Supposed Histories: meet a genetic terrorist, someone with equitrichosis, and a professional suicide-note writer. [more inside]
There’s an old dream in game design. It drives the design of games like SimCity, Dwarf Fortress, Tropico, The Sims, and Prison Architect. I like to call it the Simulation Dream. - Bioshock Infinite designer Tynan Sylvester on games, complexity, stories and simulation.
“We did our first show in a bar...all of a sudden, the whole room was quiet. And then we got everyone to sit on the floor cross-legged to watch our crankies.” [more inside]
Sarah Polley, previously, is a Canadian actress and director whose new documentary Stories We Tell is about her own family's story. Or stories. And how storytelling shapes us. Sarah Polley's Meta Masterpiece [more inside]
Frequently dismissed as trivial or unimportant because untrue, rumors are a potent in the information war that characterizes contemporary conflicts, and they participate in significant ways in the struggle for the consent of the governed. As narrative forms, rumors are suitable to a wide range of political expression, from citizens, insurgents, and governments alike. The authors make a compelling argument for understanding rumors in these contexts as "narrative IEDs," low-cost, low-tech weapons that can successfully counter elaborate and expansive government initiatives of outreach campaigns or strategic communication efforts.Narrative Landmines - The Explosive Effects of Rumors in Syria and Insurgencies Around the World [more inside]
Every film Pixar has produced has landed in the top fifty highest-grossing animated films of all time. What's their secret? Mathematics. Oh, and 22 Rules of Storytelling. [more inside]
So if I'm thinking about this talk, I'm wondering, of course, what is it you take away from this talk? What story do you take away from Tyler Cowen? One story you might take away is the story of the quest. "Tyler came here, and he told us not to think so much in terms of stories." That would be a story you could tell about this talk. It would fit a pretty well-known pattern. You might remember it. You could tell it to other people. "This weird guy came, and he said not to think in terms of stories. Let me tell you what happened today!" and you tell your story. Another possibility is you might tell a story of rebirth. You might say, "I used to think too much in terms of stories, but then I heard Tyler Cowen, and now I think less in terms of stories!" That too, is a narrative you will remember, you can tell to other people, and it may stick. You also could tell a story of deep tragedy. "This guy Tyler Cowen came and he told us not to think in terms of stories, but all he could do was tell us stories about how other people think too much in terms of stories." Tyler Cowen's TED talk on the danger of storytelling. (transcript here)
How to Tell a Story. "The humorous story is strictly a work of art--high and delicate art-- and only an artist can tell it; but no art is necessary in telling the comic and the witty story; anybody can do it. The art of telling a humorous story--understand, I mean by word of mouth, not print--was created in America, and has remained at home." That Itchy Chick | You Should Have Seen The Old Man [more inside]
In 1974 - or 1976, depending who you ask - Armistead Maupin began writing "an extended love letter to a magical San Francisco” in the form of a serialized, fictional drama published originally in the Pacific Sun, the San Francisco Chronicle and the San Francisco Examiner, originally called "The Serial" which then became collectively known as Tales of The City. It is a suprisingly beautiful, deep, emotional, cosmopolitan and lasting tale about life in San Francisco in the turbulent, heady days of the 1970s and 1980s. Widely credited with and cherished for helping spread a little of the openess, tolerance and acceptance that San Francisco is now famous for. It then became a series of books - Tales of the City, More Tales of the City, Further Tales of the City, Babycakes, Significant Others, Sure of You - and lastly, the spin-off tale of Michael Tolliver Lives. Almost exactly twenty years after first publishing, it then became an excellent miniseries from the United Kingdom's Channel 4, which aired in the United States on PBS, but not without protest or limitations. [more inside]
Ficlets are extremely short stories (a maximum of 1024 characters). Other writers swoop in and write prequels and sequels to your ficlet, making interesting branching narratives a la Create Your Own Adventure.