Racist Objects The New York Times and the Jim Crow Museum of Racist Memorabilia are partnering to collect stories of personal encounters with racist objects, like producer Logan Jaffe's grandmother's salt and pepper shakers. [more inside]
Quiet Pine Trees is a twitter based stream of haunting and provocative micro-fiction by T.R. Darling. "Being brief isn’t enough. You can boil down a story to a sentence or two, but often you need context. If you need to convey a setting, like a fascist dystopia, or characterization, like a reluctant soldier, suddenly one or two sentences won’t fit. I often must resist the temptation to omit punctuation or fall back on abbreviation, like some kind of barbarian." Full Interview. [more inside]
Stories are supposed to lift people up! They're supposed to be bright and fun! But these things you make... I'm just curious, do you have any idea what you're doing? Are you crazy?"
The Westminster Detective Library plans to "to catalog and make available online all the short fiction dealing with detectives and detection published in the United States before Sir Arthur Conan Doyle’s 'A Scandal in Bohemia' (1891)." (This includes fiction originally published in the UK and Europe but reprinted in the USA.) Title, author, date, and full-text searches are all available. At present, the earliest tale available is from 1824. [more inside]
"The Choking Victim" by MeFi's own Alexandra Kleeman is a short story that portrays one new mother's anxiety. The dream-like fiction linked at the author's web site offers a wider perspective on her work. [more inside]
In case you missed it, Humans of New York (previously) has recently been doing a series specifically on federal prisoners in the northeastern United States. The project is ongoing, but you can read the stories compiled so far, and general reactions to the stories, on the facebook page or instagram.
What my favourite historical fiction has done for me, besides make me happy in the way that good books do, is teach me more about justice, and silence, and perspective. These are the questions I want to spend my time examining and writing about. The limits placed on many women’s lives are the very reason they are conveniently written out of the dominant historical narrative, in a circular argument as old as misogyny itself: “Women do not appear in the record because they didn’t do anything of note, and they didn’t do anything of note because they don’t appear in the record.”
Chad W. Post at Three Percent recently linked to World Literature Today's 75 Notable Translations of 2015 and went on a list-making tear to provide more structure and commentary: 7 books by women, 6 water-cooler fiction books, 6 university press books, 3 'funny' books, 4 books from underrepresented countries, and the best poetry I should read. The commentary often leads to further matters of interest, e.g. the Women in Translation Tumblr or Marianne Fritz and the translation challenges (scroll down) in her work.
Martin L. Shoemaker's "Today I Am Paul" and Rich Larson's "Meshed" explore the emotional impact of technological developments within relatively familiar futures, and Caroline M. Yoachim's "Seven Wonders of a Once and Future World" draws on a wide variety of SF motifs to make the future a strange and sometimes poignant allegory for wonders of the past. Each story has been selected for an upcoming year's best SF anthology—either Rich Horton's or Neil Clarke's—and two received mention earlier this year from the unverified @gardnerdozois.
Minute Mysteries (1932) by H. A. Ripley is a recent addition to Project Gutenberg: "In these accounts every fact, every clue necessary to the solution is given ... Each problem has only one possible solution. Written in less than two hundred and sixty words, these little stories can be read in a minute. Here is your chance to work on an absolute equality with the Professor; to match your wits with his and the criminal's. You know as much as the Professor does. Now you have an opportunity of proving just how good a detective you are and what poor detectives your friends are." [more inside]
Heather Lindsley's "Werewolf Loves Mermaid," Sunil Patel's "The Merger," and Emil Ostrovski's "Tragic Business" develop humorous situations from SF/F motifs: cryptid romance, intergalactic business negotiations, and the cycle of death and rebirth, respectively. Lincoln Michel's "Dark Air" combines common weird fiction / horror situations with a very dry, very dark sense of humor. Naomi Kritzer's "So Much Cooking" is a serious SF story about a grave possibility, but it brings the matter home via a witty parody of a cooking blog.
Nigerian AfroSFF writer Wole Talabi shares links to his favourite 10 short stories of 2015 with a short intro.
Voices of the Food Chain Farmers are the iconic symbols of the food system, but food production, processing, and distribution make up nearly 15% of the American workforce. Today, StoryCorps and the Food Chain Worker Alliance are sharing videos of conversations from workers in different industrial sectors of the food system, showing how food labor crosses boundaries of culture, language, and experience. [more inside]
On Sunday, Jenny Lawson (AKA The Bloggess) shared this embarrassing exchange on Twitter: Airport cashier: "Have a safe flight." Me: "You too!" I CAN NEVER COME HERE AGAIN. Very quickly, Lawson’s followers were tweeting their own embarrassing exchanges at her, and she began to retweet them en masse. The result was a stream of cringingly awkward hilarity.
"It isn’t easy to discover new podcasts. There are just SO many out there. Sometimes the best approach is to simply turn to a friend and say, 'Hey, what are you listening to these days?'" So, NPR has created earbud.fm, a "friendly guide to great podcasts."
For nine seasons, (1995-2004) comedienne and actress Kathy Kinney played Mimi Bobeck, the "outrageously made-up, flamboyantly vulgar, and vindictive nemesis" of Drew Carey on the sitcom The Drew Carey Show. Lately, she's been busy with a new role: professional children's storyteller. Welcome to Mrs. P's Magic Library. [more inside]
Two million children are fleeing Syria, this is where they sleep.
The Best American Crime Writing Series (renamed The Best American Crime Reporting in 2006) ran from 2002 to 2010 and presented the finest in true crime journalism. Many of the stories are available from the online magazines in which they were first printed or from other legitimate sources. Links to all 105 available stories appear below the fold. I have previously presented links to the stories from the 2007, 2008, 2009 and 2010 editions. Some of those links have gone bad, so they have been reworked. [more inside]
stories.. that expose both the depths of what was taken from them and the challenges of rebuilding the lives they once had
Dictionary Stories--Very short stories composed entirely of example sentences from the New Oxford American Dictionary. A project by Jez Burrows. [more inside]
"When women win literary awards for fiction it’s usually for writing from a male perspective and/or about men. The more prestigious the award, the more likely the subject of the narrative will be male. I analysed the last 15 years’ results for half a dozen book-length fiction awards: Pulitzer Prize, Man Booker Prize, National Book Award, National Book Critics’ Circle Award, Hugo Award, and Newbery Medal." Nicola Griffith notes the absence of stories about women from prize-winning novels--even when those novels are written by women. The Seattle Review of Books adds an interview with Griffith on the writing and aftermath of her original blog post.
"He sent me long emails about how I was a tool of the devil. I pictured him with two computer screens open — one for looking up scripture, and another to Mapquest the location of his next bathroom rendezvous. We were never going to have the cool kind of gay dad." Why I Answered My Dad's Gay Sex Ad by Aussa Lorens
"Why so Poky? The scourge of terrible canonical children’s books." by Gabriel Roth, Slate
Reading to one’s children is, as everyone knows, one of the great pleasures of parenthood. I love the creaturely warmth of my daughter snuggled up close and the feeling of giving her something intrinsically human and necessary. And Eliza loves being read to. She enjoys the stories and the pictures, but more than that, I think, she responds to the mental intimacy: the knowledge that she and I are looking at the same pages and interpreting the same sentences. It’s a balm for the terrible isolation that arrives around age 2, along with language and self-consciousness—the knowledge that one’s experience is inescapably private. And so the time I spend reading to her can feel, for both of us, like communion.[more inside]
Short stories. Crime. Hardboiled. Noir. Something like that. 700 words maximum. Make it tight. Make it hum
"In recent months, a number of writers and photographers have begun to utilize Instagram beyond its common use as an application that enables the creation, stylizing, and sharing of personal photographs to a particular group of friends and acquaintances, and rather as a journalistic tool. In particular, writers like Jeff Sharlet (#Nightshift // A Resourceful Woman ) and photographers like Neil Shea have paired their photos with short narratives, constrained to 2200 characters by Instagram’s caption limit. The effect is similar to that of “Flash Fiction”—short, impactful self-contained stories—except that these stories are true and paired with a photograph of the subject." [more inside]
Locus Magazine has published its 2014 Recommended Reading List. BestSF.net has given its Best SF Short Story Award for 2014. Tables of contents have been announced for The Year's Best Science Fiction, Thirty-Second Annual Collection edited by Gardner Dozois, Year's Best Weird Fiction, Volume Two edited by Kathe Koja and Michael Kelly, and The Best Science Fiction and Fantasy of the Year, Volume Nine edited by Jonathan Strahan. And several writers have called out their favorite stories of the year too, e.g. Ken Liu, Carmen Maria Machado and Sofia Samatar, Usman Malik, and Fran Wilde, Michael R. Underwood, Tina Connolly, and Beth Cato. Quite a few of these short fiction selections from 2014 have been published online in full. [more inside]
Some are kept in shoe boxes in a forgotten closet corner. Others are glued carefully into albums and kept on the family bookshelf. Many have been lost forever, destroyed out of panic or indifference. In Ukraine, whose tumultuous 20th-century history has spilled over into a bloody battle for its 21st-century identity, every picture tells a story. RFE/RL's Daisy Sindelar traveled to six Ukrainian cities to talk to people about what their old family photographs say to them about who they, and their country, are today. [more inside]
It was Christmas Eve. I begin this way because it is the proper, orthodox, respectable way to begin, and I have been brought up in a proper, orthodox, respectable way, and taught to always do the proper, orthodox, respectable thing; and the habit clings to me. Of course, as a mere matter of information it is quite unnecessary to mention the date at all. The experienced reader knows it was Christmas Eve ... It always is Christmas Eve, in a ghost story.In Told After Supper (1891), Jerome K. Jerome parodied the tradition of telling Christmas ghost stories, but it's plain to see that he had fun writing them. And horror writer Ramsey Campbell, himself the author of a number of Christmas stories, recently dropped by /r/WeirdLit to list off a few places to find more. [more inside]
Walter Benjamin presented "True Dog Stories" on September 27, 1930, as part of Radio Berlin's youth programming. Thoughtful but sometimes oblique commentaries on human society, Benjamin's radio shows have been called "Enlightenment for Children" and "NPR for weirdos," but an interview with the editor of their recent translations into English gives much greater context. Some essays have been re-recorded in German (including the dog episode, track 16), and Börne's original poodle letter is also online.
I try to do two things with my style. The first is to pay attention to how the words sound together ... The other thing is to juxtapose odd images.Sometimes ornate, sometimes economical, and always striking, Yoon Ha Lee's short fiction combines motifs from fantasy and science fiction with remarkable fruitfulness: "There are soldiers and scientists, space travel and dragons, leather-bound books, locked doors, and genocidal rampages. Each tale strains at the edges of possibility. No two of Lee's stories are alike, except for a similar pulse powering each word, each juxtaposition, each startling turn of events." Much of Lee's output is available online, including dozens of flash fiction fairy tales and two works of interactive fiction. [more inside]
annotating Rachel Kaadzi Ghansah's profile of Dave Chappelle, "If He Hollers Let Him Go" [more inside]
PodCastle 328: The Old Woman With No Teeth
When The Old Woman With No Teeth decided to have children, she didn’t go about it in the usual way. Well, really, what else could you expect from The Old Woman With No Teeth? If she ever did anything the usual way, even boiling a pot of water, the world might start spinning widdershins on its axis.[more inside]
"Now you just stop that. I can read perfectly well, you impudent ragger. Set down what I told you, and don’t believe all the stories you’ve heard about me."
There are many stories about The Old Woman With No Teeth, but people should not believe all of them. The most popular one is that she wore away her teeth by chewing a tunnel to the six-sided world. Nobody knows if this story is true. Many people have looked for the passageway she is supposed to have gnawed through reality, but none of the venturers have managed to pinpoint it.
"None of the ones who’ve come back, you mean. Silly bastards."
My Cousin is Not a Hero: "But it’s not fiction, it’s real life. It’s the night of his dad’s funeral and we’re standing there together, and neither of us is a hero. Neither of us is on an epic journey... Our plot points are weird ones, and our stories don’t add up to some amazing narrative of personal growth and enlightenment — but they do matter, because they’re ours." [more inside]
Rethink Homelessness asked a bunch of homeless people from Orlando to write down something about themselves that people who walk by them wouldn't otherwise know.
Kenya's Okwiri Oduor has won the 2014 Caine Prize for African Writing for her short story, "My Father's Head." Many stories by other winners and nominees are available online. [more inside]
Last night, popular Twitter user @rachelmillman asked her followers for their best and funniest stories about their first kiss. She got a big response. This morning, Twitter user @connorcook collected most of the tweets she received in a Storify.
SF Signal today finished a top 50 countdown of short SF/fantasy podcast fiction: 50-41, 40-31, 30-21, 20-11, 10-1. The Parsec Awards for SF podcasts honor many other stories annually, as well as related non-fiction, comedy, and music: 2014 nominees; 2013; 2012; 2011; 2010; 2009; 2008; 2007; and 2006. And since 2012, the Hugo Award nominees for Best Fancast have been two-time winner SF Squeecast!, plus The Coode Street Podcast, Galactic Suburbia, SF Signal, The Skiffy and Fanty Show, StarShipSofa, Tea and Jeopardy, Verity!, and The Writer and The Critic with the popular Writing Excuses podcast often appearing in another category. [more inside]
Diseased Gardens offers a selection of 20th C. weird fiction from Belgium and France as well as a checklist of strange fiction in translation. [more inside]
Bloodletters and Bad Actors Mefi's Own Max Sparber looks at the early days of Omaha theater, back when it was a frontier town, its amusements were questionable, and vice was rampant, with occasional forays into more recent performing arts misbehavior. [via mefi projects]
Velma "Velveteen" Martinez is a toy-animating super hero created by Seanan McGuire, a.k.a. Mira Grant. Over the past six years, McGuire's "Velveteen vs." story cycle has been released gradually on LiveJournal, achieving a dedicated following thanks to the story's overall emotional complexity. As fantasy author Tanya Huff has written, "Velveteen is about a young woman who fights crime in a pair of rabbit ears in much the same way Buffy was about a girl who killed vampires. That being, not so much." [more inside]
I am not as self-righteous as the way I am talking to you all. Actually I never got the opportunity to express myself. I grew up with my head bent, occupied the lowest place in my family and was surviving under the radar as a member of my family. But later I met a woman who was like a mother to me, and she told me that I was an amazing woman, a hero. I may not have the body of Joan of Arc, but I have sacrificed what is most precious to me – my womanhood, for my country. But you will never see our names engraved in a tower. The reason for this omission is likely their own shame. They could not protect me from the hands of disaster. In what face would they applaud the fact that I am a war heroine? I have been ridiculed and shamed in cruel and heartless ways, but somehow a power greater than me has helped me keep my head high.Rape survivors of the 1971 Bangladesh Liberation War were given the title "Birangona": an attempt by the first president of Bangladesh, Sheikh Mujibur Rahman, to respect the sacrifices of these women that sadly backfired. Ami Birangona Bolchi by Bangladeshi academic and social worker Nilima Ibrahim, published in 1994, chronicles first-hand stories of these women, grappling with the tension between their status and their lived experience. Recently there have been multiple translations of Nilima's work, as well as more interviews and poetry as well as an upcoming British stage production.
On Tim Wagner's instagram account, everything, from everyday items to persons of interest, comes with an elaborate backstory.