"I’ve been infected by a parasite. I won’t tell you what because I don’t want you to search for it. By the time this reaches you it won’t matter much, anyway. In fact, I’m forbidding you right now from looking for anything or asking anyone. Apparently I have about twelve hours as myself. They won’t say what happens next, because it’s kind of unpredictable. There are lots of animals who’ve had it, but only two people. They won’t tell me." -- The Glad Hosts, a SF short story by Rebecca Campbell
Suspense was a thriller-style radio drama that ran on CBS from 1942 to 1962 and is widely considered to be one of the greatest Old Time Radio (or "Golden Age Of Radio") series and model for "The Twilight Zone". In addition to theme music by Bernard Herrmann and scripts by leading mystery authors of the day, Suspense also featured a stunning roll call of big-name Hollywood stars, often playing against type or in more lurid material then the movie studios would allow. While nearly all 947 episodes are available online (exhaustively comprehensive previously) the sheer number of episodes can be daunting. Old Time Radio Review is halfway through the series with a convenient rating system to finding the best - why not enjoy these Youtube versions of a few episodes starring Judy Garland, Lucille Ball, Robert Taylor, Orson Wells, Agnes Moorehead (again), Cary Grant, and more
This was the official inauguration of indigenous futurism. The movement is in part about speaking back to the SF genre, which has long used indigenous subjects as the foils to stories of white space explorers hungry to conquer new worlds. Given these continuously re-hashed narratives of “the final frontier,” it is no coincidence that western science fiction developed during a time of imperial and capitalist expansion. Science/speculative fiction author Nalo Hopkinson, known for her use of creole languages and Caribbean oral stories in her works, writes that people of color engaging with SF “take the meme of colonizing the natives and, from the experience of the colonizee, critique it, pervert it, fuck with it, with irony, with anger, with humor and also, with love and respect for the genre of science fiction that makes it possible to think about new ways of doing things.”
A Logic Named Joe is a short science-fiction story by Murray Leinster. Published in 1946, the story depicts data-mining, massively networked computers, search engines, privacy/censorship filters and internet porn. Read it here.
War of the words - Science fiction was once driven by a faith in human ability to change the world. These days, the genre seeks to expose the illusions of everyday life. cf. near-future science fiction [1,2] & radical presentism  (via mr)
Superstruct: An alternate reality game of future survival from the woman who brought you I Love Bees. Starting soon.
An interview with Lebbeus Woods -- designer and illustrator of speculative futuristic landscapes and buildings. Woods just set up his own website, which has an amazing quantity of drawings, photographs, and text focusing on his lesser known projects [for those willing to deal with a frustrating flash interface and sound. It's better in IE than Firefox.] [more inside]
The Crossing is a new FPS game where single-player and multiplayer modes meld in one. At any point, any Non-Player-Character might not be an NPC at all, but another Player. It is likely that, as in a game of tag, players will just take turns to be "it" like Agents in the Matrix, but... wouldn't it be great if we could all be "it" at the same time? Quantum Gaming might just be the way to model such a swarm of gamers. [more inside]
An Earth Without People. An interesting (and I am sure it will be debatable) article in the current issue of Scientific American. Personally, I have always liked Douglas Coupland's version too