4 posts tagged with stopmotion by filthy light thief.
Displaying 1 through 4 of 4.
Butter Ya'Self (Vimeo; YouTube) is "basically ... the story of Drake and Lil’ Wayne [as told with an anthropomorphic banana, hot dog bun, and stick of butter]. ButterKrust is 100% based on Wayne – Nana Splits isn’t based on anyone real but his relationship to ButterKrust is based on Drake’s relationship to Lil’ Wayne. The most important thing I wanted to express in this video is the relationship between them, how tight they are and how much Nana Splits looks up to ButterKrust." That's the story from Julian Petschek, who is studying at The California Institute of the Arts. [more inside]
It all started on Christmas Eve 1965 (Google books preview), as a cold and wet Michael Bond was doing some last minute shopping. He had missed a bus, and ducked inside a department store to get out of the sleet. It was there that he saw a small bear, all alone on a shelf. On a whim, he picked it up as a stocking stuffer for his wife. The couple named him after the Paddington railway station that was near where they lived at the time. A few months later, Bond turned to Paddington to break his writers block, and the Paddington books were born. Paddington was turned into the UK's favorite animated character thanks to the 56 five-minute long episodes and three longer specials that were originally aired in the 1970s and 1980s, and are online in one form or another. [more inside]
Vine is a smartphone app that makes up to six-second long clips that play back on a loop, which might not seem like enough to do much more than capture odd little moments. But Ian Padgham has elevated the format to an art, with a wooden figure animated in stop-motion, animated "postcards" of famous places, art in the making and moving art, and comedy on loop. And to answer the question, "how the heck did you do that?", Ian has a few helpful tutorial videos. (via)
Jan Svankmajer: "Succumb totally to your obsessions; Keep interchanging dream for reality and vice versa"
"Jan Švankmajer is a major figure of contemporary East European animation whose surrealistic, often macabre work owes more to the nightmarish visions of Kafka and Buñuel than to the sunny daydreams of Walt Disney and his creative progeny. Noted for investing otherwise ordinary objects with ominous overtones, Švankmajer reached his widest audience to date with a feature-length adaptation of Lewis Carroll's "Alice" (1988) which blended animated and live-action footage--a technique he had earlier used to hair-raising effect in "Down to the Cellar" (1983)." -- TMC. Often credited with influencing the Brothers Quay, they hadn't actually seen his work until relatively late in their careers, as they mentioned in an introduction to their documentary on Švankmajer (YT playlist). More of Švankmajer inside. [more inside]