Butter Ya'Self (Vimeo; YouTube) is "basically ... the story of Drake and Lil’ Wayne [as told with an anthropomorphic banana, hot dog bun, and stick of butter]. ButterKrust is 100% based on Wayne – Nana Splits isn’t based on anyone real but his relationship to ButterKrust is based on Drake’s relationship to Lil’ Wayne. The most important thing I wanted to express in this video is the relationship between them, how tight they are and how much Nana Splits looks up to ButterKrust." That's the story from Julian Petschek, who is studying at The California Institute of the Arts. [more inside]
This stop-motion video for British rock band James's song "Moving On" tells a tale of life, death, joy, and grief, using only yellow yarn. The video was created by BAFTA-nominated animator, writer, and director Ainslie Henderson. (SLYT)
OMEGA - A Stop Motion Animated Short. "The mechanical life form Ohm inhabits a bleak and devastated planet. The thousands of mechanical creatures of this world share a single cycle of energy. In this cycle, Ohm is a rogue element. His nature is to devour and absorb others. When one day a gargantuan foreign object appears in the skies. Drawn in by mysterious creatures of light, the Ohm tracks them across the planet, changing the known order of matter, time and space." [Via]
Josh Way's MST3k/Rifftracks-esque series FUN WITH SHORTS (previously) returns after a long haitus with the businessman filmstrip PROMOTION BY-PASS and the utterly bizarre stop-motion cartoon MUNCHERS
Journey Through A Melting Brain (The Stratacut of David Daniels) David Daniels is the master of strata-cut animation, "a form of clay animation in which a long bread-like "loaf" of clay, internally packed with varying imagery, is sliced into thin sheets, with the animation camera taking a frame of the end of the loaf for each cut, eventually revealing the movement of the internal images within.... [I]n strata-cut, you build your imagery not just in X, Y, and Z space, but also considering time as a dimension, and the most important one." Daniels' films are mesmerizing explosions of color. In an interview with Art of the Title, he discusses the history of the process, his own trajectory, and how to make your own strata-cut animation (in a video demo at the bottom of the page).
Frank Howarth's woodworking videos are a joy to watch. Even if you know nothing about woodworking, the stop-motion animation he incorporates into them is a treat.
The Eagleman Stag is an award-winning stop motion animation film directed by Mikey Please with a striking visual aesthetic. The website for the film offers a "How It Was Made" video that is, in itself, highly engaging, but comes with a warning: "BEFORE WATCHING THIS, WATCH THIS. THEN ASK YOURSELF IF YOU REALLY WANT TO KNOW." If that link puts you off "making of" media, then perhaps you can watch more of Please's work: Spectacular View, Zombiegotchi, Seven Legs, Animation Tag Attack EP-10, title sequence for The Rabbit Lover, Picasso Pictures Christmas Card, etc.
An interview with visual effects veteran Phil Tippett and his personal project Mad God. (Previously)
In September 1964, Jonny Quest began what was to be its only broadcast season on ABC with this rousing opening sequence (audio disabled). That sequence has now been recreated -- cut for cut, with the original music -- in high-definition stop-motion animation. [more inside]
Karel Zeman was a Czech animator probably best known for his movies Journey to the Beginning of Time and The Fabulous World of Jules Verne. He used stop-motion animation, cartoons, puppetry, colorization, and live action to create surreal and otherworldly films of amazing beauty. Sadly (for some), there's not a lot on the internet in English about the man. [more inside]