godfather. How did they rig Santino's tollbooth demise? How did Moe Greene get shot through the lens of his glasses? Great reading for any movie or special-effects geek.
posted by GriffX
on May 22, 2002 -
3 comments
Low or no budget horror films. They're awful, and oh so enticing (prolly 'cause they can be awful, amusing, and sometimes really good).
How do you do
special effects on no budget? Boggles the mind. As Halloween as it gets, the independant film makers and horror officiandos have their own
portal. Crawl down these
haunted corridors at your own risk.
posted by Wulfgar!
on Oct 31, 2001 -
7 comments